In this searing, frank and funny memoir, Catherine Simpson describes what it’s been like to live in her woman’s body, and to reach the realisation that all that time she’d spent trying to change her body to conform - often to unattainable standards - could be seen from a completely different perspective. By the time she reached her fifties, Catherine Simpson and her body had gone through a lot together—from period pain and early menopause to shaming and harassment. But there had been success, joy, love, and laughter too: far more freedoms than her mother had, a fulfilling family life and career, and even the promise of further gains for her daughters. So when a cancer diagnosis upends her life, Catherine is forced to reflect on her body, then and now. From growing up on a farm where veterinarians were more common than doctors, and where illness was “a nuisance,” she finds herself faced with the nuisance of a lifetime. One Body is the demystifying, relatable, often hilarious and sometimes hair-raising story of how Catherine navigates her treatment and takes stock of the emotions and reflections it provokes. And how she comes to appreciate the skin she is in—to be grateful for her body and all that it does and is.

Shortlisted in Scotland’s National Book Awards By the time she reached her fifties, Catherine had experienced period pain, childbirth, and early menopause, alongside love and laughter, a career in journalism, and raising two daughters. Like many of her peers, along the way she'd dieted, jogged, sweated, tanned, permed, and plucked—always attempting to conform to prevailing standards of "acceptable womanhood." But when a medical crisis comes along, she can no longer pummel her body into submission and is forced to take stock. From growing up on a farm where veterinarians were more common than doctors, and where illness was “a nuisance,” she now faces the nuisance of a lifetime. One Body is the demystifying, relatable, often hilarious, and sometimes hair-raising story of how Catherine navigates her treatment and the emotions and reflections it provokes. And how she comes to drop the unattainable standards imposed on her body, and simply appreciate the skin she is in.

Isa Genzken is arguably one of the most important and influential female artists of the past 30 years. Genzken's work - which spans sculptures, paintings, photographs, collages, drawings, artist's books, films, installations and public works - has been part of the artistic discourse since she began exhibiting in the mid-1970s, and a new generation of artists has been inspired by her radical inventiveness over the last decade - a period in which she has redefined assemblages. Published to accompany Genzken's first comprehensive retrospective in the USA, this book is the most complete monograph on the artist available in English. It presents Genzken's career in essays exploring the unfolding of her practice from 1973 until today and an illustrated chronological overview of her most important bodies of work and key exhibitions. 0Exhibition: Museum of Modern Art, New York, USA (23.11.2013-10.03.2014) ; Museum of Contemporary Art, Chicago, USA (12.04.-03.08.2014) ; Dallas Museum of Art, Dallas, USA (14.09.2014-04.01.2015)

The second volume of this retrospective anthology covers the Pulitzer prize-winning cartoon strip from 1980 to 1989. On October 26, 1970, G.B. Trudeau introduced the world to a college jock named B.D. and his inept and geeky roommate, Mike Doonesbury. Fourteen thousand strips later, Doonesbury has become one of the most beloved and acclaimed comic strips in history. Over the years, the world of Doonesbury grew uniquely vast, sustained by an intricately woven web of relationships—over forty major characters spanning three generations. The complete 40: A Doonesbury Anthology presents more than 1,800 comic strips that chart key adventures and cast connections over the last four decades. Dropped in throughout this rolling narrative are twenty detailed essays in which Trudeau contemplates his characters, including portraits of core characters such as Duke and Honey, Zonker, Joanie, and Rev. Sloan, as well as more recent additions, such as Zipper, Alex, and Toggle. Trudeau also includes an annotated diagram that maps the mind-boggling matrix of character relationships. This second volume of the four-volume e-book edition of 40 covers the years 1980 to 1989 for the celebrated cartoon strip.

Improve Every Retrospective! Real Solutions for Every Team Leader, Facilitator, and Participant “. . . Aino has shared a robust, curated list of antipatterns and how to avoid them. . . . And she has shared so much more than tips and techniques. You will find a gold mine--with precious nuggets, including her personal experiences, effective facilitation resources, and pointers for extracting yourself and your team when you're stuck.” --From the Foreword by Diana Larsen, co-author, Agile Retrospectives: Making Good Teams Great Retrospectives are indispensable for continuous learning and improvement in Lean, Agile, DevOps, and other contexts, but most of us have suffered through at least one retrospective that was a waste of time, or worse. Now, leading agile coach Aino Vonge Corry identifies 24 reasons that retrospectives fail and shows how to overcome each of them. Using the familiar “patterns” approach, Retrospectives Antipatterns introduces antipatterns related to structure, planning, people, distributed teams, and more. Corry shares traps she's encountered and mistakes she's made over more than a decade of leading retrospectives and then presents proven solutions. With her insights and guidance, you can run enjoyable retrospectives that deliver concrete improvements and real value--or at the very least recognize when you are making the same mistake as the author! Create a common language, actionable solutions, and proven plans for solving the retrospective problems you'll encounter most often Recognize symptoms, assess tradeoffs, and refactor your current situation into something better Plan more effectively: decide who should attend and facilitate, when to schedule your retrospective, and how much time to set aside Handle “people” problems: deal with negativity, silence, distrust, disillusionment, loudmouths, and cultural differences Facilitate better “virtual” retrospectives, with tips for online retrospectives included in each antipattern Register your book for convenient access to downloads, updates, and/or corrections as they become available. See inside book for details.