An intimate, joy-filled portrait and New York Times bestseller, written by one of Hemingway’s closest friends: “It is hard to imagine a better biography” (Life). In 1948, A. E. Hotchner went to Cuba to ask Ernest Hemingway to write an article on “The Future of Literature” for Cosmopolitan magazine. The article never materialized, but from that first meeting at the El Floridita bar in Havana until Hemingway’s death in 1961, Hotchner and the Nobel and Pulitzer Prize–winning author developed a deep and abiding friendship. They caroused in New York City and Rome, ran with the bulls in Pamplona, hunted in Idaho, and fished the waters off Cuba. Every time they got together, Hemingway held forth on an astonishing variety of subjects, from the art of the perfect daiquiri to Paris in the 1920s to his boyhood in Oak Park, Illinois. Thankfully, Hotchner took it all down. Papa Hemingway provides fascinating details about Hemingway’s daily routine, including the German army belt he wore and his habit of writing descriptive passages in longhand and dialogue on a typewriter, and documents his memories of Gertrude Stein, F. Scott Fitzgerald, Martha Gellhorn, Marlene Dietrich, and many of the twentieth century’s most notable artists and celebrities. In the literary icon’s final years, as his poor health began to affect his work, Hotchner tenderly and honestly portrays Hemingway’s valiant attempts to beat back the depression that would lead him to take his own life. Deeply compassionate and highly entertaining, this “remarkable” New York Times bestseller “makes Hemingway live for us as nothing else has done” (The Wall Street Journal).

Hemingway in Key West, both as the writer and as the hard-driving sportsman, as well as his exploits in Bimini and Cuba.

On January 1 of 2016, Stefanie Payne, a creative professional working at NASA Headquarters, and Jonathan Irish, a photographer with National Geographic, left their lives in Washington, D.C. and hit the open road on an expedition to explore and document all 59 of America's national parks during the centennial celebration of the U.S. National Park Service - 59 parks in 52 weeks - the Greatest American Road Trip. Captured in more than 300,000 digital photographs, written stories, and videos shared by the national and international media, their project resulted in an incredible view of America's National Park System seen in its 100th year. 'A Year in the National Parks, The Greatest American Road Trip' is a gorgeous visual journey through our cherished public lands, detailing a rich tapestry of what makes each park special, as seen along an epic journey to visit them all within one special celebratory year.

The only place in the United States that Hemingway could really call home after he started writing was the tropical island of Key West. During his decade here in the 1930s, he acquired his famed macho persona as Papa, the biggest Big Daddy of them all. This vivid portrait of Ernest Hemingway's Key West reveals both Hemingway, the writer, and Hemingway, the macho, hard-drinking sportsman. His Key West years turned out to be his most productive: he finished A Farewell to Arms, started For Whom the Bell Tolls, and wrote several other books, including Green Hills of Africa, Death in the Afternoon, and To Have and Have Not. He also turned out some of his best short stories. There was plenty of time left over for eating, drinking, fighting, fishing, chasing women, and hanging out with his circle of friends (known as "the Mob"). Hemingway spent the last years of his life in Cuba, and it was here he overcame several demons—accidents, failing health, depression—to write The Old Man and the Sea, for which he won both a Pulitzer and a Nobel Prize in Literature. Filled with photos (some of which were not available in the first edition), this book also includes a two-hour walking tour of Key West and a tour of Hemingway's favorite Cuban haunts. This edition also includes a record of the author's exploits in Bimini and Cuba. Accompany Hemingway on fishing expeditions in the Gulf Stream and to Cuba and Bimini aboard his custom-built boat, Pilar. A treat for Hemingway fans!

From a National Book Critics Circle Award winner, a brilliantly conceived and illuminating reconsideration of a key period in the life of Ernest Hemingway that will forever change the way he is perceived and understood. Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar. We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities. Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend. We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.” Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.

National Geographic leads book-loving adventurers on a whirlwind tour of 500 literary landmarks and offers practical trip-planning advice for visiting in person. Peppered with great reading suggestions and little-known tales of literary gossip, this book is the ultimate browser's delight.