​This book provides a newer definition of political scandal and applies it in a way to remove “ordinary corruption” from the discussion. It then defines pop culture and examines how scandal and pop culture interact. The discussion addresses the question: when does a scandal actually enter into our pop culture. The mechanisms or vehicles by which this occurs include editorial cartoons, Broadway shows, music, movies, television, and more. The first chapter lays out the two main definitions and gives a bit of historical background to the discussion that follows. Chapters 2 through 8 deal with scandals from Watergate to the Trump Administration and from presidents to members of Congress and governors. Chapter 9 ties all of the previous discussion together and makes an assessment of the contemporary state of scandal and pop culture. This book works well as a supplement in a course on American Government, in American Studies, and is aimed at a wide range of readers from college freshmen to more advanced scholars and political junkies.

By exploring how scandals fuel mass media and popular culture, this book should stimulate discussion about the subject.

Alexander Cockburn was without question one of the most influential journalists of his generation, whose writing stems from the best tradition of Mark Twain, H.L. Menchken and Tom Paine. Colossal Wreck, his final work, finished shortly before his death in July 2012, exemplifies the prodigious literary brio that made Cockburn’s name. Whether ruthlessly exposing Beltway hypocrisy, pricking the pomposity of those in power, or tirelessly defending the rights of the oppressed, Cockburn never pulled his punches and always landed a blow where it mattered. In this panoramic work, covering nearly two decades of American culture and politics, he explores subjects as varied as the sex life of Bill Clinton and the best way to cook wild turkey. He stands up for the rights of prisoners on death row and exposes the chicanery of the media and the duplicity of the political elite. As he pursues a serpentine path through the nation, he charts the fortunes of friends, famous relatives, and sworn enemies alike to hilarious effect. This is a thrilling trip through the reefs and shoals of politics and everyday life. Combining a passion for the places, the food and the people he encountered on dozens of cross-country journeys, Cockburn reports back over seventeen years of tumultuous change among what he affectionately called the “thousand landscapes” of the United States.

Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display. The Encyclopedia of Politics, the Media, and Popular Culture examines the people, major events, media, and controversies in eight thematic chapters and over 150 entries to provide an invaluable resource for any student, scholar, or everyday political junkie needing a comprehensive introduction to the subject. On a typical weeknight in the United States, millions shun the traditional evening network news broadcasts and, instead, later grab their remotes to turn to Comedy Central to catch up on the political happenings of the day, delivered by the comedian Jon Stewart on the faux news program, The Daily Show. Immediately afterwards, they might stay tuned to The Colbert Report for another dosage of hilarious, fake news that, to them, comes across more honestly than the serious version they could watch on CNN. Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display. The Encyclopedia of Politics, the Media, and Popular Culture provides in-depth coverage of these fascinating, and often surprising intersections in both historical and contemporary culture. This highly readable and entertaining encyclopedia provides a sweeping survey of the historic and ongoing interplay between politics, the media, and popular culture in eight thought-provoking chapters. The volume is enhanced with the inclusion of over 150 entries to help students and researchers easily locate more in-depth information on topics ranging from political scandals to YouTube.

The crisis of mistrust in American politics.

One of the most popular shows to come out of Shondaland, Shonda Rhimes’s production company, is ABC’s political drama Scandal (2012–18)—a series whose tremendous success and marketing savvy led LA Times critic Mary McNamara to hail it as “the show that Twitter built” and Time magazine to name its protagonist as one of the most influential fictional characters of 2013. The series portrays a fictional Washington, DC, and features a diverse group of characters, racially and otherwise, who gather around the show’s antiheroine, Olivia Pope, a powerful crisis manager who happens to have an extramarital affair with the president of the United States. For seven seasons, audiences learned a great deal about Olivia and those interwoven in her complex world of politics and drama, including her team of “gladiators in suits,” with whom she manages the crises of Washington’s political elite. This volume, named for both Olivia’s team and the show’s fans, analyzes the communication, politics, stereotypes, and genre techniques featured in the television series while raising key questions about the intersections of race, gender, sexuality, and viewing audiences. The essays range from critical looks at various members of Scandal’s ensemble, to in-depth analyses of the show’s central themes, to audience reception studies via interviews and social media analysis. Additionally, the volume contributes to research on femininity, masculinity, and representations of black womanhood on television. Ultimately, this collection offers original and timely perspectives on what was one of America’s most “scandalous” prime-time network television series.

Bringing together well-established scholars of media, political science, sociology, and film to investigate the representation of Washington politics on U.S. television from the mid-2000s to the present, this volume offers stimulating perspectives on the status of representations of contemporary US politics, the role of government and the machinations and intrigue often associated with politicians and governmental institutions. The authors help to locate these representations both in the context of the history of earlier television shows that portrayed the political culture of Washington as well as within the current political culture transpiring both inside and outside of "The Beltway." With close attention to issues of gender, race and class and offering studies from contemporary quality television, including popular programmes such as The West Wing, Veep, House of Cards, The Americans, The Good Wife and Scandal, the authors examine the ways in which televisual representations reveal changing attitudes towards Washington culture, shedding light on the role of the media in framing the public’s changing perception of politics and politicians. Exploring the new era in which television finds itself, with new production practices and the possible emergence of a new ’political genre’ emerging, Politics and Politicians in Contemporary U.S. Television also considers the ’humanizing’ of political characters on television, asking what that representation of politicians as human beings says about the national political culture. A fascinating study that sits at the intersection of politics and television, this book will appeal to scholars of popular culture, sociology, cultural and media studies.