Polari is a secret form of language mainly used by homosexual men in London and other cities during the twentieth century. Derived in part from the slang lexicons of numerous stigmatised and itinerant groups, Polari was also a means of socialising, acting out camp performances and reconstructing a shared gay identity and worldview among its speakers. This book examines the ways in which Polari was used in order to construct 'gay identities', linking its evolution to the changing status of gay men and lesbians in the UK over the past fifty years.

A Times Literary Supplement Book of the Year “Richly evocative and entertaining.”—Guardian “An essential book for anyone who wants to Polari bona!”—Attitude “Exuberant, richly detailed. . . . A delightful read.”—Tatler Polari is a language that was used chiefly by gay men in the first half of the twentieth century. It offered its speakers a degree of public camouflage and a means of identification. Its colorful roots are varied—from Cant to Lingua Franca to dancers’ slang—and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne (“Oh hello Mr Horne, how bona to vada your dolly old eek!”). Paul Baker recounts the story of Polari with skill, humor, and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, explores the ways and the environments in which it was spoken, explains the reasons for its decline, and tells of its unlikely reemergence in the twenty-first century. With a cast of drag queens and sailors, Dilly boys and macho clones, Fabulosa! is an essential document of recent history—a fascinating and fantastically readable account of this funny, filthy, and ingenious language.

Polari has been the secret language of gay men and women through the twentieth century. But more than a language, Polari is an attitude. From the prisons and music halls of Edwardian England to Kenneth Williams, American Gls in London and the Sisters of Perpetual Indulgence, Polari has been used to laugh, bitch, gossip and cruise. Like all slang, Polari users coined an ever-changing vocabulary. Derived from words used by criminals, circus artists, beggars and prostitutes, it also employed Italian, Yiddish, French, rhyming slang and backslang. Polari speakers camped up a storm, from West End chorus boys and office workers to East End sea-queens. Since gay liberation, lesbian and gay slang has become less a language of concealment than a language of specialization, though the tradition of camp remains. A carefully researched and entertaining read, Fantabulosa presents a lexicon of Polari and a more general dictionary of lesbian and gay slang. If you don't yet know what vada the bona cartes on the ommee ajax, parkering ninty, a Mexican nightmare or a nellyectomy mean, then this is the book for you.

Queer linguistics, an aspect of sociolinguistics is brought together with corpus linguistics to investigate the way gay male identities are constructed in the public domain.

Polari is a secret form of language mainly used by homosexual men in London and other cities during the twentieth century. Derived in part from the slang lexicons of numerous stigmatised and itinerant groups, Polari was also a means of socialising, acting out camp performances and reconstructing a shared gay identity and worldview among its speakers. This book examines the ways in which Polari was used in order to construct 'gay identities', linking its evolution to the changing status of gay men and lesbians in the UK over the past fifty years.

A landmark reference guide to the LGBTQIA+ community’s contributions to the English language—an intersectional, inclusive, playfully illustrated glossary featuring more than 800 terms and fabulous phrases created by and for queer culture. Do you know where “yaaaas queen!” comes from? Do you know the difference between a bear and a wolf? Do you know what all the letters in LGBTQIA+ stand for? The Queens’ English is a comprehensive guide to modern gay slang, queer theory terms, and playful colloquialisms that define and celebrate LGBTQIA+ culture. This modern dictionary provides an in-depth look at queer language, from terms influenced by celebrated lesbian poet Sappho and from New York’s underground queer ball culture in the 1980s to today's celebration of RuPaul’s Drag Race. The glossary of terms is supported by full-color illustrations and photography throughout, as well as real-life usage examples for those who don't quite know how to use “kiki,” “polysexual,” or “transmasculine” in a sentence. A series of educational lessons highlight key people and events that shaped queer language; readers will learn the linguistic importance of pronouns, gender identity, Stonewall, the Harlem Renaissance, and more. For every queen in your life—the men, women, gender non-conforming femmes, butches, daddies, and zaddies—The Queens’ English is at once an education and a celebration of queer history, identity, and the limitless imagination of the LGBTQIA+ community.

Sexed Texts explores the complex role that language plays in the construction of sexuality and gender, two concepts often discussed separately but, in practice, closely intertwined. It locates sexuality and gender as socially constructed, and examines language use in terms of socio-historical factors, linking changing conceptualisations of identity, discourse and desire to theories surrounding regulation, globalisation, new technologies, marketisation and consumerism. This book draws on a range of theoretical perspectives and published research, and takes examples from written, spoken, internet, non-verbal, visual, mediascripted and naturally occurring texts. Some of the questions addressed in the book include: how do people construct their own and other's gendered or sexual identities through the use of language? What is the relationship between language and desire? In what ways do language practices help to reflect and shape different gendered/sexed discourses as 'normal', problematic or contested? Taking a broadly deconstructionist perspective, the book progresses from examining what are seen as preferable or acceptable ways to express gender and sexuality, moving towards more 'tolerated' identities, practices and desires, and finally arriving at marginalized and tabooed forms. The book locates sexuality and gender as socially constructed, and therefore examines language use in terms of socio-historical factors, linking changing conceptualisations of identity, discourse and desire to theories surrounding regulation, globalisation, new technologies, marketisation and consumerism.