This book is the result of information about the five generations of ancestry for the families of Esther Ray McClintock, Frank Pickens Williams, and Merlene Faye Hutto Byars (Klutzow) being handed down to them by their parents and also because Esther, Pickens and Merlene have explored cemeteries in many states and in Europe. - Xlibris Podcast Part 1: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-1 - Xlibris Podcast Part 3: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-3 - Xlibris Podcast Part 5: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-5

- Xlibris Podcast Part 1: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-1/ - Xlibris Podcast Part 3: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-3/ - Xlibris Podcast Part 5: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-5/

- Xlibris Podcast Part 1: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-1/ - Xlibris Podcast Part 3: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-3/ - Xlibris Podcast Part 5: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-5/

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Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.

"The Charleston Renaissance chronicles a dynamic period of Southern history, detailing the artistic legacy of native and national artists whose collective image-making led to Charleston's transformation from a faded Southern capital to a premier tourist destination. Martha Severens, as art historian, curator, and former Charleston resident, introduces readers to the city's traditions and lore, and delineates their impact on the art of the day. Through her examination of the major local figures of the period - Alfred Hurry, Alice Ravenel Huger Smith, Anna Heyward Taylor, and Verner - as well as the impressive list of visiting artists - including Birge Harrison, Childe Hassam, Edward Hopper, Lilla Cabot Perry, and many more - Severens expands upon the existing scholarship, adding new depth and dimension to both the period and the place. Ultimately, by connecting the artistic advances in Charleston to the greater American art scene, Severens brings clarity to the "ancient, beautiful" city's vital role in Southern art and American regionalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved