On Memory, Marriage, Tears, and Meditation offers readers the tools for reading Augustine's journey to human emotions through his writings on feeling, marriage, conversion, and meditation. Augustine understood that feeling, not rationality, gathers and reveals the deep longing of the whole person. Throughout his ecclesiastical career, he discussed marriage in sermons, letters, and treatises from the perspective of his own experience. Miles examines Augustine's prototypes for conversion – reading and conversion; sacrifice and conversion; and the importance of friends in what might be considered a subjective and private process. Meditation was central to Augustine's Christian life and Miles argues that his practice of meditation suggests that penitence included a rich range of feeling leading to gratitude, peace, wonder, and love.

On Memory, Marriage, Tears, and Meditation offers readers the tools for reading Augustine's journey to human emotions through his writings on feeling, marriage, conversion, and meditation. Augustine understood that feeling, not rationality, gathers and reveals the deep longing of the whole person. Throughout his ecclesiastical career, he discussed marriage in sermons, letters, and treatises from the perspective of his own experience. Miles examines Augustine's prototypes for conversion – reading and conversion; sacrifice and conversion; and the importance of friends in what might be considered a subjective and private process. Meditation was central to Augustine's Christian life and Miles argues that his practice of meditation suggests that penitence included a rich range of feeling leading to gratitude, peace, wonder, and love.

"On Memory, Marriage, Tears, and Meditation offers readers the tools for reading Augustine's journey to human emotions through his writings on feeling, marriage, conversion, and meditation. Augustine understood that feeling, not rationality, gathers and reveals the deep longing of the whole person. Throughout his ecclesiastical career, he discussed marriage in sermons, letters, and treatises from the perspective of his own experience. Miles examines Augustine's prototypes for conversion - reading and conversion; sacrifice and conversion; and the importance of friends in what might be considered a subjective and private process. Meditation was central to Augustine's Christian life and Miles argues that his practice of meditation suggests that penitence included a rich range of feeling leading to gratitude, peace, wonder, and love"--

Matthias Smalbrugge compares modern images to plays without a script: while they appear to refer to a deeper identity or reality, it is ultimately the image itself that truly matters. He argues that our modern society of images is the product of a destructive tendency in the Christian notion of the image in general, and Augustine of Hippo's in particular. This insight enables him to decode our current 'scripts' of image. As we live in an increasingly visual culture, we are constantly confronted with images that seem to exist without a deeper identity or reality – but did this referential character really get lost over time? Smalbrugge first explores the roots of the modern image by analysing imagery, what it represents, and its moral state within the framework of Platonic philosophy. He then moves to the Augustinian heritage, in particular the Soliloquies, the Confessions and the Trinity, where he finds valuable insights into images and memory. He explores within the trinitarian framework the crossroads of a theology of grace and a theology based on Neoplatonic views. Smalbrugge ultimately answers two questions: what happened to the referential character of the image, and can it be recovered?

St. Augustine was known as a theologian of feeling for many centuries. Renaissance painters pictured him holding his passionately blazing heart in his hand. In Augustine’s society and education, feeling was considered an intimate and integral aspect of thinking, so intimately interwoven that philosophers struggled to distinguish these activities. Thus, Augustine was also committed to learning throughout his passionate and thoughtful life, from his early conviction that “God and the soul” can be known through the meticulous use of reason, to mature sermons in which he quoted “God is love,” and commented, in effect, that is all you need to know about God. The role of feeling in his understanding of the effect of Christian doctrines on present life has been less noticed. This book proposes that changes in his perception of the value and significance of human bodies—from objects of rapacious lust to rapturous admiration of their beauty—form the nexus within which Augustine’s thought and feeling cohere. The old Augustine’s understanding of the theological significance of present bodies informed his acknowledged speculations on the qualities and capacities of beautiful bodies, nunc et tunc.

What is a feminist theologian to do with Christianity's patriarchal inheritance? She can avoid the most patriarchal aspects of the theological tradition and seek resources for constructive work elsewhere. Or she can critique misogynistic texts and artifacts, exposing their strategies of domination to warn against replicating them. Both approaches have merits and yet, without other interpretive strategies, they reaffirm that the theological tradition does not belong to women and others marginalized by gender. They cannot transform the discourse. But within feminist theology are the seeds of another approach, aimed at just such transformation by reworking the theological landscape to become hospitable to all those marginalized by gender. Attunement: The Art and Politics of Feminist Theology identifies trajectories resonant with this alternative approach and from them, describes and develops attunement as a third, generative path for feminist theologians. Attunement is an aesthetically-invested approach to texts and artifacts that self-consciously co-creates as it interprets. Aware of what the text affords the reader, attunement constellates images, texts, and insights to build or augment positive affordances in the text and diminish negative ones. Natalie Carnes describes why this approach is significant for feminist theology, maps its roots in a long history of gender-marginalized individuals claiming authority, describes how it casts interpretation as both an aesthetic and political event, and notes how it might provide a way forward in vexed topics in feminist theology.

This book reads texts of Augustine on the topic of the human body in the context of contemporary debates in philosophical theology and relevant authors from the cognitive science of religion. Martin Claes focuses particularly on Augustine's special position in the intellectual discourses of Western philosophy (free will, theodicy), theology (grace, incarnation) and humanities (anthropology, political sciences, law), arguing that his written work is an excellent point of departure for a multidimensional scholarly approach. The reading in this book shows that a different picture emerges if we make the effort to situate Augustine's mature anthropology within contemporary debates in philosophical theology and cognitive science of religion. Omnipotence, vulnerability, suffering but also purification and perfection are discussed in dialogue between patristic and philosophical theology; the human offers the clue to concepts of unity in diversity in Christ.