The first-ever history of the representation of dreams in Western painting, illustrated with works by more than 130 artists Organized by period, from the Middle Ages to the present, this engaging book shows how the idea of the dream, and its depictions, have shifted throughout history, from the biblical dream—a communication from God—to the deeply personal dream, the lighthearted fantasy, the nightmare. Sometimes these ideas have existed simultaneously: thus we have, only a few years apart, Raphael’s limpid High Renaissance composition of Jacob dreaming his Ladder; Albrecht Dürer’s watercolor of a mysterious deluge that he saw in his own slumbers; and Hieronymus Bosch’s nightmarish hellscapes. More recently, movements such as Symbolism and Surrealism have taken the dream as a primary source of inspiration, even conflating dreaming and the creative process itself. This rich vein of visionary art runs from Gustave Moreau and Odilon Redon, through De Chirico and Dalí, down to the present—demonstrating, as Bergez reminds us, that Morpheus was a god of form as well as of dreams.

A biography of the North Carolina painter whose art had its origins in her religious visions and the African traditions of her slave ancestors.

A shaman as well as the leading Navajo modern artist, Paladin is one of the first Native American painters to move beyond traditional themes and styles. Praised by the renowned artist Marc Chagall, Paladin's brilliant and evocative paintings are admired for their exuberance, eclecticism, spirituality, and original use of symbols.

A guide to the deeper meanings of rock art. The author spent more than 20ears travelling to rock art sites across the United States and Canada,arning the trust of native elders and preserving their insights.

Because her Haitian family is too poor to be able to buy paints for her, eight-year-old Ti Marie finds her own way to create pictures that make the heart sing. By the creators of Galimoto.

Maynard Dixon embellished themes that encompassed the timeless truth of the majestic western landscape, the humanity of its memorable people, and the religious mysticism of the Native American. In an attempt to uncover the spirit of the American West, Dixon roamed its plains, mesas, and deserts—drawing, painting, and expressing his creative personality in poems, essays, and letters. Written in a very personal style, this biography includes anecdotes from Dixon’s children, historical vignettes, and interviews with those who knew the artist.

“My tale starts with a ‘once upon a time’ — A long time ago, beings lived who could control the elements, immortality, and time. We called them gods and gave them our worship. They played with us like toys, took our lives and sabotaged our love. Now, the gods are myths. Stories in books—not to be confused with our modern world. I believed this until I found myself tumbling into a dream. This dream takes me to another life. To a forgotten time in a bloody age. I dream of Hades’s son and a lustful goddess. I dream of limitless power and revolving time. I dream a death and love that was mine... My name is Cara Wynter— and this is my story.” Cara Wynter is a literature student living with her twin sister, Lily, in Fairhaven Washington. A daughter of witches, touch brings Cara only pain, and dark visions of pasts and futures she can rarely change. Already fighting to exist in her strange reality, she begins to crumble when the reoccurring dreams of her own death begin. In a desperate attempt to unlock the secrets in the violent images, she finds herself lost in a contest between love—and the will of the ancient gods. With only forgotten memories and the pages of a book to guide her, she struggles to understand her past and break a deadly curse. Cara must face her worst fears—to save the soul of a god she has treasured for centuries, and a love she cannot live without.