Noah is an artist. Ever since he learned to draw, people have been impressed by his remarkable skills. When there's an art contest at The Club, Noah is certain that he'll win the big prize, until he sees Milo's painting. Noah is scared. Everyone expects Noah to win the contest. If he loses, he believes he'll lose the one skill he's most proud of. Noah is determined to beat Milo, but at what cost? Is winning worth compromising his values?

Noah is an artist. Ever since he learned to draw, people have been impressed by his remarkable skills. When there's an art contest at The Club, Noah is certain that he'll win the big prize, until he sees Milo's painting. Noah is scared. Everyone expects Noah to win the contest. If he loses, he believes he'll lose the one skill he's most proud of. Noah is determined to beat Milo, but at what cost? Is winning worth compromising his values?

This is going to be Frank’s year. He’s going to do it all: find love, become a famous comedian, and responsibly parent his plants. But then, Giorgio gets hit by a bus. Self-assured and utterly entitled, Giorgio has always seemed like “Frank, but better.” Moving in with and caring for his estranged childhood friend quickly starts to chip away at Frank’s sense of self, as well as Giogio’s carefully curated online persona. Is Giorgio’s penchant for overindulgence truly aspirational? Or is it ultimately a red flag? The further Frank is pulled into Giorgio’s orbit, the quicker his existential dread blooms. Expectation and reality soon collide in a singular tale about trust and confidence. Luke Healy’s playful, hilarious third graphic novel uses crisp lines and physical comedy to portray an uneasy friendship between two young men on the cusp of adulting. Snippets from Frank’s middling stand-up routines are punctuated by the subtle farce of Healy’s mise-en-scène and the lively, at times scathingly pointed, banter of old friends. The Con Artists is a stylish character study that asks the question of who fools who once everyone is off-camera.

A tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries-many of them still hanging in prominent museums and private collections today Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history. The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least two hundred forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.

Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore's The Art of the Con tells the stories of some of history's most notorious yet untold cons. They involve stolen art hidden for decades; elaborate ruses that involve the Nazis and allegedly plundered art; the theft of a conceptual prototype from a well-known artist by his assistant to be used later to create copies; the use of online and television auction sites to scam buyers out of millions; and other confidence scams incredible not only for their boldness but more so because they actually worked. Using interviews and newly released court documents, The Art of the Con will also take the reader into the investigations that led to the capture of the con men, who oftentimes return back to the world of crime. For some, it's an irresistible urge because their innocent dupes all share something in common: they want to believe.

From 2017 to 2019, cartoonist Noah Van Sciver was creating short stories and illustrations for local magazines and alt-weeklies, in order to serve as what he calls a personal "survival mechanism." All of these comics are collected for the first time in Please Don’t Step On My JNCO Jeans. When do you know you're too old to trick-or-treat? What's the best way to effectively dispose of those teenage ode-filled journals? Where do cherished cereal box prizes go when you grow up? JNCO Jeans, mostly told through one-pagers, holds observations, reflections, and breakthroughs from one of the most prolific and inspirational cartoonists of his generation.

The author, a popular Dutch artist, presents paintings of Noah's ark and its animals, both on the ark and in their natural settings.