This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with – and in turn influenced and led – contemporary performance and Live Art internationally. Co-published with Live Art Development Agency.

This collection of essays explores digital art in Ireland. Comprising contributions from EL Putnam, Anne Karhio, Ken Keating, Conor McGarrigle, Kieran Nolan, Claire Fitch, Kirstie North and Chris Clarke, it examines how new media technologies are shaping the island’s contemporary artistic practices. As one of the first dedicated culture-specific treatments of Irish digital art, it fills a major gap in the national media archaeology of Ireland, engaging with a range of topics, including electronic literature, video games and the data-city.

The Irish Times literary editor Fintan O'Toole selects 100 artworks to narrate a history of Ireland.

His is a sweeping, gloriously illustrated celebration of 1,600 years of Irish art and architecture. In five handsome, deeply researched volumes, Art and Architecture of Ireland provides an authoritative and fully illustrated account of the art and architecture of Ireland from the early Middle Ages to the end of the 20th century. Each volume has its own expert editor or editorial team and covers a specific area or chronological period. More than 250 scholars from around the world, who represent a broad range of disciplines, contribute texts that range from thematic and general to articles on techniques and historical developments, biographical entries, bibliographies, lists of artists and comprehensive indexes. Historical documentation combines with the best of current scholarship to make this the most comprehensive and ambitious undertaking of its kind. The volumes will explore all aspects of Irish art and architecture - from high crosses to installation art, from Georgian houses to illuminated manuscripts, from watercolours and sculptures to photographs, oil paintings, video art and tapestries. This monumental work provides new insight into every facet of the strength, depth and variety of Ireland's artistic and architectural heritage. 0Also part of the 5 vols.-set 'Art and Architecture of Ireland'. 9780300179248.

100 Irish Artists, 100 Colour Plates. 6 Commentaries from respected writers such as: Mebh Ruane, Colin Graham, Valerie Connor, Fiona Kearney, Brian Hand and Noel Kelly - Creative Ireland: The Visual Arts will fast become the most desirable visual arts book this season. Creative Ireland: The Visual Arts presents an attractive record of the early 21st century contemporary visual arts in Ireland with 100 artists who have been selected for their specific contribution to the contemporary arts in the first years of the 21st Century. Aimed at a general audience, as well as the art connoisseur and enthusiast, each artist is profiled with an iconic example of their practice shown in full colour. The texts are engaging as they explain Ireland within the context of the early 21st century, and the impact that this has had socially, economically and culturally. The book is in an attractive format, and is priced at a level that makes it affordable.

‘I’m having absolutely nothing to do with the theatre or the human race. They can all go to hell.’ – Anton Chekhov During the turmoil of the Russian Revolution in 1917, Maria Chekhov, Anton’s sister, placed many of her late brother’s manuscripts and papers in a safety deposit box in Moscow. In 1921 Soviet scholars opened the box, and discovered a play. The title page was missing. The play they found has too many characters, too many themes, too much action. All in all, it’s generally dismissed as unstageable. Like life. A new play by Dead Centre, creators of the OBIE / Fringe First winning LIPPY.

The Irish contribution to world theatre is famous, but today awareness of Irish theatrical activity is chiefly confined to the modern period. This book corrects that imbalance with an unparalleled study of the early history of drama and performance in Ireland, from the seventh century through the sixteenth and seventeenth centuries, and ending on the eve of the arrival of Oliver Cromwell. The work of professional entertainers is discussed, as is that of amateurs, in theatricals sponsored by churches, guilds, civic authorities, and aristocratic patrons. Drawing on a wide variety of sources, many unpublished, Alan Fletcher opens up a vibrant but forgotten Irish landscape in which drama and performance collaborated actively in the mapping and manufacture of social history. Modern Irish drama is acknowledged as having a rich and vibrant tradition. Drama, Performance and Polity in Pre-Cromwellian Ireland helps to show how that vibrant tradition of drama and theatre has a very long history. Dr. Fletcher deals not only with performance traditions outside the Pale in the sixteenth and seventeenth centuries, but for the first time delves into such traditions as can be gleaned about Gaelic Ireland during the preceding millennium. Fletcher surveys the 'native' traditions beyond the Pale; early and sixteenth-century activities within Dublin; Kilkenny drama; provincial centres outside Dublin; and Dublin in the seventeenth century up to the arrival of Oliver Cromwell, when the Irish theatres were closed.