The myth continues in the tenth year of the fabled Trojan War where two infamous gods of war go to battle. The spotlight is thrown on Ares, god of war, and primarily focuses on his battle with the clever and powerful Athena. As the battle culminates and the gods try to one-up each other to win, the human death toll mounts. Who will win this epic clash of power? And how many will have to die first? This title has Common Core connections.

This sturdy boxed set includes paperback editions of the first six Olympians books by multiple New York Times-bestselling author/illustrator George O'Connor. By Zeus, it's Athena, Hera, Hades, Poseidon, and Aphrodite In OLYMPIANS, O'Connor draws from primary documents to reconstruct and retell classic Greek myths. But these stories aren't sedate, scholarly works. They're action-packed, fast-paced, high-drama fantasy adventures, with monsters, romance, and not a few huge explosions. O'Connor's vibrant, kinetic art brings ancient tales to undeniable life, in a perfect fusion of super-hero aesthetics and ancient Greek mythology. Collectors will adore this packaged set, with lots of new artwork and a free poster featuring the complete Olympians family tree. Holy Hera Aphrodite Almighty, what a value

An illustrated retelling of the Greek myth that details the story of Athena, the Greek goddess of wisdom and war.

Thrown from Mount Olympus as a newborn and caught by Thetis and Eurynome, who raised him on the island of Lemnos, Hephaistos had an aptitude for creating beautiful objects from a very young age. Despite his rejection from Olympus, he swallowed his anger and spent his days perfecting his craft. His exquisitely forged gifts and weapons earned him back his seat in the heavens, but he was not treated as an equal—his brothers and sisters looked down at him for his lame leg, and even his own wife, Aphrodite, was disloyal. In this installment of George O'Connor's bestselling Olympians graphic novel series, witness Hephaistos’ wrath in God of Fire as he creates a plan that’ll win him the respect he deserves.

Percy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse-Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him.

*Includes pictures *Includes ancient myths and accounts of Ares and cults that worshiped him *Includes online resources and a bibliography for further reading Ares, the God of War and personification of all that is reactionary and violent, is remembered today as the hated, unshakeable, and infallible embodiment of the violence prevalent in war and society at large, but surviving evidence suggests that this may not have always been the case. To understand that, it's necessary to remember that Greek mythology has been filtered and tempered by centuries of editors and zealots and fickle word of mouth. The stories that arrive in the beloved mythology books of today were not necessarily those read and told by the ancients. This is true not only thanks to later mythographers' overeager shears, wielded in order to strip the ancient Greek myths of much of their "heathenism," but also because over 2,000 years later, modern society is not privy to much of the cultural strata from which these stories emerged. This book was written in the hope of presenting the modern reader with as much of the latter as possible, so as to provide a more accurate representation of Ares than is found in most modern collections of ancient Greek mythology. Being the "living" representation of the act that killed family members every year is more than enough to attract a certain degree of ignominy, but it is very likely that negative feelings towards Ares were not as pervasive among the ancient Greeks as one might believe today. An important thing to bear in mind when thinking about the stories of Ares is that the thin vein of myth that has come down today most often comes directly from Athenian sources, which were unfavorable towards Ares because they were generally unfavorable towards anything considered un-Athenian. The historian Thucydides, while discussing the Peloponnesian War, which was fought between Athens and Sparta at the end of the 5th century BCE, said that any "future scholar" would no doubt believe that the great city of Sparta was culturally insignificant in comparison with her enemy, Athens. It is well known today that Ares was worshipped by the warlike Spartans, but since they created very few grandiose works of architecture or literature (compared to those that came out of Athens), Sparta's views on Ares, and most other deities they worshipped, are paltry. Athenian culture, on the other hand, dominated the ancient world's art and culture, and its influence was felt strongly in the beloved myths and histories of the epoch. For better or worse, then, Athens left subsequent generations their marginalized corpus of ideas on ancient Greek religion, and this can be seen in the paltry occurrences of Ares in modern books on Greek mythology today. That said, being a worshipper of Ares didn't necessitate the bellicose nature of the Spartans, either. Although Athens left literary and archaeological evidence of their preferences for civic worship, many other poleis (Greek city-states) were loath to openly despise the god of war, despite his macabre associations. After all, war was a facet of yearly life, and Ares was one of the 12 gods of the highest Greek pantheon of deities who commanded worship according to a divine mandate. Ares's appearances in myths today (his affair with Aphrodite being a strong favourite) seem to be cursed by repeated banality. There's little of the "War God" in any of his stories other than the odd mention of how horrid he is. However, with a little effort, Ares and his influences can be found, even if only at the fringes of the stories, in the wider literary canon. One such example is the "Judgment of Paris," which refers to the Trojan warrior Paris's decision to award Aphrodite with the Golden Apple of the Hesperides (or the "Apple of Discord," as it came to be known).

In the final volume of the New York Times–bestselling Olympians graphic novel series, author/artist George O’Connor focuses on Dionysos, the god of wine and madness. The Olympians saga draws to a close with the tale of Dionysos, the last Olympian, and maybe, just maybe, the first of a new type of God. His story is told by the first Olympian herself, Hestia, Goddess of the hearth and home. From her seat in the center of Mt. Olympus, Hestia relates the rise of Dionysos, from his birth to a mortal mother, to his discovery of wine, his battles with madness and his conquering of death itself, culminating, finally, in his ascent to Olympus and Godhood.