-Piecebook: The Secret Drawings of Graffiti Writers- chronicles the evolution of graffiti via images that weren't intended for everyday people to see, focusing on the works of Germany City writers active from 1970s until the mid-1980s.

This living history of the graffiti movement reproduces selections from the actual black books that graffiti artists use to perfect and share their work. "From the illustrations on the inside covers to the faux duct tape and stickers on the outside, Piecebook is an impressive re-creation of its original inspiration," XLR8R magazine hailed Piecebook when it was published in 2008. The unique book, already a classic in the graffiti genre, allowed readers to understand first-hand how graffiti is planned and sketched before it hits the wall. In this follow-up volume, covering a later period, graffiti experts Sacha Jenkins and David Villorente continue their project to give the wider public access to the art form's profound visual language. Featuring renowned artists from the mid-1980s to today, including Kaws, Cope, Reas and Wane, it reveals a remarkable evolution of graffiti art, in which distinctive styles by older artists are morphed by the next generation and ideas are given shape and refinement. Designed in a similarly arresting format, Piecebook Reloaded mimics the actual sketchbooks graffiti artists have drawn in, carried and passed around for years. The book's uncoated paper stock is the perfect background for displaying authentic, previously unpublished sketches. AUTHOR: Sacha Jenkins is a former graffiti writer turned journalist. A one-time music editor at Vibe and senior writer for Spin, he is the co-founder of the seminal hip hop magazine ego trip as well as the co-author of ego trip's Big Book of Racism. David Villorente was the editor of Source magazine's graffiti pages for twelve years, writing under the by-line of his tag, "Chino." He is the co-author of Mascots & Mugs: The Characters and Cartoons of Subway Graffiti. ILLUSTRATIONS 200 colour

Graffiti goes global in this third volume of never-before-published blackbook drawings from writers around the world. Like the hugely successful volumes it follows, this latest collection mimics that most valuable of graffiti gear--the blackbook. Nearly 150 private drawings by top artists from every corner of the globe are featured in this volume. Mirroring the revolutionary format of their previous books Piecebook and Piecebook Reloaded, Jenkins's and Villorente's World Piecebook presents rare and personal illustrations straight from the collections of artists such as Atome, Demote, and Casino from Australia; Kas and Resm from Belgium; Swet, Bates, and Rens from Denmark; Virus, Zek, and Bacon from Canada; Lunar and Dock from Croatia; Oker, Drax, and Zombie from England; Lemon and Angel from Serbia; Os Gemeos, Nami, and Rio from Brazil; Dare and Ders from Switzerland; Shiro, Sniper, and Nezm from Japan; Rek, Ske, and Blend from Puerto Rico, and more. With an introduction by Sacha Jenkins, World Piecebook will be a must-have book for graffiti writers and their fans around the globe.

"You will find my story is a lot like pie, a strawberry-rhubarb pie. It's bitter. It's messy. It's got some sweetness, too. Sometimes the ingredients get added in the wrong order, but it has substance, it will warm your insides, and even though it isn't perfect, it still turns out okay in the end." When journalist Beth M. Howard's young husband dies suddenly, she packs up the RV he left behind and hits the American highways. At every stop along the way—whether filming a documentary or handing out free slices on the streets of Los Angeles—Beth uses pie as a way to find purpose. Howard eventually returns to her Iowa roots and creates the perfect synergy between two of America's greatest icons—pie and the American Gothic House, the little farmhouse immortalized in Grant Wood's famous painting, where she now lives and runs the Pitchfork Pie Stand. Making Piece powerfully shows how one courageous woman triumphs over tragedy. This beautifully written memoir is, ultimately, about hope. It's about the journey of healing and recovery, of facing fears, finding meaning in life again, and moving forward with purpose and, eventually, joy. It's about the nourishment of the heart and soul that comes from the simple act of giving to others, like baking a homemade pie and sharing it with someone whose pain is even greater than your own. And it tells of the role of fate, second chances and the strength found in community.

Adventure on the high seas with the wackiest band of pirates around! Nobody believes Monkey D. Luffy when he says he's going to be King of the Pirates. For starters, he doesn't even have a boat. Or a crew! And his first choice for a crewmember is Rorona Zolo, a pirate hunter and a prisoner in the hands of the navy. Even if Luffy can make it onto the navy base and past the guards, he'll still be face-to-face with Zolo-the most famous pirate hunter in history. Is Luffy as foolish as everyone thinks? Or does he have some unexpected tricks up his sleeve?

First published in 1993, Crimes of Style investigates the politics of culture and crime through an in-depth case study of graffiti in Denver and the official response to it. Focusing on the most prevalent form of graffiti writing in Denver, the book provides a detailed consideration of the social and cultural circumstances that surround its creation. It explores the national and international development and reception of hip hop graffiti that provided the context in which Denver’s hip hop graffiti emerged. It also examines the reaction of Denver’s corporate and political community, highlighting the establishment of campaigns to criminalise it and identifying both Denver’s graffiti scene and the response to it as interwoven with broader cultural processes. Most significantly, the book puts forward the circumstances surrounding the phenomenal growth of, and subsequent attempts to suppress, hip hop graffiti as indicative of injustice and inequality within the United States.

Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called "Target Practice," "Geography Quiz," and "Names and Numbers." Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like "I Was a Teenage Monster," "The Irish Tenor," and "I've Got the Blues, Baby"), position study on the cello has never been so much fun!