An engaging account of social reformer Jack Robbins, the Boys’ Brotherhood Republic, and their legacy. In 1914, social reformer Jack Robbins and a group of adolescent boys in Chicago founded the Boys’ Brotherhood Republic, an unconventional and unusual institution. During a moral panic about delinquent boys, Robbins did not seek to rehabilitate and/or punish wayward youths. Instead, the boys governed themselves, democratically and with compassion for one another, and lived by their mantra “So long as there are boys in trouble, we too are in trouble.” For nearly thirty years, Robbins was their “supervisor,” and the will he drafted in the late 1950s suggests that he continued to care about forgotten boys, even as the political and legal contexts that shaped children’s lives changed dramatically. Nobody’s Boy and His Pals is a lively investigation that challenges our ideas about the history of American childhood and the law. Scouring the archives for traces of the elusive Jack Robbins, Hendrik Hartog examines the legal histories of Progressive reform, childhood, criminality, repression, and free speech. The curiosity of Robbins’s story is compounded by the legal challenges to his will, which wound up establishing the extent to which last wishes must conform to dominant social values. Filled with persistent mysteries and surprising connections, Nobody’s Boy and His Pals illuminates themes of childhood and adolescence, race and ethnicity, sexuality, wealth and poverty, and civil liberties, across the American Century.

The media is fond of using the phrase, “A usually quiet neighbourhood” when describing tragic events that often occur in what are truly peaceful communities. Indeed, most Canadian neighbourhoods enjoy a serenity that makes them enjoyable places to safely raise families or live out the golden years without fear or anxiety. However, some communities mask a more sinister underbelly, one that remains mostly unseen but exists, nevertheless. And it is wicked. And dangerous; a place law-abiding citizens dare not venture into. Journalist and author Daryl Ashby is a master researcher, with an impressive ability to extract details of outrageous criminal behaviour, injustice and intrigue from the characters who have participated in or been witness to activities that the average citizen is blissfully unaware. Folks in the central part of Vancouver Island – including Ladysmith, Chemainus and Nanaimo – may have heard rumours of drug manufacturing, outlaw bikers, unexplained disappearances, and unsolved murders, but until recently the stories were tantalizing yarns with little substantive evidence that any of them were authentic. Until recently. In his popular 2018 book, 85 Grams, Daryl Ashby began to peel back the layers of mystery surrounding the life of Second World War hero, brilliant inventor and drug manufacturer and dealer Art Williams. It was illuminating for neighbours and the larger community who may have grown up with some knowledge of the legend of Williams but dismissed much of the banter as fantasies that grew in importance as they made the rounds in the pubs and coffee shops. Ashby shone a brilliant light on a dark world that only Williams’ family, colleagues and the police knew existed. His research probed into a justice system that often failed, frequently outwitted by Williams and his criminal conspirators. Now, Daryl Ashby has upped the ante. Art Williams was a genius. Dangerous and enigmatic. Ralph Harris was no Art Williams in intellect, but what he lacked in book smarts or technical ability, he more than made up for in brute strength, street smarts and charisma. An entrepreneur – albeit a dodgy one – Harris was dangerous. He survived and thrived in the most dangerous of realms, capable of protecting his interests with deadly force. It has been said that every man’s life contains sufficient material for a book. Some stories are more compelling than others and few can match the outrageous tales provided by the central character in Nobody’s Boy, the notorious Ralph Harris. For some, the lead character’s moral code may be hard to swallow, but that doesn’t alter the fact that his life produced sufficient material to justify being recorded within these pages. This is a story about a man who defied the law, not so much for greed as was the case for many of his money-hungry associates, but for the steady infusion of adrenaline that raced through his veins. Rather than align himself with an established criminal organization, he chose to navigate his own course. No one thought to abuse Ralph’s loyalty or threaten those he held dear. To do so would be at their own peril. He was a man respected by his peers and in some cases, feared. For those who were slow to accept his ways, they would eventually realize, nothing would stand between him and his intended goal. With a treasure trove of material gleaned from court and police documents and, most vital to the story, personal interviews with Harris shortly before his death, family members and scores of police officers, bikers, drug runners and others who shared Ralph’s flamboyant life, Daryl Ashby had penned a book that exposes an underworld hereto undiscovered on Vancouver Island.

They needed the perfect assassin. Boy Nobody is the perennial new kid in school, the one few notice and nobody thinks much about. He shows up in a new high school in a new town under a new name, makes a few friends, and doesn't stay long. Just long enough for someone in his new friend's family to die-of "natural causes." Mission accomplished, Boy Nobody disappears, moving on to the next target. But when he's assigned to the mayor of New York City, things change. The daughter is unlike anyone he has encountered before; the mayor reminds him of his father. And when memories and questions surface, his handlers at The Program are watching. Because somewhere deep inside, Boy Nobody is somebody: the kid he once was; the teen who wants normal things, like a real home and parents; a young man who wants out. And who just might want those things badly enough to sabotage The Program's mission. In this action-packed series debut, author Allen Zadoff pens a page-turning thriller that is as thought-provoking as it is gripping, introducing an utterly original and unforgettable antihero.