In perhaps his most important literary feat, Norman Mailer fashions an unprecedented portrait of one of the great villains—and enigmas—in United States history. Here is Lee Harvey Oswald—his family background, troubled marriage, controversial journey to Russia, and return to an “America [waiting] for him like an angry relative whose eyes glare in the heat.” Based on KGB and FBI transcripts, government reports, letters and diaries, and Mailer’s own international research, this is an epic account of a man whose cunning, duplicity, and self-invention were both at home in and at odds with the country he forever altered. Praise for Oswald’s Tale “America’s largest mystery has found its greatest interpreter.”—The Washington Post Book World “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . From the American master conjurer of dark and swirling purpose, a moving reflection.”—Robert Stone, The New York Review of Books “A narrative of tremendous energy and panache; the author at the top of his form.”—Christopher Hitchens, Financial Times “The performance of an author relishing the force and reach of his own acuity.”—Martin Amis, The Sunday Times (London) Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

From the author of White Noise (winner of the National Book Award) and The Silence, an eerily convincing fictional speculation on the events leading up to the assassination of John F. Kennedy In this powerful, unsettling novel, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped. A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

Where is Lee Harvey Oswald’s body? The Kennedy assassination is a rat’s nest of conspiracy theories: mafia involvement, the second gunman, government cover-up... but the most important chapter of this sordid tale may just be the theory that the body buried at Oswald’s Rose Hill gravesite is not actually Lee Harvey himself. Meet the ragtag group of “useful idiots” who are unwittingly brought together to clean up the crime of the century – a wannabe cowboy from Wisconsin, a Buddy Holly-idolizing (former) car thief, a world-weary Civil Rights activist ready for revolution, and a failed G-Man who still acts the part – and specifically, regarding the matter of Oswald’s body.

ONE OF THE GREAT MYSTERIES - THE ENIGMA OF LEE HARVEY OSWALD - HAS BEEN SOLVED! TWO 'LEE HARVEY OSWALDS' WERE AT THE TEXAS SCHOOL BOOK DEPOSITORY ON NOVEMBER 22, 1963 - ONE WAS AN ASSASSIN ON THE SIXTH FLOOR, THE OTHER WAS A PATSY DOWNSTAIRS ON THE FRONT STEPS! INCLUDES PREVIOUSLY UNPUBLISHED - EXPLOSIVE - MATERIAL! The photographs on the cover show the right side of Lee Oswald's face (from a 1959 passport photo of 'Lee Harvey Oswald') and the left side of the face of 'Harvey Oswald' (from his Dallas booking photo in 1963), revealing that these were two different men! The key to JFK's assassination is not the guilt of Lee Oswald, a CIA contract agent - he was guilty of conspiracy, treason and murder - but the innocence of 'Harvey Oswald, ' an employee of the Texas School Book Depository and an agent of the Office of Naval Intelligence (ONI), the CIA and the FBI, who was murdered by Jack Ruby. Harvey's innocence demonstrates that there indeed was a conspiracy to murder John Fitzgerald Kennedy. There are 110 photographs/maps/floor plans, showing where everything took place on November 22 in Dallas, including a blowup of Harvey in the TSBD doorway, as well as a blowup of the face of the man in the "backyard photo," clearly showing the picture was a forgery. There also are several photographs of two "Marguerite Oswalds" and two "Lee Harvey Oswalds," revealing the doubles. Exposed also are the lies of Dallas police, the CIA (demonstrating that "Lee Harvey Oswald" never went to the Cuban Consulate and the Soviet Embassy in Mexico City), the FBI (showing 'Harvey' and family never lived on Neely Street in Dallas), the Warren Commission, which altered much testimony to comply with its "lone nut" assertion, as well as the lies of several witnesses. More than 300 sources, including many testimonies & affidavits, were consulted, as well as John Armstrong's massive research project HARVEY AND LEE. One fact led to another, until a coherent picture began to emerge from the immense pile of puzzle pieces. That picture includes the background of Harvey as a juvenile immigrant fluent in Russian, and the creation of the second 'Lee Harvey Oswald' and the second 'Marguerite Oswald.' The picture continues with the recruitment of both Lee Oswald and Harvey Oswald by the ONI and the CIA, followed by Harvey's assumption of Lee's identity, his 'defection' to Russia, and Lee's involvement with the Cuban revolution and the CIA. The legend expands into New Orleans, where Harvey is "sheep-dipped" to seem like a fervent pro-Castro sympathizer and where he begins to be sucked into the Kennedy assassination plot by his renegade CIA handler. Finally, unable to control his destiny, he winds up on the steps of the Dallas School Book Depository, while Lee Oswald is inside on the sixth floor shooting at the president. Harvey's whereabouts on November 22, 1963 are tracked minute by minute, showing that he could not have been where the Warren Commission claimed he was. In the end, of course, Harvey was murdered by the same cabal that killed JFK and was falsely accused by the Warren Commission, the FBI, and the CIA of being a killer and traitor, when it was his accusers who were the killers and traitors. Once you've read this account, you will never again believe that 'Harvey Oswald' shot President Kennedy. Read the free sample. 333 pages, 57,000 words

DIVUses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure./div

November 22nd 1963, Dealey PlazaAs a seminal event in late twentieth-century American history, the Kennedy assassination has permeated the American and world consciousness in a wide variety of ways. It has long fascinated American writers, filmmakers and artists, and this book offers an authoritative critical introduction to the way the event has been constructed in a range of discourses.It looks at a variety of historical, political and cultural attempts to understand Kennedy's death. Representations include: journalism from the time; historical accounts and memoirs; official investigations, government reports and sociological inquiries; the huge number of conspiracy-minded interpretations; novels, plays and other works of literature; and the Zapruder footage, photography, avant-garde art, and Hollywood films.Considering the continuities and contradictions in how the event has been represented, the author focuses on how it has been seen through the lens of ideas about conspiracy, celebrity and violence. He also explores how the arguments about exactly what happened on 22 November 1963 have come to serve as a substitute way of debating the significance of Kennedy's legacy and the meaning of the 1960s more generally.Key Features:* presents information about the event itself, the cultural context of the period, and the consequences of the event* considers the ways in which the event has been represented in subsequent years in a variety of discourses* includes an annotated bibliography and 10 B&W illustrations.

Why are strangers suddenly appearing in a sleepy North Carolina town? What do they have to do with widow Olivia Roberts? Why is her neighbor and friend Bill Horton so dead set against her traveling to Dallas, Texas? When she journeys from her North Carolina home to Dallas in search of answers to questions from November 22, 1963 she learns more than she ever expected. “View from the Sixth Floor-an Oswald Tale” is a story of “what-ifs”? What if the assassination of President John F. Kennedy on November 22, 1963 was a conspiracy? What if accused assassin Lee Harvey Oswald was innocent? What if someone knew the truth and could prove it? What if someone you trusted turned out to be hiding a secret so big it could change history? This is a tale of friendship, love, political intrigue, and murder.