Far up in the north is a blueberry-blue house with a grass roof, where Lisa and Nils live. One day a tourist arrives: Otto has cycled for months, maybe years, to visit his friends. Otto wants to do a spectacular painting of the northern lights to remember his visit, but he is from a hot country and it is very cold here. He can't paint for shivering so hard. His friends decide to knit him a sweater. Otto Goes North is a cozy story about friendship across borders and knitting--follow the animals as they collect fur, spin and dye yarn, find a pattern, and knit a sweater.

Legions of bluegrass fans know the name Otto Wood (1893–1930) from a ballad made popular by Doc Watson, telling the story of Wood's crimes and violent death. However, few know the history of this Appalachian figure beyond the larger-than-life version heard in song. Trevor McKenzie reconstructs Wood's life, tracing how a Wilkes County juvenile delinquent became a celebrated folk hero. Throughout his short life, Wood was jailed for numerous offenses, stole countless automobiles, lost his left hand, and made eleven escapes from five state penitentiaries, including four from the North Carolina State Prison after a 1923 murder conviction. An early master of controlling his own narrative in the media, Wood appealed to the North Carolina public as a misunderstood, clever antihero. In 1930, after a final jailbreak, police killed Wood in a shootout. The ballad bearing his name first appeared less than a year later. Using reports of Wood's exploits from contemporary newspapers, his self-published autobiography, prison records, and other primary sources, Trevor McKenzie uses this colorful story to offer a new way to understand North Carolina—and arguably the South as a whole—during this era of American history.

In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."

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This is an epic oral history of Vietnam's bloodiest campaign, fought for seven months in a series of battles, most of them within four miles of each other, along Route 534. Staring in October 1967, orders came down to the 2nd North Vietnamese Army Division commanding them to join with the local Viet Cong and seize the city of Danang in the Tet Offensive. After fighting for seven months in the Que Son Valley, the division was so battered that it failed to carry out its mission, with only one platoon making it inside the city limits. This is the true-life accounts of what fighting was like in that narrow, bloody valley from the veteran's own mouths, and how that saved Danang from suffering the same fate as Hue City

"'One mushroom for you and one mushroom for me," said bear. "And another mushroom for me. That's fair. I'm big, so I need to eat a lot." Weasel did not agree.--

Otto Ludwig, nineteenth-century German novelist and critic, originated the term poetic realism. In this excellent study, Ludwig's prose is sympathetically and thoroughly examined and a clear account of the evolution of German fiction after Romanticism is presented. Taking Ludwig's narrative works together with his literary criticism, McClain shows how the author attempted to blend the real and the ideal to reach the goal of poetic realism as he envisioned it.