In more than a metaphorical sense, the womb has proven to be an important site of political struggle in and about Africa. By examining the political significance—and complex ramifications—of reproductive controversies in twentieth-century Kenya, this book explores why and how control of female initiation, abortion, childbirth, and premarital pregnancy have been crucial to the exercise of colonial and postcolonial power. This innovative book enriches the study of gender, reproduction, sexuality, and African history by revealing how reproductive controversies challenged long-standing social hierarchies and contributed to the construction of new ones that continue to influence the fraught politics of abortion, birth control, female genital cutting, and HIV/AIDS in Africa.

In Policing the Womb, Michele Goodwin explores how states abuse laws and infringe on rights to police women and their pregnancies. This book looks at the impact of these often arbitrary laws which can result in the punishment, incarceration, and humiliation of women, particularly poor women and women of color. Frequently based on unscientific claims of endangering a fetus, these laws allow extraordinary powers to state authorities over reproductive freedom and pregnancies. In this book, Michele Goodwin discusses real examples of women whose pregnancies have been controlled by the law and what has led to the United States being the deadliest country in the developed world for a woman to be pregnant.

Among life’s choices is to have children or remain childfree. Yet those who want a child and find themselves unable, live through the trauma of ‘infertility’—cruelly attributed as ‘their fault’—to undergo the tribulations of assisted reproductive technology. But how safe is aggressive Ivf, invasive Icsi, exploitative ovarian hyper-stimulation and commercial surrogacy? Politics of the Womb proves that there can be broken babies and breaking mothers; it rips away the romanticism around uterus transplants, warns of genetic theft and ‘designer babies’, and points to the human element being sacrificed, as artificial reproduction uses, reuses and recycles the woman. Pinki Virani combines investigation with analysis to question those who lead the worldwide onslaught on the woman’s womb in the name of babies, and squarely confronts what has become the business of baby-making by a chain of suppliers that manufactures on demand. Written in a manner accessible to all, here finally is a path-breaking book which speaks up, in no uncertain terms, for the right to informed choice on responsible reproduction.

From the FDA review of RU-486 to the recent growth of fertility clinics to the rights of lesbian parents, women's reproductive lives are aggressively regulated by law and medicine. While a great deal has been written on such issues as abortion and postpartum depression, no single volume has offered a broad discussion of the interface between the legal, medical, and political aspects of women's reproduction in a manner accessible and informative to non-specialists.The Wandering Uterus fills that gap. Taking her title from an ancient Greek belief that women's health problems were caused by a wandering uterus that needed to be confined and controlled, Meyer exposes the way in which myths and prejudice about female sexuality continue to influence the practice of law and medicine today.This book offers new insights and provides a wealth of up-to- date information on a subject that changes every day. The text is divided into three main parts: political issues of pre- conception, the politics of pregnancy, and the politics of motherhood. Throughout, Meyer argues passionately that while technology and medicine must progress, they should not be allowed to do so at women's expense.

With over 400 A-Z entries, this new dictionary provides clear and authoritative definitions of terms within the fast-growing field of African Politics. It includes coverage on elections, parties and judiciaries, but also popular protest, gender-relations, the politics of development, and Africa's international relations. Entries comprise of major events and figures within African Politics, including the East African Community and independance, as well as covering key terms of particular relevance to Africa such as neopatrimonialism, queue voting, and post-conflict power sharing. Written by a world-leading political scientist working on the area of African politics, this dictionary is an essential guide for both undergraduate and postgraduate students as well as academics, journalists, and researchers working on African politics alike.

In the 1960s thousands of poor women of color on the (post)colonial French island of Reunion had their pregnancies forcefully terminated by white doctors; the doctors operated under the pretext of performing benign surgeries, for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Reunion were manifestations of the legacies of the racialized violence of slavery and colonialism.

Womb Fantasies examines the womb, an invisible and mysterious space invested with allegorical significance, as a metaphorical space in postwar cinematic and literary texts grappling with the trauma of post-holocaust, postmodern existence. In addition, it examines the representation of visible spaces in the texts in terms of their attribution with womb-like qualities. The framing of the study historically within the postwar era begins with a discussion of Eero Saarinen’s Womb Chair in the context of the Cold War’s need for safety in light of the threat of nuclear destruction, and ranges over films such as Marguerite Duras’ and Alan Resnais’ film Hiroshima mon amour and Duras’ novel The Vice-Consul, exploring the ways that such cultural texts fantasize the womb as a response to trauma, defined as the compulsive need to return to the site of loss, a place envisioned as both a secure space and a prison. The womb fantasy is linked to the desire to recreate an identity that is new and original but ahistorical.