Focuses on the poems rather than on their authors. Surveys the development of Persian mystical poetry, dealing first with the relation between Sufism and literature and then with the four main genres of the tradition: the epigram, the homiletic poem, love poetry and symbolic narrative.

Sufism can be seen to have functioned as a positive and healthy reaction to the overly rational activity of the philosophers and theologians. For the Sufis, the road to spiritual knowledge could never be confined to the process of purely intellectual activity, without the direct, immediate experience of the Heart. In this book we are concerned with one art that the Sufis made peculiarly their own: poetry. Why should Sufis in general, and Persian Sufis in particular, choose to write poetry? When they wanted to 'be themselves', lovers of the Truth, they needed a language more intense, closer to the centre of human awareness than prose. Truth is beautiful, so when one speaks of it, one speaks beautifully. As the lover sings to his beloved, so did the Sufis to theirs. Love itself creates a taste for this language, so that even the prose writers of Sufism scatter verse throughout their works and create poetic prose. The overwhelming theme of this poetry is the Love relationship between the individual, the lover, and his Beloved, God.

HAKIM SANA'I Pioneer of the Persian Sufi Ghazal SELECTED POEMS Translation and Introduction by Paul Smith One of the most prolific and influential Sufi Master Poets of all time Hakim Sana'i (d.1131) composed many ghazals (over 90 translated here), masnavis, qasidas, qita's and over 400 ruba'is that influenced all the ruba'i writers that followed him. His long masnavi (rhyming couplets) mystical work The Enclosed Garden of the Truth is said to have had a profound influence on Rumi's composing of his Masnavi and in Sadi's composing his Bustan ('The Orchard'). Included in the Introduction are the Life and Times and Poetry of Sana'i and a history of the ghazal with a selection by its greatest Sufi poets. Selected Bibliography. The correct rhyme-structure has been kept, often for the first time, as well as the beauty and meaning of these powerful, mostly spiritual, beautiful, immortal ghazals. Large Format Edition in Paperback 7" x 10" Pages 214 COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many works in English into Persian and knower of Hafiz's Divan off by heart. "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mahasti, Iqbal, Ghalib, Rahman Baba, Ibn al-Farid, 'Iraqi, Faiz, Urfi, Rahim and many others, as well as his own poetry, fiction, plays, children's books, biographies and a dozen screenplays. www.newhumanitybooks.com

This volume contains ten chapters on Persian metaphors, tropes, rhetorical figures, and poetic forms and genres, by some of the world's foremost scholars in the field of classical Persian poetry.

CAT & MOUSE, FISH & SPIDER Three Fables in Persian Sufi Poetry Obeyd Zakani, Shah Da'i & Parvin Etesami Translation & Introduction Paul Smith Mouse & Cat by Obeyd Zakani is a satirical, epic fable that was influential at the time it was composed (14th c.) and has remained so for the past 600 years. It is more than just a story for children (that some say brought about the cartoon of Tom & Jerry)... it is a story of the stupidity of the false power of those in power and a warning to all that such blind ambition always leads to destruction at the hands of one even more powerful. Sufi poet Shah Da'i (1406-1464) takes his clue from 'Attar and tells the marvellous tale of the fish who go in search of an answer to their problem from the Ancient Wise Fish. Iran's recent great female poet Parvin Etesami (1907-1941) tells the simple but deep tale of the lazy man and the hard-working spider in such a clever and engrossing way that her reason for telling it is subtle but truly enlightening. The correct rhymes and meaning have been achieved. Illustrated. Large Format Paperback 7" x 10" 154 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. Paul Smith (b.1945) is an Australian poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Ibn al-Farid Makhfi, Lalla Ded, and others and his poetry, fiction, plays, biographies, children's books and screenplays. www.newhumanitybooks.com

Farid al-Din Attar (d. 1221) was the principal Muslim religious poet of the second half of the twelfth century. Best known for his masterpiece "Mantiq al-tayr", or "The Conference of Birds", his verse is still considered to be the finest example of Sufi love poetry in the Persian language after that of Rumi. Distinguished by their provocative and radical theology of love, many lines of Attar's epics and lyrics are cited independently of their poems as maxims in their own right. These pithy, paradoxical statements are still known by heart and sung by minstrels throughout Iran, Afghanistan, Tajikistan, and wherever Persian is spoken or understood, such as in the lands of the Indo-Pakistani Subcontinent. Designed to take its place alongside "The Ocean of the Soul", the classic study of Attar by Hellmut Ritter, this volume offers the most comprehensive survey of Attar's literary works to date, and situates his poetry and prose within the wider context of the Persian Sufi tradition. The essays in the volume are grouped in three sections, and feature contributions by sixteen scholars from North America, Europe and Iran, which illustrate, from a variety of critical prespectives, the full range of Attar's monumental achievement. They show how and why Attar's poetical work, as well as his mystical doctrines, came to wield such tremendous and formative influence over the whole of Persian Sufism.