"The possibility of being a victim of a crime is ever present on my mind; thinking about it as natural as breathing."—40-year-old woman This is a compelling analysis of how women in the United States perceive the threat of crime in their everyday lives and how that perception controls their behavior. Esther Madriz draws on focus groups and in-depth interviews to show the damage that fear can wreak on women of different ages and socioeconomic backgrounds. Although anxiety about crime affects virtually every woman, Madriz shows that race and class position play a role in a woman's sense of vulnerability. Fear of crime has resulted in public demand for stronger and more repressive policies throughout the country. As funds for social programs are cut, Madriz points out, those for more prisons and police are on the increase. She also illustrates how media images of victims—"good" victims aren't culpable, "bad" victims invite trouble—and a tough political stance toward criminals are linked to a general climate of economic uncertainty and conservatism. Madriz argues that fear itself is a strong element in keeping women in subservient and self-limiting social positions. "Policing" themselves, they construct a restricted world that leads to positions of even greater subordination: Being a woman means being vulnerable. Considering the enormous attention given to crime today, including victims' rights and use of public funds, Madriz's informative study is especially timely.

"The possibility of being a victim of a crime is ever present on my mind; thinking about it as natural as breathing."—40-year-old woman This is a compelling analysis of how women in the United States perceive the threat of crime in their everyday lives and how that perception controls their behavior. Esther Madriz draws on focus groups and in-depth interviews to show the damage that fear can wreak on women of different ages and socioeconomic backgrounds. Although anxiety about crime affects virtually every woman, Madriz shows that race and class position play a role in a woman's sense of vulnerability. Fear of crime has resulted in public demand for stronger and more repressive policies throughout the country. As funds for social programs are cut, Madriz points out, those for more prisons and police are on the increase. She also illustrates how media images of victims—"good" victims aren't culpable, "bad" victims invite trouble—and a tough political stance toward criminals are linked to a general climate of economic uncertainty and conservatism. Madriz argues that fear itself is a strong element in keeping women in subservient and self-limiting social positions. "Policing" themselves, they construct a restricted world that leads to positions of even greater subordination: Being a woman means being vulnerable. Considering the enormous attention given to crime today, including victims' rights and use of public funds, Madriz's informative study is especially timely.

For fans of Karen McManus' One of Us is Lying and films like I Know What You Did Last Summer, comes a gripping thriller about murder, mystery, and deception. Blackmail lures Ava to the abandoned amusement park on Portgrave Pier. She is one of ten teenagers, all with secrets they intend to protect whatever the cost. When fog and magic swallow the pier, the group find themselves cut off from the real world. As the teenagers turn on each other, Ava will have to face up to the secret that brought her to the pier and decide how far she's willing to go to survive. The teenagers have only their secrets to protect and each other to betray. Perfect for: 13-18 year-old mystery fans Fans of Karen McManus and Stephen King

The authors present an insightful look into the conventions that shape women's lives and the motivational stories of those who questioned the old rules and found new paths to their own growth.

This carefully edited companion anthology provides provocative, eye-opening examples of the practice of sociology in a well-edited, well-designed, and affordable format. It includes short articles, chapters, and excerpts that examine common everyday experiences, important social issues, or distinct historical events that illustrate the relationship between the individual and society. The new edition will provide more detail regarding the theory and/or history related to each issue presented. The revision will also include more coverage of global issues and world religions.

Have you ever thought about how much energy goes into avoiding sexual violence? The work that goes into feeling safe goes largely unnoticed by the women doing it and by the wider world, and yet women and girls are the first to be blamed the inevitable times when it fails. We need to change the story on rape prevention and ‘well-meaning’ safety advice, because this makes it harder for women and girls to speak out, and hides the amount of work they are already doing trying to decipher ‘the right amount of panic’. With real-life accounts of women’s experiences, and based on the author’s original research on the impact of sexual harassment in public, this book challenges victim-blaming and highlights the need to show women as capable, powerful and skilful in their everyday resistance to harassment and sexual violence.

Feminist City is an ongoing experiment in living differently, living better, and living more justly in an urban world. We live in the city of men. Our public spaces are not designed for female bodies. There is little consideration for women as mothers, workers or carers. The urban streets often are a place of threats rather than community. Gentrification has made the everyday lives of women even more difficult. What would a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. In Feminist City, through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities built into our cities, homes, and neighborhoods. Kern offers an alternative vision of the feminist city. Taking on fear, motherhood, friendship, activism, and the joys and perils of being alone, Kern maps the city from new vantage points, laying out an intersectional feminist approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and women-friendly cities together.