In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.

The Path of Least Resistance: Learning to Become the Creative Force in Your Own Life, Revised and Expanded discusses how humans can find inspiration in their own lives to drive creative process. This book discusses that by understanding the concept of structure, we can reorder the structural make-up of our lives; this idea helps clear the way to the path of least resistance that will lead to the manifestation of our most deeply held desires. This text will be of great use to individuals who seek to use their own lives as the driving force of their creative process.

"This collection of essays gives voice to a diversity of perspectives involved in the production, exhibition, documentation, and interpretation of landmark Chicana/o visual cultural expression since the 1960s, exploring the idea of resistance, with a unifying theme that all art is political; artwork discussed includes etching, lithography, digital retablos, wooden sculpture, photography, painting, video installation, and documentary film"--Provided by publisher.

List of members in v. 1-10.

Has liberation theology reached a dead end? Has the time come to propose another strategy of political resistance, one that considers and takes account of the complexity of power relationships in daily life? How can we explore the deeper meaning of freedom and liberation? This book begins with a reflection on the "failure" of social movements and revolutions and a review of the methodologies of liberation theologies. Offering a brand-new micro-political theology, it attempts to demonstrate how Michel Foucault can help us recognize the limitations of our standard definitions of liberation. Continuing Foucault's critical engagement with desire, sexuality, and the body, this book opens a fresh dialogue between Althaus-Reid's indecent theology, Latin American liberation theology, and radical orthodoxy, leading to an exploration of how that dialogue can remind us that spirituality and the transformative practice of the self can themselves be fully political. It also urges prayer as both the radical root of political resistance and its action.

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