This volume covers research paradigms regarding the shifts in political discourse and the media in times of continuous crisis. In particular, in the covid-era Europe is facing a second consecutive crisis, after the financial, social and political crisis in 2008.

This edited volume explores the media and political discourses during the COVID-19 crisis across thirteen nations. Despite warnings that a global pandemic was a matter of if rather than when, the virus caught governments worldwide unaware. The nature, extent and timespan of governmental responses varied significantly from country to country, but a number of features were common to all. The nation became the frame of reference used in an attempt to make sense of the crisis, to keep citizens united, to gain their trust, and to ensure compliance with unprecedented health mandates. With the same purpose, there was a recourse to ‘non-ideological’ values and narratives (sometimes abstract, sometimes political) that could be accepted by all stakeholders. The analyses evidence the perception of the fragility of liberal democracy, caused by too much political and media consensus, by too much political and media dissent and by the threat of populism. The wide-ranging scope and multi-perspective methodology of the analyses offered in this book are an essential reading for academics and students of Media Studies, Politics, Political Communication, and Discourse Analysis and their associated disciplines. Written in accessible language, this volume (full of insightful and at times surprising ideas) will be of interest for all those keen to understand the role of political and media discourse in the communication of the COVID-19 crisis and its wider implications for liberal democracies.

How is ‘crisis’, one of the most resonating words in the modern world, related to the mass media? Is crisis independent of the discourse practices of media text and talk? This book is a collection of studies that brings together current research into the ways in which crisis is constructed and communicated in contemporary media discourse. Studies in this book advance our understanding of crises as social events that are discursively constructed, performed, responded to, but also ‘rehearsed’ as a form of social practice. Relying on the application of techniques of discourse analysis and critical discourse analysis (CDA), including visual analysis, the book provides a wealth of empirical evidence on how crisis is mediated across a range of written, oral and visual media. The book will be of interest to students and scholars of media, who combine an interest in discourse analysis with disciplines as diverse as media and cultural studies, political communication, and sociology.

This book represents a significant contribution to the discussion on the part played by communication, especially in its mediated forms, in people’s lives, dwelling on the nature of the relationship between the notion of power and the media in current Western societies. The media have dramatically increased their capacity to exercise their symbolic force over other fields of cultural production, by partly structuring those intrinsic rules, values, and practices that organize, for example, the political system or the academic world from the inside. On the other hand, the media are intertwined environments subjected to the influence of other cultural, economic, and political forces, which, in turn, reveal themselves to be capable of framing reality through the media themselves. Particularly focusing on the topic of the economic crisis, the various chapters of this edited volume highlight how the relationship between the media and other forces capable of pervasively exercising their power appears to be, paradoxically, as strict as it is opaque. Social media and smart mobile technologies have increasingly affected the modalities whereby other institutions and organizations reflect on themselves and develop their worldviews. At the same time, however, politics and economics experts and strategists have all learned how to ‘exploit’ this potential for their own purposes. Detecting the opacity that characterizes this form of ‘exploitation’ is the first step in the acknowledgment of this phenomenon.

Discourse and Crisis: Critical perspectives brings together an exciting collection of studies into crisis as text and context, as unfolding process and unresolved problem. Crisis is viewed as a complex phenomenon that – in its prevalence, disruptiveness and (appearance of) inevitability – is both socially produced and discursively constituted. The book offers multiple critical perspectives: in-depth linguistically informed analyses of the discourses of power and collaboration implicated in crisis construal and recovery; detailed examination of the critical role that language plays during the crisis life-cycle; and further problematization of the semiotic-material complexity of crisis and its usefulness as an analytical concept. The research focus is on the discursive and interactive mediation of crisis in organizational, political and media texts. The volume contains contributions from across the world, offering a polyphonic overview of ‘discourse and crisis’ research. This impressive volume will be useful to researchers and academics working on the intersection of crisis, language and communication. It is also of interest to practitioners in organizational management, politics and policy, and media.

This edited collection compares and analyses the most prominent political communicative responses to the outbreak and global spread of the COVID-19 strain of coronavirus within 27 nations across five continents and two supranational organisations: the EU and the WHO. The book encompasses the various governments’ communication of the crisis, the role played by opposition and the vibrancy of the information environment within each nation. The chapters analyse the communication drawing on theoretical perspectives drawn from the fields of crisis communication, political communication and political psychology. In doing so the book develops a framework to assess the extent to which state communication followed the key indicators of effective communication encapsulated in the principles of: being first; being right; being credible; expressing empathy; promoting action; and showing respect. The book also examines how communication circulated within the mass and social media environments and what impact differences in spokespersons, messages and the broader context has on the success of implementing measures likely to reduce the spread of the virus. Cumulatively, the authors develop a global analysis of the responses and how these are shaped by their specific contexts and by the flow of information, while offering lessons for future political crisis communication. This book will be of great interest to students and researchers of politics, communication and public relations, specifically on courses and modules relating to current affairs, crisis communication and strategic communication, as well as practitioners working in the field of health crisis communication. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Thanks to the support of libraries working with Knowledge Unlatched www.knowledgeunlatched.org

This edited collection provides an in-depth, interdisciplinary critique of the acts of public communication disseminated during a major global crisis. Encompassing contributions from academics working in the fields of politics, environmentalism, citizens’ rights, state theory, cultural studies, journalism, and discourse/rhetoric, the book offers an original insight into the relationship between the various social forces that contributed to the ‘Covid narrative’. The subjects analysed here include: the performance of the ‘mainstream’ media, the quality of political ‘messaging’ and argumentation, the securitised state and racism in Brazil, the growth of ‘catastrophic management’ in UK universities, emergent journalistic practices in South Africa, homelessness and punitive dispossession, the pandemic and the history of eugenics, and the Chinese media’s attempt to disguise discriminatory practices. This is one of the first comparative studies of the various rationales offered for state/corporate intervention in public life. Delving beneath established political tropes and state rhetoric, it identifies the power relations exposed by an event that was described as unprecedented and unique, but was in fact comparable to other major global disruptions. As governments insisted on distinguishing their own propaganda from unregulated disinformation, their increasingly sceptical ‘publics’ pursued their own idiosyncratic solutions to the crisis, while the apparent sacrifice of a host of citizens – from the most dedicated to the most vulnerable – suggested that inequality and exploitation remained at the heart of the social order. Power, Media, and the Covid-19 Pandemic is essential reading for students, researchers and academics in media, communication and journalism studies, politics, environmental sciences, critical discourse analysis, cultural studies, and the sociology of health.