Three surveyors in the late 19th century were so attracted to the area's desert beauty that they named it "the Paradise Valley." Starting in the 1920s, adobe homes were constructed in various revival styles. In 1936, the Camelback Inn resort set a high-quality standard with an inviting and relaxed character. Other guest lodges arrived, including the Hermosa Inn and the El Chorro Lodge. The 1950s brought more luxurious resorts, including the Paradise Valley Racquet Club and the Mountain Shadows Resort. With the threat of Phoenix or Scottsdale annexing the area, the citizens started debating incorporation in 1949 and were successful in 1961. Churches, schools, town facilities, and single-family homes followed. Numerous town ordinances were adopted to preserve a quiet, desert lifestyle such as burying all utilities, restrictive zoning, and hillside preservation.

Stonemasons from the Alpine valleys of northwestern Italy shaped the architectural face of Paradise Valley in northern Nevada in the 1860s and 1870s. Drawing on their own distinctive skills, they constructed the constellation of granite and sandstone buildings that are the region's most visible landmarks. Marshall's analysis of this architectural legacy, illustrated with 229 photographs and 70 line drawings, is not only a valuable resource for scholars in vernacular architecture, folklore, and cultural geography, but also a verbal and visual treat for all who love the American West.

Three surveyors in the late 19th century were so attracted to the areas desert beauty that they named it the Paradise Valley. Starting in the 1920s, adobe homes were constructed in various revival styles. In 1936, the Camelback Inn resort set a high-quality standard with an inviting and relaxed character. Other guest lodges arrived, including the Hermosa Inn and the El Chorro Lodge. The 1950s brought more luxurious resorts, including the Paradise Valley Racquet Club and the Mountain Shadows Resort. With the threat of Phoenix or Scottsdale annexing the area, the citizens started debating incorporation in 1949 and were successful in 1961. Churches, schools, town facilities, and single-family homes followed. Numerous town ordinances were adopted to preserve a quiet, desert lifestyle such as burying all utilities, restrictive zoning, and hillside preservation.

A sweeping historical study, Building Paradise seeks to construct a garden ethic for the design arts. It is an ethic predicated on the idea that, with our recent ecological and biological insights, we can build more intelligently than the status quo of current design practices. The paradisiacal instinct is the motivation behind every artistic impulse. From its theological origins to the present, the idea of paradise—the garden as a place of peace, beauty, and happiness—has acquired numerous meanings. It was a motif expounded in the earliest cultures of Mesopotamia, Egypt, and the Indus Valley, and it later became a dominant feature of Buddhist, Judeo-Christian, and Islamic practices. It informed Greco-Roman mythologies and the design of a Japanese garden; it was a motivation for the Renaissance humanists, and was complicit in visions of a New Arcadia within the landscapes of the Americas. This book, underscoring how the built and urban environments shapes culture, takes a biophilic approach and draws upon the major advances of the human sciences of the last few decades to argue on behalf of a design ethic centered squarely on human needs and aspirations. Written for students and academics within architecture and all related fields, this book focuses on the efforts to build paradise in a material way.