This book raises questions about cultural interventions, an area of investigation somewhat overlooked in place of developing a critique of political interventions. Whilst political interventions are more explicit, coercive, and have a wide-reaching impact, it is important also to examine the way culture is used in attempts to reconstruct society and peoples - the ‘soft’ side of statebuilding, where heritage is utilised to play a role in the construction of the nation and the people, in memory and identity. For it can play a role in legitimizing myths and identifying symbolic, historic events, and implicitly informs the construction of infrastructure, institutions, and other aspects of civic life. Contributors from the fields of politics, anthropology, archaeology, and sociology examine interventions in state and nation building through cultural methods, the ‘soft’ side of statebuilding, including the preservation and promotion of certain heritage, the politics of remembrance and monument building, and the repatriation of human remains and artefacts to communities in the name of making reparations for past atrocities. These are timely contributions. Heritage and cultural is too often considered in terms of how tourism might contribute to the economy post-conflict, neglecting the construction of meaning and memory through decisions about is what is preserved or not. It will be of special interest to those in the field of cultural studies, archaeology, and politics as well as international relations. This book was published as a special issue of the Journal of Intervention and Statebuilding.

This book focuses on transformations of political culture from times past to future-present. It defines the meaning of political culture and explores the cultural values and institutions of kinship communities and dynastic intermediaries, including chiefdoms and early states. It systematically examines the rise and gradual universalization of modern sovereign nation-states. Contemporary debates concerning nationality, nationalism, citizenship, and hyphenated identities are engaged. The authors recount the making of political culture in the American nation-state and look at the processes of internal colonialism in the American experience, examining how major ethnic, sectarian, racial, and other distinctions arose and congealed into social and cultural categories. The book concludes with a study of the Holocaust, genocide, crimes against humanity, and the political cultures of violation in post-colonial Rwanda and in racialized ethno-political conflicts in various parts of the world. Struggles over legitimacy in nation-building and state-building are at the heart of this new take on the important role of political culture.

For introductory and intermediate undergraduate courses in political science.

After 9/11, which triggered a global debate on public diplomacy, 'PD' has become an issue in most countries. This book joins the debate. Experts from different countries and from a variety of fields analyze the theory and practice of public diplomacy. They also evaluate how public diplomacy can be successfully used to support foreign policy.

Ibsen’s plays rank among those most frequently performed world-wide, rivaled only by Brecht, Chekhov, Shakespeare, and the Greek tragedies. By the time Ibsen died in 1906, his plays had already conquered the theaters of the Western world. Inviting rapturous praise as well as fierce controversy, they were performed in Europe, North America, and Australia, contributing greatly to the theater, culture, and social life of these continents. Soon after Ibsen’s death, his plays entered the stages of East Asia - Japan, China, Korea - as well as Africa and Latin America. . But while there exist countless studies on Ibsen the dramatist and the significance of his plays within different cultures written mainly by literary scholars, none of them examine the ways in which Ibsen's plays were performed, or the impact of such performances on the theater, social life, and politics of these cultures. In Global Ibsen, contributors look at the way performances of Ibsen's plays address problems typical to modern societies all over the world, including: the inferior social status of women, the decay of bourgeois family life and values, religious fundamentalism, industrial pollution and corporate cover-up, and/or the loss of and search for identity.

This landmark book unveils the history of defending Australia's natural environment and examines the subject's legal and political contexts from the birth of the nation in 1901 until the advent of the so-called modern era of environmental regulation in the late 1960s. It rejects the mythology that Australia lacked environmental law before the late 1960s in revealing how many of today's environmental laws, from pollution control to nature conservation, emerged from precedents or events much earlier in the 20th century. This history however reveals a discrepancy between lawmakers' greater efficacy to exploit rather than protect the environment, a discrepancy that grew as nature's backlash intensified in a rapidly degrading continent colonised to build the Australian nation. In exploring these dynamics, the book offers a rich tapestry of case studies illustrated with historic photographs that show the origins of Australia's environmental laws and how they borrowed from international precedents or furnished lessons for other nations. Through its multi-disciplinary enquiry, the book offers scholars and students of environmental law, legal history and the environmental humanities a unique story about the failures and successes in the making of environmental law.