In You Must Be Born Again: Phillis Wheatley as Prophetic Poet, the author argues that Phillis Wheatley is the mother of liberation theology. The author uses Wheatley’s poetry and life experiences to create a portrait of Wheatley beyond that of a poet. Wheatley is described as both poet and visionary who wrestles with God during the creative process. The lyrical expressions of Wheatley’s poetry unlock the spiritual impressions on her heart. The author sets up the racial dynamics of Wheatley’s time and her engagement with those politics. As a preacher, Wheatley combats the immoral undercurrent that erodes the community’s social, economic, and spiritual foundation as well as its political systems. The author positions Wheatley as one uniquely qualified to address the hypocrisy within her world and, by implication, present-day society by calling for immersion into a radical understanding of love and justice, resulting in a renewed hope for equality and a pathway toward equity.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how Black rhetors use writing about God to create a language that reflects African Americans’ shifting subjectivity within the American experience. This book highlights how the Black God trope and Black Nationalist religious rhetoric function as an embodied rhetoric. Collins also addresses how the Black God trope functions as a gendered critique of white western patriarchy, to demonstrate how an ideological position like womanism is voiced by authors using the Black God trope as a means of public address. Scholars of rhetoric, African American literature, and religious studies will find this book of particular interest.

Originally published in 1937, this book was formed from a series of lectures by renowned John Clifford Grierson on Milton and Wordsworth.

In this collection of twelve essays, the editors attempt to define the poet as prophet in Western literature and to select the general attributes of prophetic writing. The essays focus, in the main, on the prophetic tradition in the English-speaking world, as well as on a sufficient number of writers outside that tradition, to prove that all prophetic writing shares common features.