Excerpt from Old Herbaceous It was one of those mild autumn mornings when early mist had turned to soft rain and water dripped from everything. N 0 real touch of winter yet; just a soft pause between the seasons, giving you the best of both. Not 1 too warm, as it had been; not too cold, as it would be. This was the time of year and the time of day that the old man loved best. He couldn't get around so much now, ' but they had made up his bed by the cottage win dow, and there he would sit, half waking and half sleep ing, dreaming of this and that. From where he sat, propped up among his cushions, he could see into the Manor gardens. Not what they were - not by a long chalk. Mind you, it was only fair to admit they were still a bit short-handed, and you had to take the dry summer into account, but these young fellows ought to have made a better job of it than that. When he was a young chap, he had to move at double their pace. No slipping off when the clock struck for him. Hours he'd spent watering when the sun was off the borders. But not today. That meantovertime, and where was the money to pay for that? So the old garden wasn't what it had been when he was in charge. Everything was different to What it was in his day. They earned more money, and that was only right. But the more they got, the less they seemed to care. You had to be proud of a garden to do any good with it. Gardening was a whole-time job, like the cows or the sheep. Cows had to be milked, whatever happened; and who thought of stopping in bed when the sheep were lambing? In a garden, you had to work with the seasons. There were slack times, when you could take an easy with a pipe behind the tool shed, but when the grass started growing and the weeds were getting on top of you, there was an end to all that nonsense Hours he'd spent watering. But these young fel lowm.. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Back in print after fifty years Old Herbaceous is a classic British novel of the garden, with a title character as outsized and unforgettable as P. G. Wodehouse’s immortal butler, Jeeves. Born at the dusk of the Victorian era, Bert Pinnegar, an awkward orphan child with one leg a tad longer than the other, rises from inauspicious schoolboy days spent picking wildflowers and dodging angry farmers to become the legendary head gardener “Old Herbaceous,” the most esteemed flower-show judge in the county and a famed horticultural wizard capable of producing dazzling April strawberries from the greenhouse and the exact morning glories his Lady spies on the French Riviera, “so blue, so blue it positively hurts.” Sprinkled with nuggets of gardening wisdom, Old Herbaceous is a witty comic portrait of the most archetypal—and crotchety—head gardener ever to plant a row of bulbs at a British country house. This Modern Library edition is published with a new Introduction by Penelope Hobhouse, a renowned garden designer and lecturer and the author of numerous gardening books.

Excerpt from Hardy Herbaceous Plants Delphinium. Larkspur. The demand for better Delphiniums is growing every year, and we take great pleasure in offering the latest novelties hybridized by well-known English and European houses. We feel certain that garden-lovers will welcome this opportunity to obtain these best and newest distinctive types on the market. Their richness and nuances of color, on long spikes are unequaled. Each and every one of them is a superb creation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.

Excerpt from Handbook of Hardy Herbaceous and Alpine Flowers There are, however, many signs of a reaction in their favour at the present time. They may never occupy the exclusive place they once did in gardens nor is it desirable that they should do so: but that they are des tined to rise high in popular favour again has for some years past been very obvious. The prominent attention they are receiving in the gardening periodical press, the introduction of many of them into certain public gardens, the incorporation of a few of their number in the ranks of bedding plants, and the general spirit of inquiry that is afloat regarding them, are all signs of their in creasing importance, and auguries of their future favour. Many that are now turning their attention to inquire after these plants find that the kind of information they are in search of does not exist in a collective, handy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Germantown, Old and New: Its Rare and Notable Plants Wakefield, a notable historic man sion, Whose surrounding grounds exhibit many of our finest plants. Etching by Joseph Pennell. Penna. Magazine. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.