O. W. “Pappy” Kitchens (1901–1986) was born in Crystal Springs, Mississippi, and began painting at age sixty-seven. His self-taught, narrative, visual art springs directly from the oral tradition of parable and storytelling with which he grew up. A self-declared folk artist, Kitchens claimed, “I paint about folks, what folks see and what folks do.” His magnum opus, The Saga of Red Eye the Rooster, was painted between 1973 and 1976 and presents a homespun Pilgrim’s Progress in the form of a beast fable. Kitchens’s most ambitious allegorical work, this fable consists of sixty panels, each one measuring fifteen inches square, composed of mixed materials on paper, and executed in three groups of twenty. Kitchens follows Red Eye from foundling to funeral, exploring the life of this extraordinary bird. Red Eye’s quasi-human behavior inevitably maneuvers him into conflicts with antagonists of all sorts. He encounters violence, avarice, lust, greed, and most of the other seven deadly sins, dispatching them in heroic fashion until he finally succumbs to his own fatal flaw. In addition to The Saga of Red Eye the Rooster, the volume features personal photos of Kitchens as well as additional works by the artist. Written by distinguished artist and Kitchens’s once son-in-law William Dunlap, with an introduction by renowned curator Jane Livingston, Pappy Kitchens and the Saga of Red Eye the Rooster brings much-needed exposure to the life and work of a key Mississippi figure.

"O.W. "Pappy" Kitchens (1901-1986) was born in Crystal Springs, Mississippi, and began painting at age 67. His self-taught, narrative, visual art springs directly from the oral tradition of parable and storytelling with which he grew up. A self-declared folk artist, Kitchens claimed, "I paint about folks, what folks see and what folks do." His magnum opus, The Saga of Red Eye the Rooster, was painted between 1973 and 1976 and presents a homespun Pilgrim's Progress in the form of a beast fable. Kitchens's most ambitious allegorical work, this fable consists of sixty panels, each one measuring fifteen inches square, composed of mixed materials on paper, and executed in three groups of twenty. Kitchens follows Red Eye from foundling to funeral, exploring the life of this extraordinary bird. Red Eye's quasi-human behavior inevitably maneuvers him into conflicts with antagonists of all sorts. He encounters violence, avarice, lust, greed, and most of the other seven deadly sins, dispatching them in heroic fashion until he finally succumbs to his own fatal flaw. In addition to The Saga of Red Eye the Rooster, the volume features personal photos of Kitchens as well as additional works by the artist. Written by distinguished artist and Kitchens's once son-in-law William Dunlap, with an essay by renowned curator Jane Livingston, Pappy Kitchens and The Saga of Red Eye the Rooster brings much needed exposure to the life and work of a key Mississippi figure." -- Provided by publisher.

American Landscapes: Meditations on Art and Literature in a Changing World is a major contemporary survey of landscapes in art and literature of the United States, especially the American South. Inspired by William Dunlap’s extraordinary landscape Meditations on the Origins of Agriculture in America and a collection of forty paintings and photographs by Southern artists, this volume brings together artists, authors, and scholars to present new perspectives on art and literature both past and present. The volume includes art and text from artists John Alexander, Jason Bouldin, William Dunlap, Carlyle Wolfe Lee, Ke Francis, Linda Burgess, Randy Hayes; photographers Sally Mann, Ed Croom, and Huger Foote; museum directors Betsy Bradley, Jane Livingston, and Julian Rankin; and authors W. Ralph Eubanks, John Grisham, J. Richard Gruber, Jessica B. Harris, Lisa Howorth, Julia Reed, Natasha Trethewey, Curtis Wilkie, Joseph M. Pierce, and Drew Gilpin Faust. This diverse group explores major eras of American history portrayed in Dunlap’s painting, a landscape that evokes the displacement and genocide of Native Americans, the enslavement of Africans, the Civil War, and William Faulkner’s fiction. They examine the history of landscape art in America, connecting art with the works of major writers like William Faulkner, Eudora Welty, Natasha Trethewey, and Jesmyn Ward. In eighteen new essays written during the pandemic and since the events of January 6, 2021, the essayists emphasize how the key issues Dunlap addressed in his 1987 artwork have become part of the national discourse and make his work even more vital today.

A stunning repackage of a companion to Mildred D. Taylor's Roll of Thunder, Hear My Cry, with cover art by two-time Caldecott Honor Award winner Kadir Nelson! It is a frightening and turbulent time for the Logan family. First, their friend T.J. must go on trial for murder--and confront an all-white jury. Then, Cousin Suzella tries to pass for white, with humiliating consequences. And when Cassie's neighbor, Mrs. Lee Annie, stands up for her right to vote, she and her family are driven from their home. Other neighbors are destroyed and shattered by the greed of landowners. But through it all, Cassie and the Logans stand together and stand proud--proving that courage, love, and understanding can defy even the deepest prejudice. "This dramatic sequel to Roll of Thunder, Hear My Cry is a powerful novel . . .capable of touching readers of any age."—The Christian Science Monitor "A profoundly affecting novel."—Publishers Weekly

The first full-length book heralding the achievements of internationally renowned artist William Dunlap; this is the limited, signed, numbered edition to be in a clamshell box with a limited, signed print by the artist

An account of the civil rights march that ended in the unlawful incarceration of African American protestors—and the basis for the 2017 documentary. In October 1965, nearly 800 young people attempted to march from their churches in Natchez to protest segregation, discrimination and mistreatment by white leaders and elements of the Ku Klux Klan. As they exited the churches, local authorities forced the would-be marchers onto buses and charged them with “parading without a permit,” a local ordinance later ruled unconstitutional. For approximately 150 of these young men and women, this was only the beginning. They were taken to the Mississippi State Penitentiary in Parchman, where prison authorities subjected them to days of abuse, humiliation and punishment under horrific conditions. Most were African Americans in their teens and early twenties. Authors G. Mark LaFrancis, Robert Morgan and Darrell White reveal the injustice of this overlooked dramatic episode in civil rights history. “White and Galen Mark LaFrancis are in the process of filming a documentary to shed light on the Parchman Ordeal, which, along with other Natchez stories—like the 1967 Ku Klux Klan slaying of Wharlest Jackson—has flown below the nation’s radar.”—The Root “Could help shed more light on the incident and its place in the nation’s civil rights history.”—The Natchez Democrat

A boy coming of age in a part of the country that’s being left behind is at the heart of this dazzling novel—the first by an award-winning author of short stories that evoke the American West. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “August reads like early Hemingway, retooled for the present.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days Callan Wink has been compared to masters like Jim Harrison and Thomas McGuane. His short stories have been published in The New Yorker and have won numerous accolades. Now his enormous talents are showcased in a debut novel that follows a boy growing up in the middle of the country through those difficult years between childhood and adulthood. August is an average twelve-year-old. He likes dogs and fishing and doesn’t mind early-morning chores on his family’s Michigan dairy farm. But following his parents’ messy divorce, his mother decides that she and August need to start over in a new town. There, he tries to be an average teen—playing football and doing homework—but when his role in a shocking act of violence throws him off course once more, he flees to a ranch in rural Montana, where he learns that even the smallest communities have dark secrets. Covering August's adolescence, from age twelve to nineteen, this gorgeously written novel bears witness to the joys and traumas that irrevocably shape us all. Filled with unforgettable characters and stunning natural landscapes, this book is a moving and provocative look at growing up in the American heartland.