Aidoo's first novel explores the thoughts and experiences of a Ghanaian girl on her travels in Europe

Fish and chips. They lied. They lied. They lied. Sissie is leaving Africa for the first time, arriving in Europe on a scholarship to experience the glories of a Western education. In Germany, as guest of honour over embassy cocktails, she cringes at her countrymen. In a Bavarian castle, she is seduced by a lonely local mother to Little Adolf. In freezing London, she witnesses 'been-tos' sharing myths of an overseas idyll. In between continents, she writes a letter on the plane to her exiled former lover. But it is not sent. She will tell these tales back at home. Ama Ata Aidoo's landmark debut Our Sister Killjoy exploded into the world in 1977. With its blistering feminist satire of the African diaspora, colonial legacies and toxic racism, expressed in a radical literary form - prose poetry, letter, manifesto - its provocative impact remains unmatched. 'A wondrous discovery.' Chimamanda Ngozi Adichie 'A granary of wisdom & knowledge.' Tsitsi Dangarembga 'Aidoo has reaffirmed my faith in the power of the written word.' Alice Walker 'Modest, lyrical, reflective and intelligent .. Deserves as wide an audience as it can get.' Angela Carter

A Commonwealth Prize–winning novel of “intense power . . . examining the role of women in modern African society” by the acclaimed Ghanaian author (Publishers Weekly). Living in Ghana’s capital city of Accra with a postgraduate degree and a career in data analysis, Esi Sekyi is a thoroughly modern African woman. Perhaps that is why she decides to divorce her husband after enduring yet another morning’s marital rape. Though her friends and family are baffled by her decision (after all, he doesn’t beat her!), Esi holds fast. When she falls in love with a married man—wealthy, and able to arrange a polygamous marriage—the modern woman finds herself trapped in a new set of problems. Witty and compelling, Aidoo’s novel, according to Manthia Diawara, “inaugurates a new realist style in African literature.” In an afterword to this edition, Tuzyline Jita Allan “places Aidoo’s work in a historical context and helps introduce this remarkable writer [who] sheds light on women’s problems around the globe” (Publishers Weekly).

In this collection of short stories, Aidoo elevates the mundane in women's lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society.

Ogadinma Or, Everything Will be All Right is a tale of departure, loss and adaptation; of mothers whose experience at the hands of controlling men leave them with burdens they find too much to bear. After an unwanted pregnancy leaves her exiled from her family in Kano, thwarting her plans to go to university, seventeen-year-old Ogadinma is sent to her aunt's in Lagos. When a whirlwind romance with an older man descends into indignity, she is forced to channel her strength and resourcefulness to escape a fate that appears all but inevitable. A feminist classic in the making, Ukamaka Olisakwe's sophomore novel introduces a heroine for whom it is impossible not to root and announces the author as a gifted chronicler of the patriarchal experience. Illuminates a fascinating time in Nigeria's recent past, as the novel's heroine struggles against the shackles of a Church-dominated patriarchal society amid rising political turmoil · Written by a rising star of Nigeria's vibrant literature scene, a finalist for the 2019 Brittle Paper Award for Creative Nonfiction and established screenwriter · An exquisitely written bildungsroman that will appeal equally to readers of literary fiction and a new adult audience

Rediscover the diversity of modern African literatures with this authoritative resource edited by a leader in the field How have African literatures unfolded in their rich diversity in our modern era of decolonization, nationalisms, and extensive transnational movement of peoples? How have African writers engaged urgent questions regarding race, nation, ethnicity, gender, and sexuality? And how do African literary genres interrelate with traditional oral forms or audio-visual and digital media? A Companion to African Literatures addresses these issues and many more. Consisting of essays by distinguished scholars and emerging leaders in the field, this book offers rigorous, deeply engaging discussions of African literatures on the continent and in diaspora. It covers the four main geographical regions (East and Central Africa, North Africa, Southern Africa, and West Africa), presenting ample material to learn from and think with. A Companion To African Literatures is divided into five parts. The first four cover different regions of the continent, while the fifth part considers conceptual issues and newer directions of inquiry. Chapters focus on literatures in European languages officially used in Africa -- English, French, and Portuguese -- as well as homegrown African languages: Afrikaans, Amharic, Arabic, Swahili, and Yoruba. With its lineup of lucid and authoritative analyses, readers will find in A Companion to African Literatures a distinctive, rewarding academic resource. Perfect for undergraduate and graduate students in literary studies programs with an African focus, A Companion to African Literatures will also earn a place in the libraries of teachers, researchers, and professors who wish to strengthen their background in the study of African literatures.