Outlines Plato's life and historical background, introduces his major works, and offers a fresh approach to the interpretation of his ideas

The Republic is Plato's most famous work and one of the seminal texts of Western philosophy and politics. The characters in this Socratic dialogue - including Socrates himself - discuss whether the just or unjust man is happier. They are the philosopher-kings of imagined cities and they also discuss the nature of philosophy and the soul among other things.

Offers an innovative reading of Plato, analyzing his metaphysical, ethical, and political commitments in connection with feminist critiques. For centuries, it has been the prevailing view that in prioritizing the soul, Plato ignores or even abhors the body; however, in Plato and the Body Coleen P. Zoller argues that Plato does value the body and the role it plays in philosophical life, focusing on Plato’s use of Socrates as an exemplar. Zoller reveals a more refined conception of the ascetic lifestyle epitomized by Socrates in Plato’s Phaedo, Symposium, Phaedrus, Gorgias, and Republic. Her interpretation illuminates why those who want to be wise and good have reason to be curious about and love the natural world and the bodies in it, and has implications for how we understand Plato’s metaphysical and political commitments. This book shows the relevance of this broader understanding of Plato for work on a variety of relevant contemporary issues, including sexual morality, poverty, wealth inequality, and peace. Coleen P. Zoller is Professor of Philosophy at Susquehanna University.

Acclaimed philosopher and novelist Rebecca Newberger Goldstein provides a dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today's debates on religion, morality, politics, and science.

Originally published: New Haven: Yale University Press, 1986. With new preface and supplementary bibliography.

Plato's Charmides is a rich mix of drama and argument. Raphael Woolf offers a comprehensive interpretation of its disparate elements that pays close attention to its complex and layered structure, and to the methodology of reading Plato. He thus aims to present a compelling and unified interpretation of the dialogue as a whole. The book mounts a strong case for the formal separation of Plato the author from his character Socrates, and for the Charmides as a Platonic defence of the written text as a medium for philosophical reflection. It lays greater emphasis than other readings on the centrality of eros to an understanding of Socratic procedure in the Charmides, and on how the dialogue's erotic and medical motifs work together. The book's critical engagement with the dialogue allows a worked-out account to be given of how temperance, the central object of enquiry in the work, is to be conceived.

Studies Plato's Republic and other dialogues.