The year is 1958, and 16-year-old Svetlana is stuck in a Moscow orphanage Her dream of becoming a dancer comes true: she's invited to join The Bolshoi Ballet, whose power as a symbol of Soviet prowess is unmatched - except perhaps by the dreaded KGB secret police. Sveta is stunned when officers show up at her door, claiming to know about a trance she once fell into. Some very powerful people believe Sveta is capable of serving the regime as much more than a dancer. They want to enlist her against the West as a psychic spy. Now she must explore this other talent if she is to survive.

Moscow, 1958: sixteen-year-old ballerina Svetlana’s dreams come true when she is invited to join the Bolshoi Ballet, but not is all as it seems. Now Svetlana is caught between the sinister worlds of very powerful people in the regime and the KGB, and the other world—one she was trying to escape through dance, the gift she’s been afraid of her entire life. The Bolshoi Saga: Svetlana is the third and final book in the series that is described as a feminist take on The Godfather, set in the world of Russian ballet. The year is 1958, and sixteen-year-old Svetlana is stuck in a Moscow orphanage designated for the unwanted children of Stalin’s enemies. Ballet is her obsession and salvation, her only hope at shedding a tainted family past. When she is invited to join the Bolshoi Ballet—the crown jewel of Russian culture and the pride of the Soviet Union—her dreams appear to have been realized. But she quickly learns that nobody’s past or secrets are safe. The dreaded KGB knows about the mysterious trances Sveta has suffered, inexplicable episodes that seem to offer glimpses of the past. Some very powerful people believe Sveta is capable of serving the regime as more than a ballerina, and they wish to recruit her to spy on the West as part of the nascent Soviet psychic warfare program. If she is to erase the sins of her family, if she is to dance on the world stage for the Motherland—if she is to survive—she has no choice but to explore her other gift. The story of teenage Svetlana, matriarch of three generations of ballerinas, is both the end and the beginning of the Bolshoi Saga. This title, and the debut, Dancer, Daughter, Traitor, Spy and its follow up, Hider, Seeker, Secret, Keeper can all be read as stand-alone novels, although reading all three will provide a deeper understanding of the often thrilling—and surprisingly dangerous—world of the Dukovskaya ballerinas.

A timely YA thriller—part John Le Carré and part The Americans—about a Bolshoi ballerina trapped by family secrets and a legacy of espionage. The Bolshoi Saga: Marina Marina is born into privilege. A talented young dancer with Russia’s Bolshoi Ballet at the height of the Cold War, she seems destined to follow in the footsteps of her mother Svetlana, a Soviet Artist of the People. But when Svetlana disappears without explanation, Marina and her father have to get out. Fast. They defect to America, hoping they’ve escaped Russia’s secret police, hoping they can make a fresh start in New York. Instead they discover the web of intrigue around Brooklyn’s Brighton Beach is as tangled as the one they left behind.

The Bolshoi Saga: Lana Lana Dukovskaya is an up and coming talent at the Bolshoi Ballet, where her mother, Marina, also danced until her career came to a mysterious end. On the eve of an international tour, Lana’s best friend and chief rival is brutally attacked, making Lana both the substitute soloist and the prime suspect. Once in New York, Lana meets Georgi Levshik, a powerful Russian émigré who claims to know the truth about her mother’s past. Lana is wary, torn between curiosity and distrust. But when another young dancer is struck down just hours before her debut, Lana knows she is in danger. On the run, Lana puts her trust in Levshik’s alluring bodyguard, Roma. Together they must uncover the truth about a blood feud involving three generations of Dukovskaya dancers.

In the days before the treacherous overnight raising of the Berlin Wall, teenaged cousins Drew, an American army brat in West Berlin, and Matthias, a young communist in East Berlin, become wary friends on opposite sides of the Cold War. Interspersed throughout the story are captioned photographs from the era.

When you have to kill the same terrorist twice in one week there's either something wrong with your world or something wrong with your skills... and there's nothing wrong with Joe Ledger's skills. And that's both a good, and a bad thing. It's good because he's a Baltimore detective that has just been secretly recruited by the government to lead a new taskforce created to deal with the problems that Homeland Security can't handle. This rapid response group is called the Department of Military Sciences or the DMS for short. It's bad because his first mission is to help stop a group of terrorists from releasing a dreadful bio-weapon that can turn ordinary people into zombies. The fate of the world hangs in the balance....

Michael Havelock’s world died on a moonlit beach on the Costa Brava as he watched his partner and lover, double agent Jenna Karas, efficiently gunned down by his own agency. There’s nothing left for him but to quit the game, get out. Then, in one frantic moment on a crowded railroad platform in Rome, Havelock sees Jenna. Racing around the globe in search of his beautiful betrayer, Havelock is now marked for death by both U.S. and Russian assassins, trapped in a massive mosaic of treachery created by a top-level mole with the world in his fist: Parsifal. Praise for Robert Ludlum and The Parsifal Mosaic “[Robert] Ludlum’s narrative imagination is a force of nature.”—The New York Times “As fast-paced and absorbing as any he’s written.”—Newsday “The suspense never lets up.”—The Atlanta Journal-Constitution “A crackling good yarn.”—Los Angeles Times Book Review