A local busybody is silenced for good in this tale by “a peerless practitioner of the slightly surreal, English-village comedy-mystery” (Kirkus Reviews). In their Dorset village, neither Miss Campanula nor her friend Miss Prentice are known as lovable little old ladies. They’re waspish, gossiping snobby little old ladies, passionate only about their amateur theatrical productions, their narrowly defined opinions about how everyone else should behave . . ..and, perhaps, about the local vicar. But could one of them have been sufficiently unpleasant to provoke a murderer? For Miss Campanula has perished on her piano bench—and it’s unclear whether Miss Prentice may have been the actual intended victim . . . “A goodie.” —Kirkus Reviews “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “In her ironic and witty hands the mystery novel can be civilized literature.” —The New York Times

A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times

CRIME & MYSTERY. Commemorating 75 years since the Empress of Crime's first book, the third volume in a set of omnibus editions presenting the complete run of 32 Inspector Alleyn mysteries. Death in a White Tie, Overture to Death, Death at the Bar.

At an English pub, a dart becomes a deadly weapon: “Any Ngaio Marsh story is certain to be Grade A.” —The New York Times A game of darts does involve some danger, but it’s rarely lethal. There are exceptions, however, like the famous barrister who was enjoying a pint at the Plume of Feathers pub, and is now residing at the morgue. But Inspector Roderick Alleyn has a growing hunch that this peculiar “accident” can be traced to an old legal case . . . “A peerless practitioner of the slightly surreal, English-village comedy-mystery.” —Kirkus Reviews

Part of a publishing program that creates a brand new look for Marsh's 32 mystery novels, this book finds Inspector Roderick Alleyn going backstage at a theater company to find out why a bottle of champagne crashed down on the head of the famous producer and killed him.

The inspector digs into a cold case on a New Zealand sheep farm in this “well-sustained crime story” from the Mystery Writers of America Grand Master (Kirkus Reviews). Flossie Rubrick, a highly opinionated and influential member of the New Zealand Parliament, was last seen heading off to one of the storage sheds on her sheep farm. Three weeks later, she turned up dead and packed in a bale of her own wool. What happened on the night of her long-ago disappearance? In the country on counterespionage duty, Inspector Roderick Alleyn is happy to lend a hand. “The doyenne of traditional mystery writers.” —The New York Times

A model is murdered in this “first-rate” detective story by the Mystery Writers of America Grand Master (Kirkus Reviews). On a ship traveling back to England, Miss Agatha Troy finds Inspector Roderick Alleyn tedious and dull; he thinks she’s a bohemian cliché. They may be destined for romance, but there’s a murder in the way: No sooner has Alleyn settled in to his mother’s house, eager for a relaxing end to his vacation, than he gets a call that a model has been stabbed at the artists’ community down the road. And the talented Miss Troy is one of the community’s most prominent and outspoken members . . . “The doyenne of traditional mystery writers.” —The New York Times