Jean Amery (1921-1978) was born in Vienna and in 1938 emigrated to Belgium, where he joined the Resistance. He was caught by the Germans in 1943, tortured by the SS, and survived the next two years in the concentration camps. In five autobiographical essays, Amery describes his survival--mental, moral, and physical--through the enormity and horror of the Holocaust.

On Suicide is neither a defense of suicide nor an invitation to assisted suicide, but an analysis of the state of mind of those who are suicidal and who actually do commit suicide. It is also a strident defense of the freedom of the individual and a plea for the recognition of the fact that we belong to ourselves before belonging to another person, or an institution, nation, or religion, and that our right to choose to end our life can have priority over social entanglements and biological destiny. Book jacket.

On Aging, the first of Jean Amery's books after At the Mind's Limits, is a powerful and profound work on the process of aging and the limited but real defenses available to those experiencing the process. Each essay covers a set of issues about growing old. ""Existence and the Passage of Time"" focuses on the way aging makes the old progressively see time as the essence of their existence. ""Stranger to Oneself"" is a meditation on the ways the aging are alienated from themselves. ""The Look of Others"" treats social aging - the realization that it is no longer possible to live according to one's potential or possibilities. ""Not to Understand the World Anymore"" deals with the loss of the ability to understand new developments in the arts and in the changing values of society. The fifth essay, ""To Live with Dying,"" argues that everyone compromises with death in old age (the time in life when we feel the death that is in us). Here Amery's intention, as encapsulated by John D. Barlow, becomes most clear: ""to disturb easy and cheap compromises and to urge his readers to their own individual acts of defiance and acceptance.""

Fans of Flaubert's Madame Bovary will want to read this reimagination of one of literature's most famous failures, Charles Bovary. Part fiction, part philosophy, Charles Bovary, Country Doctor is also a book about love. Charles Bovary, Country Doctor is one of the most unusual projects in twentieth-century literature: a novel-essay devoted to salvaging poor bungler Charles Bovary, the pathetic, laughable, cuckolded husband of Madame Bovary and the heartless creation of Gustave Flaubert. As a once-promising novelist who was tortured by the Nazis and survived a year in Auschwitz, author Jean Améry had a particular sympathy for the lived experience of vulnerability, affliction, and suffering, and in this book—available in English for the first time—he asserts the moral claims of Dr. Bovary. What results is a moving paean to the humanity of Charles Bovary and to the supreme value of love.

This book elaborates Jean Améry’s critique of philosophy and his discussion of some central philosophical themes in At the Mind’s Limits and his other writings. It shows how Améry elaborates the shortcomings and unfitness of philosophical theories to account for torture, the experience of homelessness, and other indignities, and their inability to assist with overcoming resentment. It thus teases out the philosophical import of Jean Améry's critique of philosophy, which constitutes his own philosophical testament of being an inmate at Auschwitz. This book situates At the Mind’s Limits in the context of twentieth-century Continental philosophy. On the one hand, it elaborates Améry’s engagement with key philosophical figures. On the other hand, it shows how thoroughly Améry denounces the limits of the philosophical enterprise, and its impotence in capturing and accounting for the crimes of the Third Reich.

Most current talk of forgiveness and reconciliation in the aftermath of collective violence proceeds from an assumption that forgiveness is always superior to resentment and refusal to forgive. Victims who demonstrate a willingness to forgive are often celebrated as virtuous moral models, while those who refuse to forgive are frequently seen as suffering from a pathology. Resentment is viewed as a negative state, held by victims who are not "ready" or "capable" of forgiving and healing. Resentment's Virtue offers a new, more nuanced view. Building on the writings of Holocaust survivor Jean Améry and the work of the South African Truth and Reconciliation Commission, Thomas Brudholm argues that the preservation of resentment can be the reflex of a moral protest that might be as permissible, humane or honorable as the willingness to forgive. Taking into account the experiences of victims, the findings of truth commissions, and studies of mass atrocities, Brudholm seeks to enrich the philosophical understanding of resentment.

This volume explores themes originating from the work of Jean Améry (1912–1978), a Holocaust survivor and essayist—mainly, ethics and the past, torture and its implications, death and suicide. The volume is interdisciplinary, bringing together contributions from philosophy, psychology, law, and literary studies to illuminate each of the topics from more than one angle. Each essay is a novel contribution, shedding new light on the relevant subject matter and on Jean Améry's unique perspective. The ensuing picture is rich and multifaceted, uncovering unforeseen traits of Amery's thought, and surprising correlations that have so far been under-researched. It invites further studies of the Holocaust and its consequences to take their cue from non-neutral first person reflections.