Artist's statement - About collage: Peter Blake in conversation with Natalie Rudd - Collage: a brief history - Biography.

Peter Blake (b. 1932) has remained constant and groundbreaking in his exploration of the medium of collage throughout his career spanning seven decades. Most recognised for his iconic 1967 cover for The Beatles' Sgt. Pepper's Lonely Hearts Club Band album, Blake already understood the potential of collage as an art form as a student at the Royal College of Art in the 1950s, where his reputation as a founder and key proponent of the Pop Art movement was established. An avid collector, Blake's collages combine junkyard treasures and found objects with images from popular culture. He revisits themes drawn from his childhood - the entertainments of the circus, the glamour of the cinema and the showmanship of the wrestling ring - weaving detailed, often humorous narratives. From his early paintings depicting assembled fragments of popular imagery, to his found-object constructions and his most recent inkjet print collages, Blake has broadened the scope of what collage can be and communicate. Peter Blake Collage provides the first comprehensive survey of Peter Blake's work in the medium. It features a foreword by David Hockney, an essay by Patrick Elliott, Chief Curator of the Scottish National Gallery of Modern Art, Edinburgh, a recent interview with Peter Blake by Natalie Rudd, Senior Curator of the Arts Council Collection, over 250 colour reproductions and a newly compiled illustrated chronology. Published in partnership with Waddington Custot. With over 250 illustrations

Peter Blake (b. 1932) has remained constant and groundbreaking in his exploration of the medium of collage throughout his career spanning seven decades. Most recognised for his iconic 1967 cover for The Beatles' Sgt. Pepper's Lonely Hearts Club Band album, Blake already understood the potential of collage as an art form as a student at the Royal College of Art in the 1950s, where his reputation as a founder and key proponent of the Pop Art movement was established. An avid collector, Blake's collages combine junkyard treasures and found objects with images from popular culture. He revisits themes drawn from his childhood - the entertainments of the circus, the glamour of the cinema and the showmanship of the wrestling ring - weaving detailed, often humorous narratives. From his early paintings depicting assembled fragments of popular imagery, to his found-object constructions and his most recent inkjet print collages, Blake has broadened the scope of what collage can be and communicate. Peter Blake Collage provides the first comprehensive survey of Peter Blake's work in the medium. It features a foreword by David Hockney, an essay by Patrick Elliott, Chief Curator of the Scottish National Gallery of Modern Art, Edinburgh, a recent interview with Peter Blake by Natalie Rudd, Senior Curator of the Arts Council Collection, over 250 colour reproductions and a newly compiled illustrated chronology. Published in partnership with Waddington Custot. With over 250 illustrations

This book presents the newest portfolio of prints from Peter Blake, the godfather of British pop art. Blake has always had a deep interest in the letters of the alphabet, and this book reproduces 26 of his newest prints, one for each letter of the alphabet. Each visual interpretation is a collage of images from vintage cards, magazines and books, and the finished works are both nostalgic and whimsical, humorous and fascinating. Including an interview by the renowned art writer, Mel Gooding, and a specially designed cover by the artist, this will be required reading for all Peter Blake fans.

Winner of the Whitbread Prize for Best First Novel "There was one copy going round our school like contraband. I read it in one sitting ... I'd never read a book about anyone remotely like me before."-- Zadie Smith "My name is Karim Amir, and I am an Englishman born and bred, almost..." The hero of Hanif Kureishi's debut novel is dreamy teenager Karim, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results. With the publication of Buddha of Suburbia, Hanif Kureishi landed into the literary landscape as a distinct new voice and a fearless taboo-breaking writer. The novel inspired a ground-breaking BBC series featuring a soundtrack by David Bowie.

Rock, Paper, Scissors will offer a new insight into the work of Blake across the elemental sculpture, paper and collage pieces which make-up his portfolio.

Collage is one of the defining subjects in Modern Art. It is as important and popular today as it has ever been. This definitive survey of collage and 3-D sculpture (made from bits and pieces stuck and nailed together) spans the whole period from about 1600 to the present day. Each page of this book is filled with fascination. The lavish illustrations include images of items such as books with fold-out flaps, Victorian collage, Valentine and greeting cards, double exposure photographs, album covers such as Sgt Peppers, the Hungry Caterpillar, many curiosities and items from Cubism, Dada, Surrealism, Pop, 70s counterculture, video and computerised collage. AUTHOR: Patrick Elliott is Senior Curator at the Scottish National Gallery of Modern Art, Edinburgh. He has written extensively on modern and contemporary art. Recent publications include Another World: Dalí, Magritte, Miró and the Surrealists (2010), Tony Cragg (2011), The Two Roberts: Robert Colquhoun and Robert MacBryde (2014), The Amazing World of M.C. Escher (2015), Joan Eardley, A Sense of Place (2016) and True to Life (2017). SELLING POINT: * There are no other affordable books available on this important subject * This is the only book that looks closely at the early centuries of Collage * Collage is popular, fascinating and historically revealing 240 colour images