Designed for graphic designers, illustrators, and Web designers, this full-color book features undocumented techniques and artwork from word-class artists. The text features an in-depth discussion of using Painter's Image Hose which allows users to paint with digital images. The CD-ROM is packed with exclusive images, tutorials, and software.

FOREWORD: Were there paints used by the old masters better than ours today And were their methods superior Is turpentine a good painting medium Why do some paintings darken, discolor, or crack with age, while others do not What varnish should I use to restore the brilliancy of a painting which has grown dull Which is better, a sable or a bristle brush These are typical of hundreds of questions which painters and stu dents all over the land are constantly asking. Particularly since I started my Question and Answer Department in the Taubes Page, in the magazine AMERICAN ARTIST, have come to realize what a strong interest exists today in all such technical matters. This was not always so. In fact, this present keen attention to sound craftsmanship in painting is most gratifying to those of us who have long worked toward this very goal. For far too lengthy a period we might even say for scores of years many painters were so immersed in the purely aesthetic aspects of their art that they neglected those equally important technical phases which must always be observed if results are to be enduring. A gradual awakening has taken place only as one horrible example after another of fading, darkening, discoloration, cracking, or like type of failure has come to the fore. Even in the recent past there have been those who have treated craftsmanship so lightly that their paintings have already badly dete riorated or are doomed to an early demise. Small wonder, then, that more and more contemporary painters, profiting from all this, are turn ing to the investigation of the chemical and physical nature and action of pigments the respective functions of oils, varnishes and other me dia the preparation of grounds the possibilities of underpainting, etc.My personal feeling has always been that if a painting is worth do ing at all, it is worth doing well And by well I mean not only aes thetically well, but technically well. At the very outset of my career I was so impressed by the needless deterioration of thousands of paintings that the mastery of craftsmanship became a consuming passion. By good fortune, I was able to indulge this passion by studying at first hand the works of those leading exponents of sound craftsmanship, the old masters. In Paris, in Italy, in Vienna, in the Bauhaus in Weimar, under the famous Doerner in Munich, for years I was able to gratify my inquisitiveness along technical lines. One by one I inspected the great masterpieces of old. I compared I analysed I investigated I asked questions I read assiduously everything I could lay my hands on. And gradually I arrived at a conviction which decades of subsequent paint ing and teaching have served only to strengthen, that a regeneration of art will be possible only when painters cease to look on technical matters as superficial and return to the sound basic principles long ago established by the old masters.

If you yearn to say yes to your deepest expression in your art and life, this self-help book is for you. Dr. Hillis guides you past resistance on your artist's journey so you can finally trust yourself, develop confidence and cultivate deep exploration and experimentation in your art. Bonus resource library with videos lessons and book club guide.

Now that Photoshop 5 is finally here, it2s time to get up to speed on all that2s new and improved in the latest version of the world2s most powerful and sophisticated image-editing program. That2s a pretty tall order. So where do you start? How about with the updated version of the most comprehensive Photoshop guide around.

Award-winning illustrator and painter Marjorie Sarnat presents an outstanding refresher course in creative thinking, suitable for artists of every level. In this guide, she shares the tips and techniques she's discovered in the course of her personal experiences and explorations. These 300 quick, easily grasped text passages detail methods for adding inspiration and innovation to your creative process. The new, hands-on approaches to materials, painting surfaces, and texture applications can help you find a fresh angle for your style or break through a creative block. Every "secret" in this book is expressed in practical terms geared toward boosting your artistic abilities. From sharpening your drawing skills and applying media in unique ways to creating intriguing visual illusions and refining your choices of color and composition, this guide is loaded with advice and fresh ideas. You'll also find cost-saving ways to obtain and manage your art tools and supplies as well as scores of ideas for making art with creative kids.

Some of the most popular art instruction books ever written have been based on student notes culled over the years from actual workshop sessions, with all their power and immediacy - and with practical, on-to-one contact between student and teacher. This is such a book. For more than two years, Linda Cateura has pursued teacher / artist David A. Leffel, notebook in hand, as he critiqued the work of students. Linda Cateura's succinct notes capture his insights, philosophy, painting hints, and general comments. Leffel's classic, painterly, twentieth-century old master style, much in the manner of Rembrandt or Chardin, affords ample illustration of the ideas expressed - through his many paintings, details, demonstrations, and diagrams, almost all in color. No matter what your level of ability, there is something here to apply to your own work, ideas that will cause you to rething your own ways of painting, hints to save you effort, or solutions to persistent painting problems.