A compendium of thirty-five incredible female pop stars whose energies, virtues, and vices make them the ideal role models for our age—powerful women who can teach us all how to discover our own inner goddess. We are living in the age of the music goddess: Beyoncé. Lady Gaga. Taylor Swift. Katy Perry. Britney. Nicki Minaj. Cardi B. Pink. Madonna. Rihanna. Gwen Stefani. Alicia Keys. Kelly Clarkson. Never before have so many women dominated their industry and pop culture itself with such creativity, passion, and force. Visionary and ferociously talented, these women are reshaping our society and our lives. In this stunningly designed compendium, Jennifer Armstrong offers an intimate, up-close look at thirty-five of pop music’s most revered goddesses, analyzing their performances, songs, videos, interviews, social media, activism, and personal lives to illuminate their significance for both critics and fans. These divas post astounding album sales, enjoy millions of radio plays, YouTube views, and social media followings, and sell out stadiums. While we are awed and inspired by their success, we worship them for so much more. Beyoncé’s work ethic. Nicki Minaj’s no-bullshit attitude. Taylor Swift’s relatability. Pink’s sense of social justice. Jennifer Lopez’s transformation from “Jenny from the block” to fashion icon. Each of these goddesses speaks to us in her own unique way. Beyoncé is our superhuman alter ego; Britney is our survival instinct. Armstrong pairs each pop star goddess with a corresponding goddess from ancient cultures, and offers advice on how to invoke the pop star goddess’s energy in your own life, providing journal prompts and a Power Song List that allows you harness the power of a particular pop goddess’s energy when you need it. Filled with information, advice, insights, playlists, and forty gorgeous color illustrations, Pop Star Goddess will help you tune in and turn on your own divine energy. The Pop Star Goddesses are: Beyoncé, Britney Spears, Kelly Clarkson, Taylor Swift, M.I.A., Nicki Minaj, Cardi B, Lady Gaga, Carla Bruni, Pink, JLo, Kesha, Rihanna, Janelle Monae, Gwen Stephani, Alicia Keys, Katy Perry, Demi Lovato, Jennifer Hudson, Mariah Carey, Adele, Missy Elliott, Shakira, Solange, Miranda Lambert, Celine Dion, Sia, Queen Latifah, SZA, Kacey Musgraves, Mary J. Blige, Christina Aguilera, Laura Jane Grace, Ariana Grande, Carly Rae Jepsen.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica} Bonjour, Paris! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica} Yeah, baby, she’s got it. Jordan’s body, that is, and “she” is Aphrodite. Bored with life in wherever it is Greek goddesses hang out, she’s decided she prefers Paris. And Jordan is stuck in Hades with Aphrodite’s usual main squeeze Ares. As if that wasn’t bad enough, time is running out; and if she can’t get Aphrodite back to the Eiffel Tower by midnight, she’ll be trapped in Greek mythology forever.

Goddess is the book that Madonna and her entourage did not want published. Long before the star could instruct her family and friends not to talk to the author, Barbara Victor spent more than eighteen months in Michigan, the United Kingdom, France, Italy, California, New York, and Florida, interviewing Madonna's father and stepmother, her grandmother and other family members, as well as friends, neighbors, business associates, and former lovers and colleagues, some of whom knew the Ciccone family from the time Madonna was a young child, many of whom have never before spoken either on or off the record. In this extraordinary biography, Barbara Victor taps into previously unexplored sources to unmask the privet person behind the public image. As a result of her extensive research, Victor casts new light on every aspect of Madonna's career and private life -- from her childhood in Michigan to her early years in New York, from meteoric ascent to stardom to her most recent incarnation as an English wife and mother. After almost two decades, since she first appeared in the international music scene, Madonna continues to fascinate and challenge both her fans and her detractors. With her remarkable ability to reinvent herself -- from diva to provocateur, from artist to mogul -- she continues to command more attention and arouse more controversy than any other public figure of our time. Alternately criticized and revered, Madonna consistently and dramatically sets style, social, sexual, and musical trends and yet she remains an enigma to her public, keeping her most intimate identity hidden from all but her closest friends. Goddess offers explosive new revelations about Madonna's life, her career, and the fact or fantasy of her lesbian and heterosexual relationships. Barbara Victor has written the definitive biography about a woman who gives new meaning to the term superstar.

