Ever since the explorations of Marco Polo and the travels of Montaigne, a lively dialogue has persisted about the pros and cons of travel. Lynne Sharon Schwartz joins this dialogue with a memoir that raises both serious and amusing questions about travel, using her own experiences as vivid illustrations. Not Now, Voyager takes us on a voyage of self-discovery as the author traces how travel has shaped her sensibilities from childhood through adulthood. She makes an adolescent visit to Miami Beach, where she confronts the powerful sensation of not belonging; she goes to Rome as a young woman and ponders the difference between ignorance and innocence; she ventures to Jamaica and witnesses political and social unrest; and she takes a family road trip to Montreal and watches her daughters come to startling realizations of their own. Schwartz’s personal history takes on new shapes, and her feelings about travel change as she shows us who she started out as and who she has become. Above all, this memoir exemplifies a mode of travel in and of itself: the mind on a journey or quest, pausing here and there, sometimes by design, sometimes by serendipity, lingering, occasionally backtracking, but always on the move.

The iconic American melodrama that inspired the 1943 cult classic film starring Bette Davis. “Charlotte Vale a timeless and very sophisticated Cinderella.” —Patricia Gaffney, New York Times bestselling author “Don’t let’s ask for the moon! We have the stars!” The film Now, Voyager concludes with these famous words, which reaffirmed Bette Davis’s own stardom and changed the way Americans smoked cigarettes. But few fans of this rich story know its source. Olive Higgins Prouty’s 1941 novel provides a rich, complex portrait of the inner life of its protagonist and the society she inhabits. Over half a century later, it still offers fresh and quietly radical takes on psychiatric treatment, traditional family life, female desire, and women’s agency. Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Dowdy, repressed, and pushing forty, Charlotte finds salvation in the unlikely form of a nervous breakdown, placing her at a sanitarium, where she undergoes treatment to rebuild her ravaged self-esteem and uncover her true intelligence and charm. Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. “Like the film it inspired, Olive Higgins Prouty’s Now, Voyager is as striking for the conventions it bucks as for the ones it embraces: a vivid reminder of a time when people crossed the ocean in liners and wore hats, and a hymn to an American ideal of social, moral, and emotional independence.” —David Leavitt, author of Shelter in Place

Ever since the explorations of Marco Polo and the travels of Montaigne, a lively dialogue has persisted about the pros and cons of travel. Lynne Sharon Schwartz joins this dialogue with a memoir that raises both serious and amusing questions about travel, using her own experiences as vivid illustrations. Not Now, Voyager takes us on a voyage of self-discovery as the author traces how travel has shaped her sensibilities from childhood through adulthood. She makes an adolescent visit to Miami Beach, where she confronts the powerful sensation of not belonging; she goes to Rome as a young woman and ponders the difference between ignorance and innocence; she ventures to Jamaica and witnesses political and social unrest; and she takes a family road trip to Montreal and watches her daughters come to startling realizations of their own. Schwartz’s personal history takes on new shapes, and her feelings about travel change as she shows us who she started out as and who she has become. Above all, this memoir exemplifies a mode of travel in and of itself: the mind on a journey or quest, pausing here and there, sometimes by design, sometimes by serendipity, lingering, occasionally backtracking, but always on the move.

The long-awaited follow-up to Voyager: Architects of Infinity from the New York Times bestselling author and cocreator of Star Trek: Picard! As the crew of the Full Circle fleet works to determine the fate of their lost ship, the Galen, a struggle for survival begins at the far edge of the galaxy. New revelations about Species 001, the race that built the biodomes that first drew the fleet to investigate planet DK-1116, force Admiral Kathryn Janeway to risk everything to learn the truth.

The bestselling, award-winning author of Bad Land takes us along the Inside Passage, 1,000 miles of often treacherous water, which he navigates solo in a 35-foot sailboat, offering captivating discourses on art, philosophy, and navigation and an unsparing narrative of personal loss. "A work of great beauty and inexhaustible fervor." —The Washington Post Book World With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers—between its embattled fishermen and loggers and its pampered new class.

When an alien pirate abducts Kes, U.S.S. Voyager takes off in hot pursuit, but the first rescue mission fails disastrously; an ion storm forces the shuttle to crash on an unknown world. Now Captain Janeway and her Away Team must embark on a hazardous trek through a hostile environment in search of a way off the planet, while Voyager, commanded by Chakotay, confronts an enemy fleet in the depths of space.