“This is a rare thing: an original, intelligent novel that’s not just a perfect summer beach read, but one that deserves serious awards consideration as well. Put down your phone and pick it up. . . . A major accomplishment.”—Kirkus Reviews (starred review) From the co-creator of How I Met Your Mother, a hilarious and thought-provoking debut novel set in New York City, following an unforgettable cast of characters as they navigate life, love, loss, ambition, and spirituality—without ever looking up from their phones It’s the summer of 2015, and Alice Quick needs to get to work. She’s twenty-eight years old, grieving her mother, barely scraping by as a nanny, and freshly kicked out of her apartment. If she can just get her act together and sign up for the MCAT, she can start chasing her dream of becoming a doctor . . . but in the Age of Distraction, the distractions are so distracting. There’s her tech millionaire brother’s religious awakening. His picture-perfect wife’s emotional breakdown. Her chaotic new roommate’s thirst for adventure. And, of course, there’s the biggest distraction of all: love. From within the story of one summer in one woman’s life, a tapestry of characters is unearthed, tied to one another by threads both seen and unseen. Filled with all the warmth, humor, and heart that gained How I Met Your Mother its cult following, The Mutual Friend captures in sparkling detail the chaos of contemporary life—a life lived simultaneously in two different worlds, the physical one and the one behind our screens—and reveals how connected we all truly are.

Our Mutual Friend (1864-5) Dickens’ last completed novel, has been critically praised as a profound and troubled masterpiece, and yet is has received far less scholarly attention than his other major works. This volume is the first book-length study of the novel. It explores every aspect of Dickens’ sustained imaginative involvement with his age. In particular its original research into hitherto neglected sources reveals not only Dickens’ reactions to the important developments during the 1860s in education, finance and the administration of poverty, but also his interest in phenomena as diverse as waste collection and the Shakespeare tercentenary. The Companion to Our Mutual Friend demonstrates the varied resources of artistry that inform the novel, and it provides the reader with a fundamental source of information about one of Dickens’ most complex works.

Even within the context of Charles Dickens's history as a publishing innovator, Our Mutual Friend is notable for what it reveals about Dickens as an author and about Victorian publishing. Marking Dickens's return to the monthly number format after nearly a decade of writing fiction designed for weekly publication in All the Year Round, Our Mutual Friend emerged against the backdrop of his failing health, troubled relationship with Ellen Ternan, and declining reputation among contemporary critics. In his subtly argued publishing history, Sean Grass shows how these difficulties combined to make Our Mutual Friend an extraordinarily odd novel, no less in its contents and unusually heavy revisions than in its marketing by Chapman and Hall, its transformation from a serial into British and U.S. book editions, its contemporary reception by readers and reviewers, and its delightfully uneven reputation among critics in the 150 years since Dickens’s death. Enhanced by four appendices that offer contemporary accounts of the Staplehurst railway accident, information on archival materials, transcripts of all of the contemporary reviews, and a select bibliography of editions, Grass’s book shows why this last of Dickens’s finished novels continues to intrigue its readers and critics.

Tracing the development of cholera mapping from the early sanitary period to the later "medical" period of which John Snow's work was a key example, the book explores how maps of cholera outbreaks, residents' responses to those maps, and the novels of Charles Dickens, who drew heavily on this material, contributed to an emerging vision of London as a metropolis. The book then turns to India, the metropole's colonial other and the perceived source of the disease. In India, the book argues, imperial politics took cholera mapping in a wholly different direction and contributed to Britons' perceptions of Indian space as quite different from that of home.

Miss Charlotte House will not admit impediments to marriage, not even when those impediments include scandal, blackmail and even a duel to the death. With the help of her particular friend Miss Jane Woodsen, she deduces all that happens in Bath-both good and ill-and together they ensure that true love's course runs smooth, even though both friends have suffered tragedies that prevent their own happiness. These six affairs, set in Bath, England, during the Napoleonic War, are inspired by the creations of both Sir Arthur Conan Doyle and Jane Austen. The sequel to this book is Our Mutual Friends: https: //amazon.com/Mutual-Friends-Charlotte-House-Affair/dp/1541054989/