OUTRAGEOUS CRIMES OF FASHION is a hilarious and authentic rags-to-riches memoir set in the crime-ridden streets of New York City in the late 1970s. It follows a naïve and penniless young woman as she hysterically navigates through a cast of unsavory characters, meeting every disaster imaginable with guts, determination, wit, and ultimately, incredible success. This story resonates with readers of all generations as an encouraging tale for the aspiring entrepreneur. It is a bible for survival in a man’s world and a must read for absolutely anyone who wears clothing. “In difficult times, fashion is always outrageous.” Elsa Schiaparelli

Home of the helmet hairdo and congressional comb-over, Washington, D.C., is a hotbed of fashion faux pas. If anyone should know, it’s “Crimes of Fashion” columnist Lacey Smithsonian. She dishes out advice to the scandal-scorched and clothing-clueless, doing her part to change this town—one fashion victim at a time.... SHAWL TALE Washington, D.C., fashion reporter Lacey Smithsonian has always believed clothes can be magical, but she’s never thought they can be cursed. Until now. Lacey’s best friend, Stella, is finally getting married, and at her bachelorette party, fellow bridesmaid—and fortune-teller—Marie Largesse arrives with a stunning Russian shawl. A shawl, Marie warns, that can either bless or curse the wearer. When a party crasher who mocks the shawl is found dead the next day, the other guests fear the curse has been unleashed. But Lacey has her doubts, and she must employ all her Extra-Fashionary Perception to capture a villain who has vowed that nobody at this wedding will live happily ever after….

Trench coats? hot or not? The author of Grave Apparel proves you can solve mysteries without sacrificing style... Unchallenged and unappreciated, fashion reporter Lacey Smithsonian slips on her trench coat and high-heeled gumshoes to pursue a course in private investigation and a shot at a better job. When a wealthy and erratic D.C. socialite is discovered quite dead outside the classroom, Lacey gets to test those sleuthing skills. Was the victim on her way to share a dangerous secret with Smithsonian? And what does it have to do with a missing Louis Vuitton vintage custom makeup case? Lacey must mix style with substance to unravel these tangled threads before she, or one of her best friends, gets caught in the sights of a cold-blooded killer?

Fashion is widely recognised as a site for social acceptance and rejection, and as a signifier of personal identity. What happens when people stray from 'appropriate' dress codes or associate garments with 'respectability' or deviance? How does fashion relate to criminality? In this interdisciplinary volume, leading scholars propose new ways of seeing everyday dress and the body in public space. Garments and individual or group wearers are used as case studies to explore the codification of clothing as criminal – hoodies, trench-coats, Norwegian Lustkoffe sweaters, low-slung trousers and Hip Hop styling are all untangled as garments with criminal significance. The book questions the point at which morality as a form of social control meets criminality, and suggests ways to renegotiate established dress codes and terms such as 'suitability' and 'glamour' through the study of what people wear in response to notions of criminality.

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

Can crime make our world safer? Crimes are the worst of humanity’s wrongs but, oddly, they sometimes “trigger” improvement in our lives. Crimes That Changed Our World explores some of the most important trigger cases of the past century, revealing much about how change comes to our modern world. The exact nature of the crime-outrage-reform dynamic can take many forms, and Paul and Sarah Robinson explore those differences in the cases they present. Each case is in some ways unique but there are repeating patterns that can offer important insights about what produces change and how in the future we might best manage it. Sometimes reform comes as a society wrestles with a new and intolerable problem. Sometimes it comes because an old problem from which we have long suffered suddenly has an apparent solution provided by technology or some other social or economic advance. Or, sometimes the engine of reform kicks into gear simply because we decide as a society that we are no longer willing to tolerate a long-standing problem and are now willing to do something about it. As the amazing and often touching stories that the Robinsons present make clear, the path of progress is not just a long series of course corrections; sometimes it is a quick turn or an unexpected lurch. In a flash we can suddenly feel different about present circumstances, seeing a need for change and can often, just as suddenly, do something about it. Every trigger crime that appears in Crimes That Changed Our World highlights a societal problem that America has chosen to deal with, each in a unique way. But what these extraordinary, and sometime unexpected, cases have in common is that all of them describe crimes that changed our world.

A law professor and cultural critic offers an eye-opening exploration of the laws of fashion throughout history, from the middle ages to the present day, examining the canons, mores and customs of clothing rules that we often take for granted