Behind today's headlines stands an unobtrusive army of science advisors—panels of scientific, medical, and engineering experts evaluate the safety of the food we eat, the drugs we take, and the cars we drive. This book studies, theoretically and empirically, the social process through which the credibility of expert advice is produced, challenged, and sustained.

This classic bestselling Angelina Ballerina picture book about friendship, jealousy, and one big performance is back in a beautiful, refreshed hardcover edition! Angelina Ballerina has a part as a fairy in a grown-up ballet performance, and so does her cousin Henry. They are both so excited, but Angelina’s excitement turns to jealousy during rehearsals when Henry becomes the favorite of the cast. Will Angelina and Henry still be friends after the curtain comes down? © 2022 Helen Craig Ltd and Katharine Holabird. The Angelina Ballerina name and character and the dancing Angelina logo are trademarks of HIT Entertainment Limited, Katharine Holabird, and Helen Craig.

From its debut in 2002 as an offbeat hotel party to its current status as one of music's most coveted stages, the legendary FADER FORT has been introducing audiences to new starts and artists to new friends. Now, 15 years and over 900 unforgettable performances later, The FADER commemorates one of the industry's most innovative events with never-before-seen concert photo, candids, and portraits taken only at the FORT.

Science on Stage is the first full-length study of the phenomenon of "science plays"--theatrical events that weave scientific content into the plot lines of the drama. The book investigates the tradition of science on the stage from the Renaissance to the present, focusing in particular on the current wave of science playwriting. Drawing on extensive interviews with playwrights and directors, Kirsten Shepherd-Barr discusses such works as Michael Frayn's Copenhagen and Tom Stoppard's Arcadia. She asks questions such as, What accounts for the surge of interest in putting science on the stage? What areas of science seem most popular with playwrights, and why? How has the tradition evolved throughout the centuries? What currents are defining it now? And what are some of the debates and controversies surrounding the use of science on stage? Organized by scientific themes, the book examines selected contemporary plays that represent a merging of theatrical form and scientific content--plays in which the science is literally enacted through the structure and performance of the play. Beginning with a discussion of Christopher Marlowe's Doctor Faustus, the book traces the history of how scientific ideas (quantum mechanics and fractals, for example) are dealt with in theatrical presentations. It discusses the relationship of science to society, the role of science in our lives, the complicated ethical considerations of science, and the accuracy of the portrayal of science in the dramatic context. The final chapter looks at some of the most recent and exciting developments in science playwriting that are taking the genre in innovative directions and challenging the audience's expectations of a science play. The book includes a comprehensive annotated list of four centuries of science plays, which will be useful for teachers, students, and general readers alike.

In On Stage, Mathilde Roman explores the resonances that fields of theatre - stage, décor, space, gaze and more - have in the practice of video arts. Using these notions as points of reference and as a prism through which video installation can be approached, Roman concentrates on questions often overlooked and offers different points of view.

France's most renowned classical singer shares reminiscences about her personal life and illustrious career in a charming memoir. Populated with renowned personalities, such as Leontyne Price and Maria Callas, this engaging autobiography offers a vivid and fascinating glimpse into the world of opera. It is also the compelling story of a long, hard struggle for success. Index. Illustrations. Discography. List of roles and performances.

The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.