What is the place of Christian love in a pluralistic society dedicated to “liberty and justice for all”? What would it mean to take both Jesus Christ and Abraham Lincoln seriously and attempt to translate love of God and neighbor into every quarter of life, including law and politics? Timothy Jackson here argues that agapic love of God and neighbor is the perilously neglected civil virtue of our time -- and that it must be considered even before justice and liberty in structuring political principles and policies. Jackson then explores what “political agape” might look like when applied to such issues as the death penalty, same-sex marriage, and adoption.

In a provocative essay, philosopher Jeffrie G. Murphy asks: 'what would law be like if we organized it around the value of Christian love, and if we thought about and criticized law in terms of that value?'. This book brings together leading scholars from a variety of disciplines to address that question. Scholars have given surprisingly little attention to assessing how the central Christian ethical category of love - agape - might impact the way we understand law. This book aims to fill that gap by investigating the relationship between agape and law in Scripture, theology, and jurisprudence, as well as applying these insights to contemporary debates in criminal law, tort law, elder law, immigration law, corporate law, intellectual property, and international relations. At a time when the discourse between Christian and other world views is more likely to be filled with hate than love, the implications of agape for law are crucial.

This book explores the relation between agape (or Christian charity) and social justice. Timothy Jackson defines agape as the central virtue in Christian ethical thought and action and applies his insights to three concrete issues: political violence, forgiveness, and abortion. Taking his primary cue from the New Testament while drawing extensively from contemporary theology and philosophy, Jackson identifies three features of Christian charity: unconditional commitment to the good of others, equal regard for others' well-being, and passionate service open to self-sacrifice for the sake of others. Charity, prescribed by Jesus for his disciples and named by Saint Paul as the "greatest" theological virtue, is contrasted with various accounts of justice. Jackson argues that agape is not trumped by justice or other goods. Rather, agape precedes justice: without the work of love, society would not produce persons capable of merit, demerit, and contract, the elements of most modern conceptions of justice. Jackson then considers the implications of his ideas for several questions: the nature of God, the relation between Christian love and political violence, the place of forgiveness, and the morality of abortion. Arguing that agapic love is to be construed as a gift of grace as well as a divine commandment, Jackson concludes that love is the "eternal life" that makes temporal existence possible and thus the "first" Christian virtue. Though foremost a contribution to Christian ethics, Jackson's arguments and the issues he takes up will find a broader readership.

This study is the most comprehensive account to date of modern treatments of the love commandment. Gene Outka examines the literature on agape from Nygren’s Agape and Eros in 1930. Both Roman Catholic and Protestant writings are considered, including those of D’Arcy, Niebuhr, Ramsey, Tillich, and above all, Karl Barth. The first seven chapters focus on the principal treatments in the theological literature as they relate to major topics in ethical theory. The last chapter explores further the basic normative content of agape and discusses some of the most characteristic problems. “The book is in my judgment the best recent work in religious ethics. Outka brings together analytic moral philosophy and theological ethics, providing a masterly survey of views and issues arising in the past forty years. . . . I can think of few books of interest to scholars in both philosophy and theology, but Outka’s is one. Unlike some scholars who are at home in continental theology, Outka is also at home in secular analytic philosophy; he brings them together in a mutually illuminating way.”—Donald Evans “Outka has mastered this vast literature on love, and has brought a critical and clarifying analysis to bear upon it. This is a most important book on a most important subject, and brings the whole discussion into a new phase.”—John Macquarrie “The first thing to be said about Outka’s book quite simply is that it is excellent; in fact, it is probably the very best available book about contemporary Christian ethical theory.”—The Humanities Association Review

In our fraught global environment, when political and ideological lines are drawn ever sharper and old allegiances are increasingly strained, love for neighbor as both individual and societal obligation needs to be thematized and justified anew. At the same time, the New Testament call to love one's enemies forms a sharp point of contrast to the current non-culture of hatred for all things different and foreign. Oda Wischmeyer's Love as Agape: The Early Christian Concept and Modern Discourse, the ninth volume in the Baylor-Mohr Siebeck Studies in Early Christianity series, aims to bring the New Testament concept of love into conversation with the current discussion about love. Wischmeyer investigates the commandment tradition of love for God and for neighbor, the ways in which the Septuagint and Plutarch speak of love, and the innovative concepts of love developed by Paul and John. She also presents an exegetically informed construction of the New Testament concept of love that is sharpened through a penetrating comparison with counter-, parallel, and alternative concepts from the ancient world. The book brings this holistic biblical vision forward into critical and constructive dialogue with key contemporary visions of love, including those of Julia Kristeva, Martha Nussbaum, Pope Benedict XVI, and Simon May. The tension that emerges stresses the need for fresh conceptualizations of ancient Jewish-Christian understandings, giving rise to the concluding question of the profile, limits, and impulses of the agape concept for present challenges. Through this academically rigorous and pastorally sensitive exploration, Wischmeyer points to the great love story between God and humanity, which realizes itself in the figure of Jesus Christ. This divine romance places love as the most intense, affirming, and life-creating relationship in God's own self, a relationship into which human beings are drawn and by which they obtain special dignity when God's love becomes their life.

William Gaddis published four novels during his lifetime, immense and complex books that helped inaugurate a new movement in American letters. Now comes his final work of fiction, a subtle, concentrated culmination of his art and ideas. For more than fifty years Gaddis collected notes for a book about the mechanization of the arts, told by way of a social history of the player piano in America. In the years before his death in 1998, he distilled the whole mass into a fiction, a dramatic monologue by an elderly man with a terminal illness. Continuing Gaddis's career-long reflection on those aspects of corporate technological culture that are uniquely destructive of the arts, Agape Agape is a stunning achievement from one of the indisputable masters of postwar American fiction.

Beginning in the early nineteenth century, Cubans migrated to New York City to organize and protest against Spanish colonial rule. While revolutionary wars raged in Cuba, expatriates envisioned, dissected, and redefined meanings of independence and nationhood. An underlying element was the concept of Cubanidad, a shared sense of what it meant to be Cuban. Deeply influenced by discussions of slavery, freedom, masculinity, and United States imperialism, the question of what and who constituted “being Cuban” remained in flux and often, suspect. The first book to explore Cuban racial and sexual politics in New York during the nineteenth and twentieth centuries, Suspect Freedoms chronicles the largely unexamined and often forgotten history of more than a hundred years of Cuban exile, migration, diaspora, and community formation. Nancy Raquel Mirabal delves into the rich cache of primary sources, archival documents, literary texts, club records, newspapers, photographs, and oral histories to write what Michel Rolph Trouillot has termed an “unthinkable history.” Situating this pivotal era within larger theoretical discussions of potential, future, visibility, and belonging, Mirabal shows how these transformations complicated meanings of territoriality, gender, race, power, and labor. She argues that slavery, nation, and the fear that Cuba would become “another Haiti” were critical in the making of early diasporic Cubanidades, and documents how, by the late nineteenth and early twentieth centuries, Afro-Cubans were authors of their own experiences; organizing movements, publishing texts, and establishing important political, revolutionary, and social clubs. Meticulously documented and deftly crafted, Suspect Freedoms unravels a nuanced and vital history.