Each year Poetry New Zealand, this country's longest-running poetry magazine, rounds up important new poetry, reviews and essays, making it the ideal way to catch up with the latest poetry from both established and emerging New Zealand poets. The packed issue #57 features over 150 new poems - including by this year's featured poet, Tyla Bidois - and essays and reviews of new poetry collections by some of this country's best-known poets and literary critics. Poems by the winners of the Poetry New Zealand Yearbook Student Poetry Competition are among the line-up.

For the 2024 edition of the Poetry Aotearoa Yearbook, editor Tracey Slaughter has once again hit the zeitgeist in her selection of 101 new poems from an exhaustive submission process.Another packed issue, #58 showcases the raw and the vital - including from this year's featured poet, Carin Smeaton - and a blistering introduction from Slaughter herself. In addition there are excellent reviews of a crop of recent poetry books. With work by both established and emerging New Zealand poets, the Yearbook is essential reading for all poetry fans.'A joy and a triumph' - Erica Stretton, Kete Books'This belongs in the section of your bookcase you've set aside for quiet little miracles' - Paul Little, North & South '. . . one of the best New Zealand literary journals around' - Siobahn Harvey, New Zealand Herald

Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. This issue, #55, features 182 poems by 129 poets, including Elizabeth Morton, Michele Leggott, essa may ranapiri, Bob Orr, Kiri Piahana-Wong, Jordan Hamel, David Eggleton and Mere Taito, the winning entries in the Poetry New Zealand Prize, essays, and reviews of 25 new poetry books. Compiled in a time of pandemic, these are poems written -- in the words of editor Tracey Slaughter -- when 'the only line to follow was deeper in, darker down, to poetry. The page was the only safe place our breath could go.'

Filled with hickeys puttanesca and tart wit, BITER is an apt title for Claudia Jardine' s debut collection of verse. Fresh translations of erotic Greek epigrams are threaded through boozy sonnets, ecstatic odes and startlingly vulnerable love poems. Jardine weaves ancient and modern together into a rich, glitzy, idiosyncratic tapestry – and in doing so crafts a poetic voice that is at once classical and frisky.

In poems by Sarah Lawrence, harold coutts and Arielle Walker, three fresh, vivid voices arrive.In ‘ Clockwatching' , Sarah Lawrence hurtles us into a world full of friends and homes and things, and wonders what they all might leave behind: ‘ If it' s toothache or budget / margarine or perhaps / another world altogether.' harold coutts' ‘ longing' reflects on gender (‘ if gender is a taste i am cutting out my tongue' ), bodies (‘ pubelessness' ) and the rest (‘ there isn' t a manual on when you' re writing someone a love poem and they break up with you' ). And in ‘ river poems' Arielle Walker steps right into the water – because ‘ a poem is a fluid thing all wrapped up in fish skin' – and finds stories of sealskins, harakeke and thistle, kanuka and manuka, alder and elder.Brimming with vivid beauty, the contemporary and the inflections of memory, AUP New Poets 9 shows just what new writing can open up.