Anna Grasskamp investigates display practices of the sixteenth and seventeenth century in China and Europe providing an in-depth analysis of the processes through which foreign artifacts and natural objects were framed in early modern collections. While the first two chapters focus on the appropriation of artifacts through the examples of porcelain vessels and scientific instruments in metal mounts, the book's later chapters analyze the staging of foreign nature in Renaissance and Ming collecting through the case of coral.

“There’s a book I recommend for everybody: It’s Howard Gardner’s Frames of Mind. It has helped me immensely.” – Robert Greene, author of The 48 Laws of Power What do we mean when we call someone smart? That they are good at math and got a high score on the SAT? That they learn languages easily? Those traits might be what comes to mind first: they are what underly psychology’s classic definition of intelligence, and what we are told in school that a smart person can do. But they are not the whole story. As Howard Gardner argues in the groundbreaking classic Frames of Mind, to limit our understanding of intelligence to “book smarts” misses much of what makes human beings amazing. Someone who plays an instrument well is exhibiting intelligence. So, too, someone who knows how to do physical comedy—is their mastery of their movements and the space around them not brilliant? And to have a profound knowledge of their own self, their relationships with others, and relationships between others, too, is to show great intelligence as well. Gardner calls this the theory of multiple intelligences. But this isn’t just a book for intellectuals who want to argue about what intelligence is, or educators debating how to teach. It is for each of us. In an era of teaching to the test, and increasingly powerful artificial intelligence, Gardner’s work is a celebration of all the ways there are to be huma

This book on reference systems is the first comprehensive review of the problem of celestial and terrestrial reference systems and frames. Over 20 years, the importance of this problem emerged slowly as the accuracy of new observational techniques improved. The topic has already been approached in several symposia such as Stresa (1967), Morioka (1971), Perth (1973), Columbus (1975, 1978 and 1985), Kiev (1977) and San Fernando (1978). Two IAU colloquia held in Turin (1974) and in Warsaw (1980) were exclusively devoted to discuss reference systems. During this time, the problem of terrestrial and celestial reference systems has been discussed also in many astronomical and geodetic symposia, but always among other topics. Thus, a review devoted solely to the definition and practical realization of such systems was needed. It is hoped that this book, containing modern comprehensive reviews of important facets of this problem will contribute not only to a better and wider understanding of the mathematics and the physics that are behind the concepts and the realizations, but also to future development in a field that can only expand with the rapidly increasing accuracy of geodetic and astronomical observations. We are pleased to thank all the authors of the book who have enthusiastically agreed to contribute to the book in their field of competence and have gracefully accepted guidance from the editors in the definition of the subject and of the interfaces with other chapters. We thank Prof. Y.

This volume showcases the potential richness of frame representations. The presentation includes introductory articles on the application of frames to linguistics and philosophy of science, offering readers the tools to conduct the interdisciplinary investigation of concepts that frames allow. * Introductory articles on the application of frames to linguistics and philosophy of science * Frame analysis of changes in scientific concepts * Event frames and lexical decomposition * Properties, frame attributes and adjectives * Frames in concept composition * Nominal concept types and determination​ "This volume deals with frame representations and their relations to concept types in linguistics and philosophy of science. It aims at reviving concepts and frames as a common model across disciplines for representing semantic and conceptual knowledge. Departing from the general assumption that frames are not just an arbitrary format of representation but essential to human cognition, a number of case studies apply frames as an analytical tool to a wide range of phenomena, from changes in scientific concepts to particular linguistic phenomena. This provides new insights into long-standing semantic issues, such as the lexical representation of verbs (as predicative frames specifying particular event descriptions or situation types and their participants), adjectives and nominals (as concept frames, which provide attributes and properties of an entity), as well as modification, complementation, possessive constructions, compounding, nominal concept types, determination, or definiteness marking." Bert Gehrke, Pompeu, Fabra University, Barcelona, Spain

This open access book presents novel theoretical, empirical and experimental work exploring the nature of mental representations that support natural language production and understanding, and other manifestations of cognition. One fundamental question raised in the text is whether requisite knowledge structures can be adequately modeled by means of a uniform representational format, and if so, what exactly is its nature. Frames are a key topic covered which have had a strong impact on the exploration of knowledge representations in artificial intelligence, psychology and linguistics; cascades are a novel development in frame theory. Other key subject areas explored are: concepts and categorization, the experimental investigation of mental representation, as well as cognitive analysis in semantics. This book is of interest to students, researchers, and professionals working on cognition in the fields of linguistics, philosophy, and psychology.

Book Design Made Simple gives DIY authors, small presses, and graphic designers--novices and experts alike--the power to design their own books. It's the first comprehensive book of its kind, explaining every step from installing Adobe(R) InDesign(R) right through to sending the files to press. For those who want to design their own books but have little idea how to proceed, Book Design Made Simple is a semester of book design instruction plus a publishing class rolled into one. Let two experts guide you through the process with easy step-by-step instructions, resulting in a professional-looking top-quality book

Published to accompany exhibition held at the National Portrait Gallery, London, 8/11/96 - 9/2/97.