Master Paintings in North America reveals the astonishing variety and quality of North American collections, the results of over one hundred years of inspired collecting by individual collectors and public institutions. It may be no surprise that the Metropolitan Museum and the Frick Collection in New York and the National Gallery in Washington, D.C. have a large number of El Grecos, for example. But how many of us are aware that works by El Greco can also be found in Los Angeles and San Francisco, California; Sarasota, Florida; Glen Falls, New York; and in Ottawa and Montreal? The only guide of its kind,Master Paintings in North America provides a complete and fully captioned listing of every painting in U.S. and Canadian collections by fifty selected old master painters-from the early Renaissance to the mid-nineteenth century. This volume also contains a valuable geographical index which provides vital museum-going information: addresses, hours, and admission fees, as well as listing of other important painters represented in the museums. In addition to helping the reader locate these masterpieces,Master Painting in North America also provides the means for more fully enjoying these great treasures. The author, Mr. John Morse-a noted art historian and critic-provides brief biographical entries for each of the fifty painters, and longer essays analyzing the significance of their work. The book is lavishly illustrated with large full-page color plates as well as over one hundred black-and-white illustrations. This book is not only for the tourist, but also for the armchair traveler who can also enjoy the wonderful treasures in North America's museums. Master Paintings in North America is a beautiful addition to anyone's art-book library, and an indispensable companion for the art-living traveler, for the student and scholar.

As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.

A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.

This volume pays tribute to 4 early American painters, Benjamin West, John Singleton Copley, Charles Wilson Peale, and Gilbert Stuart.

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.