For thousands of years, people have engaged in ritualistic marking of the skin to identify themselves as a member of a tribe, of a lineage, of a mindset, or of a subculture. The ancient art of tattooing is a tradition we carry on to this day. While the past 10 years have seen no shortage of books about tattoos and tattooing, most are best described as “idea books.� Until now, none have profiled the world’s most renowned artists across a variety of styles. This book explores this most basic form of self-expression by showcasing the studios and work of 18 of the world’s top tattoo artists, including Sulu’ape Angela (San Diego), Aaron Bell (Seattle), Bugs (Los Angeles), Mo Cappoletta (London), Madame Chan (Brussels), Daniel DiMattia (Liege), Durga (Jakarta), Gakkin (Kyoto), Horiryu (Costa Mesa), Henning Jorgensen (Copenhagen), Rory Keating (San Diego), Brent McCowan (Carinthia), Maneko (Brasilia), Keone Nunes (Oahu), Noon (New York/London/Berlin), Sua Sulu’ape Petelo (Sydney), Te Rangitu (Waipapa), and Simon & Eddie (Hartama). Each chapter profiles the artist in the context of where he or she fits into the overall tradition of tattooing, while the photos showcase not only the art but also the artists and their workspaces.

Bestselling author Steve McDonald uses his unique photo-based illustration style to celebrate the fantastic places, flora, and fauna of the natural world around us. Here are inspiring, fun-to-color images of lush jungles, teeming reefs, desert landscapes, fruitful orchards, sun-dappled forests, spectacular waterfalls, majestic trees, tulip fields, animal migrations, and much more. A selection of imaginative natural mandala illustrations rounds out this gorgeous, high-quality adult coloring book, the latest in the bestselling Fantastic series.

"Tender and illuminating. A beautiful debut." --Rebecca Stead, Newbery Medal-winning author of When You Reach Me A heartrending and hopeful story about a nonverbal girl and her passion for space exploration, for fans of See You in the Cosmos, Mockingbird, and The Thing About Jellyfish. Twelve-year-old Nova is eagerly awaiting the launch of the space shuttle Challenger--it's the first time a teacher is going into space, and kids across America will watch the event on live TV in their classrooms. Nova and her big sister, Bridget, share a love of astronomy and the space program. They planned to watch the launch together. But Bridget has disappeared, and Nova is in a new foster home. While foster families and teachers dismiss Nova as severely autistic and nonverbal, Bridget understands how intelligent and special Nova is, and all that she can't express. As the liftoff draws closer, Nova's new foster family and teachers begin to see her potential, and for the first time, she is making friends without Bridget. But every day, she's counting down to the launch, and to the moment when she'll see Bridget again. Because as Bridget said, "No matter what, I'll be there. I promise."

For thousands of years, people have engaged in ritualistic marking of the skin to identify themselves as a member of a tribe, of a lineage, of a mindset, or of a subculture. The ancient art of tattooing is a tradition we carry on to this day. While the past 10 years have seen no shortage of books about tattoos and tattooing, most are best described as “idea books.� Until now, none have profiled the world’s most renowned artists across a variety of styles. This book explores this most basic form of self-expression by showcasing the studios and work of 18 of the world’s top tattoo artists, including Sulu’ape Angela (San Diego), Aaron Bell (Seattle), Bugs (Los Angeles), Mo Cappoletta (London), Madame Chan (Brussels), Daniel DiMattia (Liege), Durga (Jakarta), Gakkin (Kyoto), Horiryu (Costa Mesa), Henning Jorgensen (Copenhagen), Rory Keating (San Diego), Brent McCowan (Carinthia), Maneko (Brasilia), Keone Nunes (Oahu), Noon (New York/London/Berlin), Sua Sulu’ape Petelo (Sydney), Te Rangitu (Waipapa), andSimon & Eddie (Hartama). Each chapter profiles the artist in the context of where he or she fits into the overall tradition of tattooing, while the photos showcase not only the art but also the artists and their workspaces.

#1 Amazon Best Seller in Philosophy Criticism. The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker's hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place. The cover of In the Dust of this Planet can be seen in a New York gallery, on a banner at the 2014 Climate Change march in New York and on Jay-Z's back promoting Run. The book influenced the writers of the US TV series True Detective and has been lambasted by ex-Fox News broadcaster, Glenn Beck in this podcast https://www.youtube.com/watch?v=2IW8OK4_1gQ

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