Whether aesthetically or politically inspired, graffiti is among the oldest forms of expression in human history, one that becomes especially significant during periods of social and political upheaval. With a particular focus on the demographic, ecological, and economic crises of today, this volume provides a wide-ranging exploration of urban space and visual protest. Assembling case studies that cover topics such as gentrification in Cyprus, the convulsions of post-independence East Timor, and opposition to Donald Trump in the American capital, it reveals the diverse ways in which street artists challenge existing social orders and reimagine urban landscapes.

As an evolving and contested field, urban design has been made, unmade, and remade at the intersections of multiple disciplines and professions. It is now a decisive moment for urban design to reflect on its rigour and relevance. This handbook is an attempt to seize this moment for urban design to further develop its theoretical and methodological knowledge base and engage with the question of "what urban design can be" with a primary focus on its research. This handbook includes contributions from both established and emerging scholars across the global North and global South to provide a more field-specific entry point by introducing a range of topics and lines of inquiry and discussing how they can be explored with a focus on the related research designs and methods. The specific aim, scope, and structure of this handbook are appealing to a range of audiences interested and/or involved in shaping places and public spaces. What makes this book quite distinctive from conventional handbooks on research methods is the way it has been structured in relation to some key research topics and questions in the field of urban design regarding the issues of agency, affordance, place, informality, and performance. In addition to the introduction chapter, this handbook includes 80 contributors and 52 chapters organised into five parts. The commissioned chapters showcase a wide range of topics, research designs, and methods with references to relevant scholarly works on the related topics and methods.

Demirsu offers an engaging comparative analysis of antagonistic social actors co-existing in Verona, a mid-sized city in northeast Italy renowned as the fortress of the far-right. This rich multidimensional analysis explores the intersection of space, identity, and social movements, by delving into the evolution of competing actors and their contending positions on identity and belonging as manifested through urban spaces. While the city and its touristic heritage are promoted for a transnational identitarian network, the protracted struggles of grassroots actors demonstrate democratic potentials for the bottom-up realization of inclusive and pluralist possibilities in hostile settings. The book traces the ways in which collective identity and collective action of social actors are shaped by their relationship to the space in which they operate, with ramifications for places beyond.

This book explores political graffiti in Northern Ireland and Palestine, analyzing how oppressed communities use it for resistance and community building. It also investigates the evolution of graffiti's meaning, defacement, community responses, and the privileged critics of politically themed art.

This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists. The book is a collection of approaches from several disciplines where the spatial, conceptual, and theoretical hierarchies and biased assumptions of ‘peripheries’ are challenged. Chapters provide a diverse collection of viewpoints, analyses, and provocations on ‘peripherality’ through bringing together international specialists to discuss the socio-political, aesthetic, artistic, ethical, and legal implications of ‘peripheral approach.’ The aim is to illuminate the existing, hidden, often incommensurable, and controversial margins in the society at large from equal, ethical, and empathic perspectives. The book is designed to assist established researchers, academics, and students across disciplines who wish to incorporate novel, arts and practice-based research and critical approaches in their research projects, artwork, and academic writing. Providing both a consolidated understanding of the peripheries, visual studies, and artistic research as they are and setting expansive and new research insights and practices, this book is essential reading for scholars of arts and humanities, visual culture, art history, design, philosophy, and cultural studies.

"Beginning in October 2019, Chile was convulsed by protests and political upheaval, as what began as civil disobedience transformed into a vast resistance movement. Throughout, one of the most striking aspects of the protests was the murals, graffiti, and other political graphics that became ubiquitous in Chilean cities. In this fascinating, beautifully illustrated book, Terri Gordon-Zolov and Eric Zolov-who were in Santiago to witness and document the protests from their very beginnings -offer a vivid catalog of Chilean wall art in all its vitality, subtlety, and inventiveness, along with reflections on its artistic antecedents, the context of global protest movements, and the long shadow cast by Chile's authoritarian past"--

In this book, the authors present a combination of research-by-design, place-based, and policy-oriented approaches to the territorial fragilities of Nicosia. Nicosia, in Cyprus, is a city divided. Since 1974, a 180 km long Buffer Zone has separated the Turkish Republic of Northern Cyprus (TRNC) and the Republic of Cyprus (RoC). This "open wound" cuts through the city's historical center, crossing the Venetian walls, a key cultural heritage asset, and impacting the city's spatial and cultural identity. Outcomes of an inter-doctoral research initiative, this edited book documents the local realities of the divided city and tests scenarios and spatial patterns of intervention to cope with the partition through the enhancement of local cultural heritage. The book targets an academic audience, architects, urban planners, heritage preservation professionals and policymakers, providing a transferable research method relevant to those approaching a complex, fragile, and contested "border territory".