“Smart, fast, clever, and funny (As f*ck!)” (Tiffany Haddish), this collection of side-splitting and illuminating essays by the popular stand-up comedian, alum of Chelsea Lately and The Mindy Project, and host of truTV’s Talk Show the Game Show is perfect for fans of the New York Times bestsellers Why Not Me? by Mindy Kaling and We Are Never Meeting in Real Life by Samantha Irby. From a young age, Guy Branum always felt as if he were on the outside looking in. From a stiflingly boring farm town, he couldn’t relate to his neighbors. While other boys played outside, he stayed indoors reading Greek mythology. And being gay and overweight, he got used to diminishing himself. But little by little, he started learning from all the sad, strange, lonely outcasts in history who had come before him, and he started to feel hope. In this “singular, genuinely ballsy, and essential” (Billy Eichner) collection of personal essays, Guy talks about finding a sense of belonging at Berkeley—and stirring up controversy in a newspaper column that led to a run‑in with the Secret Service. He recounts the pitfalls of being typecast as the “Sassy Gay Friend,” and how, after taking a wrong turn in life (i.e. law school), he found stand‑up comedy and artistic freedom. He analyzes society’s calculated deprivation of personhood from fat people, and how, though it’s taken him a while to accept who he is, he has learned that with a little patience and a lot of humor, self-acceptance is possible. “Keenly observant and intelligent, Branum’s book not only offers uproarious insights into walking paths less traveled, but also into what self-acceptance means in a world still woefully intolerant of difference” (Kirkus Reviews, starred review). My Life as a Goddess is an unforgettable and deeply moving book by one of today’s most endearing and galvanizing voices in comedy.

Throbbing disco beats boom at the club. Crowds move to the lively beat of dance pop hits. Fans scream and cheer for teen idols. These are the sounds of pop. After Elvis hit the scene in the 1950s, a distinct youth taste in popular music began to emerge. The sound of pop music has varied greatly in the decades since Elvis, ranging from rock to disco to boy bands to dance pop. But all pop music is defined by catchy melodies and a broad appeal to teens. Find out how it all began. Learn about MTV's role in shaping pop music. Discover the stories of bubblegum pop groups, family bands, dance-pop idols, and disco sensations. And read more about legends such as Paul Anka, Madonna, the Jackson Five, and Katy Perry.

When God Lost Her Tongue explores historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women’s transatlantic histories are re-imagined and politicized in our contemporary moment. Connecting select historical case studies – from the Caribbean, the African continent, North America, and Europe – while also examining the retelling of these histories in the work of present-day writers and artists, Janell Hobson utilizes a Black feminist lens to rescue the narratives of African-descended women, which have been marginalized, erased, forgotten, and/or mis-remembered. African goddesses crossing the Atlantic with captive Africans. Women leaders igniting the Haitian Revolution. Unnamed Black women in European paintings. African women on different sides of the "door of no return" during the era of the transatlantic slave trade. Even ubiquitous "Black queens" heralded and signified in a Beyoncé music video or a Janelle Monáe lyric. And then there are those whose names we will never forget, like the iconic Harriet Tubman. This critical interdisciplinary intervention will be key reading for students and researchers studying African American women, Black feminisms, feminist methodologies, Africana studies, and women and gender studies.

She Is Everywhere! Volume 3 presents a bold, brave, and beautiful compilation of womanist/feminist essays, poems, and artwork showcasing work from an international community of women and men who honor the Sacred Female. The fifty contributors in this anthologyscholars, creative writers, and visual artistsshare their vision for a world that reclaims the inviolability of the Divine Female in all Her many and varied manifestations. She Is Everywhere! Volume 3 is the latest edition of a leading-edge series which, like its predecessors, offers an invaluable contribution to womens spirituality, religion, philosophy, and womens studies. The contemporary voices contained within its pages echo an ancient clarion call to embrace the values of justice with compassion, equality for all people, and transformation. We have a calling in this worldnamely, to prevent the destruction from continuing. Claudia von Werlhof I am in the presence of a divine Mother, and She is fulfilling a deep longing inside of me. Nicole Margiasso-Tran She was, I am, my daughter is because we are all Her. Etoyle McKee Just as dark matter (mother) in space shapes galaxies and holds them together, we are shaped and held by the African Dark Mother who has given us Her life force, and resides in the very depths of our being, where the macrocosm is literally reflected in the microcosm. Leslene della-Madre