A compelling, terrifying story of a devastating virus. You catch it in conversation, and once it has you, it leads you into another world where the undead chase you down the streets

A compelling, terrifying story of a devasting virus. Have you ever imagined what it would be like to kill someone, or wondered, in your darkest secret thoughts, about the taste of human flesh? What if you woke up and began your morning by devoting the rest of your life to a murderous rampage, a never-ending cannibalistic spree? And what if you were one of thousands who shared the same compulsion? This book depicts just such as an epidemic. You catch it through conversation and it leads you into another world where the undead chase you down the streets.

The compelling, terrifying story of a devastating virus. Have you ever imagined what it would be like to kill someone? Wondered, in your darkest secret thoughts, about the taste of human flesh? What if you woke up and began your morning by devoting the rest of your life to a murderous rampage, a never-ending cannibalistic spree? And what if you were only one of thousands who shared the same compulsion? Well, today's your lucky day: in fact, by this afternoon, the predators will outnumber the prey. Pontypool Changes Everything depicts just such an epidemic. It's the compelling, terrifying story of a devastating virus. You catch it through conversation, and once it has you, it leads you on a strange journey - into another world where the undead chase you down the streets of the smallest towns and largest cities.

A new play from acclaimed writer Tony Burgess, author of the wildly successful novel, Pontypool Changes Everything. In the sleepy town of Pontypool, Ontario, no one is safe from an epidemic so devastating it will leave you literally speechless.

Three celebrated books - all of which harbour a twisted ambition to physically alter your imagination - together for the first time. The Hellmouths of Bewdley is a series of 16 stories hiding in a novel about a small town in Ontario's cottage country. Pontypool Changes Everything is the terrifying story of a devastating virus. In Caesarea, everybody's embarrassed and nobody is mentioning the mess. Caesarea, you see, is the town that can't get to sleep at night. The Bewdley Mayhem combines these three classic horror tales, each of which has its own twisted humour.

The third and final installment of the trilogy, this novel reveals the what happens in a town that can't get to sleep at night, where everybody's embarrassed but nobody is mentioning the mess. The book asks questions the town doesn't want answered, such as Who's been sleeping in your bed? You're safe when you lock your front door, right? Not in this town, the story reveals.

“The world of Tony Burgess is savage and blackly funny . . . It’s a place where you shouldn’t trust anybody, not even your narrator” (Uptown). Idaho Winter is a boy who, through no fault of his own, is loathed by everyone in his town. His father feeds him roadkill for breakfast, the crossing guard steers cars toward him as he crosses the road, and parents encourage their children to plot against him. That is, until he meets a young girl named Madison who empathizes with his suffering. But when Madison is attacked by dogs meant to harm Idaho, Idaho gets up and runs home, changing the course of the entire story . . . Idaho soon learns that his suffering has been cruelly designed by a clumsy writer who has made his book meaner than all the others to make it stand out. With this information, Idaho has become armed with the knowledge that the entire world is invented, and that he now has the power to change things—in a novel that is both “one of the finest parodies ever penned of the stereotypically didactic young adult novel” (Macleans) and “the most brilliantly terrifying dream you’ve ever had” (The Globe and Mail, Toronto). “[Burgess] proves himself to be a witty, lightning-quick conjurer of misanthropy in this brief, kaleidoscopic novel,” a nominee for the Trillium Award (Publishers Weekly). “An incredibly rich and thought provoking read about the theory of storytelling.” —subTerrain