Bruce Ellis Benson puts forward the surprising idea that Nietzsche was never a godless nihilist, but was instead deeply religious. But how does Nietzsche affirm life and faith in the midst of decadence and decay? Benson looks carefully at Nietzsche's life history and views of three decadents, Socrates, Wagner, and Paul, to come to grips with his pietistic turn. Key to this understanding is Benson's interpretation of the powerful effect that Nietzsche thinks music has on the human spirit. Benson claims that Nietzsche's improvisations at the piano were emblematic of the Dionysian or frenzied, ecstatic state he sought, but was ultimately unable to achieve, before he descended into madness. For its insights into questions of faith, decadence, and transcendence, this book is an important contribution to Nietzsche studies, philosophy, and religion.

Best known for having declared the death of God, Nietzsche was a thinker thoroughly absorbed in the Christian tradition in which he was born and raised. Yet while the atheist Nietzsche is well known, the pious Nietzsche is seldom recognized and rarely understood. Redeeming Nietzsche examines the residual theologian in the most vociferous of atheists. Giles Fraser demonstrates that although Nietzsche rejected God, he remained obsessed with the question of human salvation. Examining his accounts of art, truth, morality and eternity, Nietzsche's thought is revealed to be

In Nietzsche and Zen: Self-Overcoming Without a Self, André van der Braak engages Nietzsche in a dialogue with four representatives of the Buddhist Zen tradition: Nagarjuna (c. 150-250), Linji (d. 860), Dogen (1200-1253), and Nishitani (1900-1990). In doing so, he reveals Nietzsche's thought as a philosophy of continuous self-overcoming, in which even the notion of "self" has been overcome. Van der Braak begins by analyzing Nietzsche's relationship to Buddhism and status as a transcultural thinker, recalling research on Nietzsche and Zen to date and setting out the basic argument of the study. He continues by examining the practices of self-overcoming in Nietzsche and Zen, comparing Nietzsche's radical skepticism with that of Nagarjuna and comparing Nietzsche's approach to truth to Linji's. Nietzsche's methods of self-overcoming are compared to Dogen's zazen, or sitting meditation practice, and Dogen's notion of forgetting the self. These comparisons and others build van der Braak's case for a criticism of Nietzsche informed by the ideas of Zen Buddhism and a criticism of Zen Buddhism seen through the Western lens of Nietzsche - coalescing into one world philosophy. This treatment, focusing on one of the most fruitful areas of research within contemporary comparative and intercultural philosophy, will be useful to Nietzsche scholars, continental philosophers, and comparative philosophers.

Best known for having declared the death of God, Nietzsche was a thinker thoroughly absorbed in the Christian tradition in which he was born and raised. Yet while the atheist Nietzsche is well known, the pious Nietzsche is seldom recognized and rarely understood. Redeeming Nietzsche examines the residual theologian in the most vociferous of atheists. Giles Fraser demonstrates that although Nietzsche rejected God, he remained obsessed with the question of human salvation. Examining his accounts of art, truth, morality and eternity, Nietzsche's thought is revealed to be

Once regarded as a conservative critic of culture, then enlisted by the court theoreticians of Nazism, Nietzsche has come to be revered by postmodern thinkers as one of their founding fathers, a prophet of human liberation who revealed the perspectival character of all knowledge and broke radically with traditional forms of morality and philosophy. In Nietzsche: The Ethics of an Immoralist, Peter Berkowitz challenges this new orthodoxy, asserting that it produces a one-dimensional picture of Nietzsche's philosophical explorations and passes by much of what is provocative and problematic in his thought. Berkowitz argues that Nietzsche's thought is rooted in extreme and conflicting opinions about metaphysics and human nature. Discovering a deep unity in Nietzsche's work by exploring the structure and argumentative movement of a wide range of his books, Berkowitz shows that Nietzsche is a moral and political philosopher in the Socratic sense whose governing question is, "What is the best life?" Nietzsche, Berkowitz argues, puts forward a severe and aristocratic ethics, an ethics of creativity, that demands that the few human beings who are capable acquire a fundamental understanding of and attain total mastery over the world. Following the path of Nietzsche's thought, Berkowitz shows that this mastery, which represents a suprapolitical form of rule and entails a radical denigration of political life, is, from Nietzsche's own perspective, neither desirable nor attainable. Out of the colorful and richly textured fabric of Nietzsche's books, Peter Berkowitz weaves an interpretation of Nietzsche's achievement that is at once respectful and skeptical, an interpretation that brings out the love of truth, the courage, and the yearning for the good that mark Nietzsche's magisterial effort to live an examined life by giving an account of the best life.

This major work by Laurence Lampert provides a new interpretation of modern philosophy by developing Nietzsche's view that genuine philosophers set out to determine the direction of culture through their ideas and that they conceal the radical nature of their thought by their esoteric style. From this Nietzschean perspective, Francis Bacon and René Descartes can be considered the founders of modernity. Lampert argues that Bacon's positive claims for science aimed to destroy the dominance of Christianity. Descartes continued Bacon's radical program while providing it with the mathematical physics required for its success. Far from being solely an epistemological and metaphysical thinker, says Lampert, Descartes was a master writer whose comic ridicule helped bring down the Church to which he paid lip service. Both Bacon and Descartes used the Platonic art of dissimulation to achieve their ends by making their revolutionary aims appear compatible with Christianity. Once we recognize Bacon and Descartes as legislators of modern times in a specifically Nietzschean sense, we can also see Nietzsche in a new way--as the first thinker to have understood modern times and transcended it in a postmodern worldview. According to Lampert, Nietzsche provides a new foundation for culture, a joyous science that reveals the grandeur and purposeless play of the cosmic whole and yet avoids enervating despair or destructive, dogmatic belief.

Friedrich Nietzsche is one of the most widely read authors in the world, from the time of his death to the present—as well as one of the most controversial. He has been celebrated as a theorist of individual creativity and self-care but also condemned as an advocate of antimodern politics and hierarchical communalism. Rather than treating these approaches as mutually exclusive, Jeremy Fortier contends that we ought instead to understand Nietzsche’s complex legacy as the consequence of a self-conscious and artful tension woven into the fabric of his books. The Challenge of Nietzsche uses Nietzsche as a guide to Nietzsche, highlighting the fact that Nietzsche equipped his writings with retrospective self-commentaries and an autobiographical apparatus that clarify how he understood his development as an author, thinker, and human being. Fortier shows that Nietzsche used his writings to establish two major character types, the Free Spirit and Zarathustra, who represent two different approaches to the conduct and understanding of life: one that strives to be as independent and critical of the world as possible, and one that engages with, cares for, and aims to change the world. Nietzsche developed these characters at different moments of his life, in order to confront from contrasting perspectives such elemental experiences as the drive to independence, the feeling of love, and the assessment of one’s overall health or well-being. Understanding the tension between the Free Spirit and Zarathustra takes readers to the heart of what Nietzsche identified as the tensions central to his life, and to all human life.