A book on the religious, mystic origins and substance of philosophy. This is a critical survey of ancient and modern sources and of scholarly works dealing with Orpheus and everything related to this major figure of ancient Greek myth, religion and philosophy. Here poetic madness meets religious initiation and Platonic philosophy. This book contains fascinating insights into the usually downplaid relations between Egyptian initiation, Greek mysteries and Plato's philosophy and followers, right into Hellenistic Neoplatonic and Hermetic developments.

This book clearly establishes that traditional myth is the symbolic expression of metaphysics, as metaphysics is the exegesis of myth; and that Greek philosophy was not an isolated 'miracle' but a reinterpretation of perennial themes common to the ancient Near Eastern, Mesopotamian, Indian, and especially Egyptian religions.

In this groundbreaking work of comparative religion, Algis Uzdavinys takes us deeply into the "closed and blessed gardens of myth", showing us the capital importance of the many varieties of "ascent to heaven". From the Pyramid Texts down to Second Temple Judaism and apocalyptic Christian literature; and, in parallel, down the theurgic path of Platonic and Hermetic literature to the sanctum of the Islamic revelation in Mecca, we are vividly presented with the sacramental impact of anagoge: elevation to the domain of the supernal archetypes and heavenly principles. As with other books by the author, the face of antiquity is revealed anew, full of intriguing, challenging and enraptured insights.

For centuries the world has been misled about the original source of the Arts and Sciences; for centuries Socrates, Plato and Aristotle have been falsely idolized as models of intellectual greatness; and for centuries the African continent has been called the Dark Continent, because Europe coveted the honor of transmitting to the world, the Arts and Sciences. It is indeed surprising how, for centuries, the Greeks have been praised by the Western World for intellectual accomplishments which belong without a doubt to the Egyptians or the peoples of North Africa.

""This book contains a careful, thorough, and where necessary skeptical as regards doubtful evidence (especially in the case of Plato and the Old Academy) of the beginnings in European thought of the negative or apophatic way of thinking and its relations to more positive or kataphatic ways of thinking about God. One of its greatest strengths, perhaps the greatest, is that the author makes clear that none of the persons concerned, Hellenic, Jewish or Christian, was engaged in the pursuit of a philosophical abstraction, or the heaping of rhetorical superlatives on God. They were rather concerned to present the origin of the universe as an intimately present living reality which infinitely transcends our thought and speech. This, combined with careful attention to the varieties of negative theology and its relations with positive, and the particular difficulties experienced by the members of the various traditions involved, makes the book the best introduction to the negative theology available."" -A. H. Armstrong, Emeritus Professor of Greek, University of Liverpool, England. Emeritus Professor of Classics, Dalhousie University, Halifax, Nova Scotia, Canada. Senior Fellow of the British Academy. Irish academic Deirdre Carabine has lived and taught in Uganda for more than twenty years. She has recently been founder Vice-Chancellor at the Virtual University of Uganda (VUU), the first fully online university in Sub-Saharan Africa. Prior to that she set up International Health Sciences University in Kampala. She has taught at Queen's Belfast, University College Dublin, and Uganda Martyrs University. Currently, she is Director of Programmes at VUU. She attended the Queen's University of Belfast where she graduated with a PhD in philosophy, and University College Dublin where, as one of the first Newman Scholars, she gained a second PhD in Classics. She is also author of John Scottus Eriugena in the Great Medieval Thinkers Series (2000).

Connects the magical practice of theurgy to the time of Homer • Explores the many theurgic themes and events in the Odyssey and the Iliad • Analyzes the writings of Neoplatonists Porphyry and Proclus, showing how both describe the technical ritual praxis of theurgy in Homeric terms • Examines the methods of telestikē, a form of theurgic statue animation and technique to divinize the soul, and how theurgy is akin to shamanic soul flight First defined by the second century Chaldean Oracles, theurgy is an ancient magic practice whereby practitioners divinized the soul and achieved mystical union with a deity, the Demiurge, or the One. In this detailed study, P. D. Newman pushes the roots of theurgy all the way back before the time of Homer. He shows how the Chaldean Oracles were not only written in Homeric Greek but also in dactylic hexameter, the same meter as the epics of Homer. Linking the Greek shamanic practices of the late Archaic period with the theurgic rites of late antiquity, the author explains how both anabasis, soul ascent, and katabasis, soul descent, can be considered varieties of shamanic soul flight and how these practices existed in ancient Greek culture prior to the influx of shamanic influence from Thrace and the Hyperborean North. The author explores the many theurgic themes and symbolic events in the Odyssey and the Iliad, including the famous journey of Odysseus to Hades and the incident of the funeral pyre of Patroclus. He presents a close analysis of On the Cave of the Nymphs, Porphyry’s commentary on Homer’s Odyssey, as well as a detailed look at Proclus’s symbolic reading of Homer’s Iliad, showing how both of these Neoplatonists describe the philosophical theory and the technical ritual praxis of theurgy. Using the Chaldean Oracles as a case study, Newman examines in detail the methods of telestikē, a form of theurgic statue animation, linking this practice to ancient Egyptian and Greek traditions as well as theurgic techniques to divinize the soul. Revealing how the theurgic arts are far older than the second century, Newman’s study not only examines the philosophical theory of theurgy but also the actual ritual practices of the theurgists, as described in their own words.