A translation of a unique 17th-century compendium of samurai heraldry, annotated with the symbolism and stories behind the banners. O-umajirushi is the earliest surviving color compendium of Japanese crests and heraldry. At the time, woodblock printing was just starting to allow for widespread distribution of books in Japan. O-umajirushi took advantage of this technology to make color reproductions of the various banners and other devices used by 170 different samurai commanders. This translation presents copies of the original pages of O-umajirushi with translations, annotations, explanations, and comparisons, as well as 30 pages of context, background information, and historic images. It provides an in-depth look at samurai heraldry and into a key historical source.

The first installment in a multi-volume guide on the lost arts of the samurai—presented in the English language for the very first time Antony Cummins and Yoshie Minami have brought the teachings of the famed samurai school Natori-Ryu back to life through The Book of Samurai series. This first installment is a translation of two secret scrolls and establishes the Fundamental Teachings of a samurai student, revealing the basic traditions of Natori-Ryu. The first scroll, Heika Jodan, contains 290 lessons that define the baseline for samurai during times of peace—a time which is considered as preparation for war. It focuses each student on expanding their own ability and conduct, giving them the mind-set needed for any battles to come. The second scroll, Ippei Yoko, moves the student onto the field of battle. It provides them with an understanding of what is expected during a campaign of war and the necessary guidance for samurai who are to take up arms for the first time. These first two Natori-Ryu documents are an in-depth and detailed account of the practicality of samurai warfare, opening up the lost world of these Japanese warriors to all modern readers.

First edition not attributed to Kyauan. Cf. Page x.

When the samurai warlord and respected castle architect Todo Takatora died in 1630, the funeral attendants responsible for preparing his body were shocked to note that there was not a single part of his body not scarred or disfigured by sword, spear, glaive or matchlock gun wound. Todo Takatora lived a life that unfolds like a drama. Born to a small landholding samurai family, the maverick youth worked his way to the top, becoming one of the most successful of daimyo warlords. He had served on the front lines of some of the most violent of battles, turning points that forged the nation. In a land and time in which loyalty was held dear, he changed his allegiances a record seven times, serving a record ten lords, more than any other samurai in history. Because of this, he has long been held in contempt by the Japanese. Standing 6 feet tall in a time when the average Japanese man stood between 5 and 5 1/2 feet, Todo Takatora was a giant among men. He died aged 74, when the normal life span was around 50. He was also the finest, most innovative of castle architects, responsible for the design and construction of over 30 of the strongest, most innovative Japanese castles and structures, and influencing samurai castle construction across Japan. In explaining his life, his reasons for having served so many lords, his achievements in battle and in castle design, his political and personal ideals and how these attributes were shaped during the course of his adventurous life, this book will reveal the man, and show why Takatora deserves the epithet of National Hero. In this fascinating biography, the first ever published in the English language, Chris Glenn explores Todo Takatora’s remarkable, and influential, life, the battles he fought in, the political intrigues he was part of, as well as detailing the magnificent castles he built.

Warfare in Japan from the fourth to the nineteenth century has caused much controversy among Western military and political historians. This volume assembles key articles written by specialists in the field on military organization, the social context of war, battle action, weapons and martial arts. The focus is on the transformation of patterns of warfare that arose from endogenous as well as exogenous factors.

'We Japanese', is a collection of answers to questions that the author as a hotel manager in Japan has answered for hotel guests over the years. He was the manager for over 28 years at the Fujiya Hotel at Miyanoshita. These are naturally questions concerning those things which are different in Japan from the countries from which the visitors come. First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.