On Friday night, January 8, 1965, the 5-1 Churchville-Chili boys' basketball team hosted Greece Arcadia in the Saints gym at approximately 8 p.m. It was the first game of the new year and would turn out to be school record-breaking as C-C won 101-55. 101 points, WOW! All 14 Saints on the roster played and scored. Ron Johnston, a junior non-starter and the author of this book, became a one-game wonder when he scored a game-high 16 points in almost two quarters of action on the hardwood. He couldn't miss, draining seven straight perimeter shots in the "pre-3-pointer era." Thing is, Ron had a condition known as bronchiectasis that he has never revealed until this narrative now. Only his parents, immediate family, and doctors knew about it. The lung disease which he has had all his life has not hindered in any way his participating in athletics on both the prep and collegiate level. In fact, competing in sports, running, and walking have benefitted him. Ron never had a prep varsity basketball game like the school record-breaking January 8 one ever again. But this story is more than him being a "one-game wonder." ("Better a one-game wonder than not," he would tell you, laughing.) It's also kind of a love story back in a time of teenage innocence. It's about teammates, cheerleaders, classmates, coaches, teachers, soldiers, and...people. GOOD PEOPLE, who have gone on to have families and been successful in life. Being a newspaper sports editor/writer has been very helpful to Ron on this life journey. So, sit back, relax, and enjoy...and maybe you'd better have a box of Kleenex tissues handy. Because "One-Game Wonder" evokes emotion.

Few baseball fans are aware of the number of players with disabilities who have succeeded in the majors. Much of this unawareness is due to the affected players themselves who downplay weaknesses and tend to minimize their disabilities, considering them just one of the chinks in the armor that everyone must deal with. More than 20 players who have overcome their disabilities to have major league careers are profiled in this work. The book is divided by type of disability suffered: missing or partially missing limbs or extremities (Jim Abbott, Hugh "One Arm" Daily, Pete Gray, Monty Stratton, Bert Shepard); injured or diseased limbs (Lou Brissie, Whitey Kurowski, Eddie Kazak, Charley Gelbert, Bo Jackson, Dave Dravecky); disfigured extremities (Mordecai "Three Finger" Brown, Charley "Red" Ruffing, Hal Peck, Carlos May, Gil Coan, Jim Mecir); impaired organ function, vision, and hearing (William "Dummy" Hoy, George "Specs" Toporcer, Chick Hafey, Ron Santo, Russ Christopher, Joe Hoerner, John Hiller, Danny Thompson, Walt Bond); and neurological and psychological disorders (Grover Cleveland Alexander, Tony Lazzeri, Jimmy Piersall, Jim Eisenreich).

Apocalyptic Ruin and Everyday Wonder in Don DeLillo's America is a fresh and engaging study of “last things” in Don DeLillo's works-things like death, mourning, and the decline of the American empire, but then also the apocalypse, the last judgment, and the end of the world more generally. Michael Naas untangles complex themes in short, witty chapters that highlight and celebrate DeLillo's inventive and playful writing, employing a novel approach to literary criticism. Making no use of secondary sources, the book is entirely a discussion of DeLillo's work, accessible to any level of readership while maintaining a firm grasp of the theory necessary to make this unique argument. And yet, this book is also about all the things that double or shadow those last things in the very same works, like the wonder of language or the radiance of everyday events. From Americana (1971) up through Zero K (2016) and The Silence (2020), and perhaps like no other American author, Don DeLillo has created meaning by contrasting, juxtaposing or, as Naas calls it here, “contrabanding” first and last things, conflicting or opposing forces such as life and death, creation and destruction, consumption and waste, everyday wonder and apocalyptic ruin, the origins of language and the end of the world. In his adept demonstration of how DeLillo has returned repeatedly to these “last things,” Naas shows how the works of Don DeLillo have been there for more than half a century to remind us of one simple and yet profound truth-nothing lasts forever.

The central claim of this book is that, early and late, Wittgenstein modelled his approach to existential meaning on his account of linguistic meaning. A reading of Nietzsche's The Birth of Tragedy sets up Bearn's reading of the existential point of Wittgenstein's Tractatus. Bearn argues that both books try to resolve our anxiety about the meaning of life by appeal to the deep, unutterable essence of the world. Bearn argues that as Wittgenstein's and Nietzsche's thought matured, they both separately came to believe that the answer to our existential anxiety does not lie beneath the surfaces of our lives, but in our acceptance—Nietzsche's "Yes"—of the groundless details of those surfaces themselves: the wonder of the ordinary

Hopalong Cassidy is a cowboy hero created by the author Clarence Mulford, who wrote a series of popular short stories and many novels based on the character. In his early writings, Mulford portrayed the character as rude, dangerous, and rough-talking. He had a wooden leg which caused him to walk with a little "hop", hence the nickname. The character—as played by movie actor William Boyd in films adapted from Mulford's books—was transformed into a clean-cut, sarsaparilla-drinking hero. Sixty-six popular films appeared. The Coming of Cassidy and Others Hopalong Cassidy Bar-20 Days Buck Peters, Ranchman The Bar-20 Three Tex Clarence E. Mulford (1883–1956) created Hopalong Cassidy in 1904 while living in Fryeburg, Maine, and the many short stories and 28 novels were adapted to radio, feature film, television, and comic books, often deviating significantly from the original stories, especially in the character's traits. But more than just writing a very popular series of Westerns, Mulford recreated an entire detailed and authentic world filled with characters drawn from his extensive library research.

The 1917 Chicago White Sox were rooted in frustration over eleventh hour pennant losses as far back as 1907 and 1908. Charles Comiskey, one of the founding fathers of the American League and a man who did not gladly suffer mediocrity and losing, had fumed for a decade until he finally put together a team that would take him back to the World Series and win it all. This work chronicles the team that did it, re-establishing the White Sox as one of the game's elite. It covers Comiskey's recruitment of quality players beginning in 1914 and continuing through the 1917 season; the players themselves, including Red Faber, Hap Felsch, Eddie Cicotte, Joe Jackson and Eddie Collins; the events of the extraordinary season on and off the field, including the three series that the White Sox had with the Boston Red Sox and the United States' involvement in World War I; and the team's victory over John McGraw's Giants in the World Series.