The story of what happened to the orphaned and abandoned children of the London Foundling Hospital, and the consequences of Georgian philanthropy. From serving Britain's growing global empire in the Royal Navy, to the suffering of child workers in the Industrial Revolution, the Foundling Hospital was no simple act of charity

Finalist for the 2021 BC and Yukon Book Prizes' Roderick Haig-Brown Regional Prize and the 2021 City of Victoria Butler Book Prize "Meticulously researched and vividly drawn, Orphans of Empire brings to life the half-forgotten world of early British Columbia. This is an immersive, shimmering novel." —Steven Price, author of #1 nationally bestselling By Gaslight and Giller-shortlisted Lampedusa In Grant Buday's new novel, three captivating stories intertwine at the site of the New Brighton Hotel on the shores of Burrard Inlet. In 1858 the serious and devoted Sir Richard Clement Moody receives the commission of a lifetime when he is sent to help establish "a second England"—what is now British Columbia. In 1865 Frisadie, an eighteen-year-old Kanaka housemaid, who is more entrepreneur than ingénue, arrives in New Brighton from Hawaii. She convinces Maxie Michaud to purchase the hotel with her, and it soon becomes the toast of the inlet. In 1885 Henry Fannin, a young, curious embalmer and magnetism devotee, having struck out in London and San Francisco, arrives in New Brighton and promptly falls in love with a tragic woman he hears crying on his first night at the hotel. Endearing, funny, and highly evocative of time and place, Orphans of Empire celebrates those living in the shadow of history's supposed heroes, their private struggles and personal agendas. Readers who loved Michael Crummey's Galore and Eowyn Ivey's To the Bright Edge of the World, will love this vivid novel of arrivals that prods at the ethics of settlement.

Eighteenth-century London was teeming with humanity, and poverty was never far from politeness. Legend has it that, on his daily commute through this thronging metropolis, Captain Thomas Coram witnessed one of the city's most shocking sights-the widespread abandonment of infant corpses by the roadside. He could have just passed by. Instead, he devised a plan to create a charity that would care for these infants; one that was to have enormous consequences for children born into poverty in Britain over the next two hundred years. Orphans of Empire tells the story of what happened to the thousands of children who were raised at the London Foundling Hospital, Coram's brainchild, which opened in 1741 and grew to become the most famous charity in Georgian England. It provides vivid insights into the lives and fortunes of London's poorest children, from the earliest days of the Foundling Hospital to the mid-Victorian era, when Charles Dickens was moved by his observations of the charity's work to campaign on behalf of orphans. Through the lives of London's foundlings, this book provides readers with a street-level insight into the wider global history of a period of monumental change in British history as the nation grew into the world's leading superpower. Some foundling children were destined for Britain's 'outer Empire' overseas, but many more toiled in the 'inner Empire', labouring in the cotton mills and factories of northern England at the dawn of the new industrial age. Through extensive archival research, Helen Berry uncovers previously untold stories of what happened to former foundlings, including the suffering and small triumphs they experienced as child workers during the upheavals of the Industrial Revolution. Sometimes, using many different fragments of evidence, the voices of the children themselves emerge. Extracts from George King's autobiography, the only surviving first-hand account written by a Foundling Hospital child born in the eighteenth century, published here for the first time, provide touching insights into how he came to terms with his upbringing. Remarkably he played a part in Trafalgar, one of the most iconic battles in British Naval history. His personal courage and resilience in overcoming the disadvantages of his birth form a lasting testimony to the strength of the human spirit.

Originally published in 1989. The extraordinary story of Britain’s child migrants is one of 350 years of shaming exploitation. Around 130,000 children, some just 3 or 4 years old, were shipped off to distant parts of the Empire, the last as recently as 1967. For Britain it was a cheap way of emptying children’s homes and populating the colonies with ‘good British stock’; for the colonies it was a source of cheap labour. Even after the Second World War around 10,000 children were transported to Australia – where many were subjected to at best uncaring abandonment, and at worst a regime of appalling cruelty. Lost Children of the Empire tells the remarkable story of the Child Migrants Trust, set up in 1987, to trace families and to help those involved to come to terms with what has happened. But nothing can explain away the connivance and irresponsibility of the governments and organisations involved in this inhuman chapter of British history.

This is a book about the white stolen children - a lost tribe - who were sent to Australia with dreams of a better life, but who, in reality, often suffered great cruelty and abuse. 'This book draws back the curtain on a part of Australian and British history that has been crying out for recognition. All Australians shoud read it' Sir Ronald Wilson 'This story is remarkable. Even more remarkable is the fact that, until now, it was largely untold. This is an important story, an important part of Australia's story and long overdue' David Hill 'Orphans of the Empire is unusually affecting, hard to put down..' Geraldine Doogue An account of the white 'stolen children', who were supposedly orphans arriving in Australia from many countries to a better future, but who in reality simply came from poor families and arrived to uncertain futures and often extremely abusive environments in various institutions. More than 80,000 people were directly involved in this experience as 'orphans', while thousands more have been affected by the experience as children and relatives of the orphans, and as Australian-born children who were also living in the institutions described in this book. Although there were occasional great acts of kindness towards these children there was also systematic abuse of all kinds. Orphans of the Empire is based on hundreds of hours of taped interviews with men and women who came to Australia as child migrants. It is the complete and shocking story that was first made known through 4 Corners and 60 Minutes stories and the BBC's very popular Leaving Of Liverpool series.

History books often weave tales of rising and falling empires, royal dynasties, and wars among powerful nations. Here, Maksudyan succeeds in making those who are farthest removed from power the lead actors in this history. Focusing on orphans and destitute youth of the late Ottoman Empire, the author gives voice to those children who have long been neglected. Their experiences and perspectives shed new light on many significant developments of the late Ottoman period, providing an alternative narrative that recognizes children as historical agents. Maksudyan takes the reader from the intimate world of infant foundlings to the larger international context of missionary orphanages, all while focusing on Ottoman modernization, urbanization, citizenship, and the maintenance of order and security. Drawing upon archival records, she explores the ways in which the treatment of orphans intersected with welfare, labor, and state building in the Empire. Throughout the book, Maksudyan does not lose sight of her lead actors, and the influence of the children is always present if we simply listen and notice carefully as Maksudyan so convincingly argues.

A prevailing belief among Russia’s cultural elite in the early twentieth century was that the music of composers such as Sergei Rachmaninoff, Aleksandr Scriabin, and Nikolai Medtner could forge a shared identity for the Russian people across social and economic divides. In this illuminating study of competing artistic and ideological visions at the close of Russia’s “Silver Age,” author Rebecca Mitchell interweaves cultural history, music, and philosophy to explore how “Nietzsche’s orphans” strove to find in music a means to overcome the disunity of modern life in the final tumultuous years before World War I and the Communist Revolution.