Nurdin Lalani and his family, Asian immigrants from Africa, have come to the Toronto suburb of Don Mills only to find that the old world and its values pursue them. A genial orderly at a downtown hospital, he has been accused of sexually assaulting a girl. Although he is innocent, traditional propriety prompts him to question the purity of his own thoughts. Ultimately, his friendship with the enlightened Sushila offers him an alluring freedom from a past that haunts him, a marriage that has become routine, and from the trials of coping with teenage children. Introducing us to a cast of vividly drawn characters within this immigrant community, Vassanji is a keen observer of lives caught between one world and another.

Winner of the National Book Critics Circle Award for Criticism Winner of the Graywolf Press Nonfiction Prize A frank and fascinating exploration of race and racial identity Notes from No Man's Land: American Essays begins with a series of lynchings and ends with a series of apologies. Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays -- teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago's most diverse neighborhood. As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman's schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows. These spare, sometimes lyric essays explore the legacy of race in America, artfully revealing in intimate detail how families, schools, and neighborhoods participate in preserving racial privilege. Faced with a disturbing past and an unsettling present, Biss still remains hopeful about the possibilities of American diversity, "not the sun-shininess of it, or the quota-making politics of it, but the real complexity of it."

"Hadi and Sama are a young Syrian couple in the throes of new love, building a life in the country that brought them together. They'd met in Cambridge, Massachusetts: he, a shell-shocked refugee of a bloody civil war; she, a passionate dreamer who'd come to America years earlier in search of new horizons. Now, they giddily await the birth of their son, a boy whose native language would be freedom and belonging. When Sama is five months pregnant, Hadi's father dies, in Amman, the night before the embassy interview that would finally reunite Hadi with his parents and deliver them from a country in crisis. Hadi flies back to the Middle East for the funeral, promising he'll be gone only a few days. On the day his flight is due to arrive in Boston, Sama decides to surprise him at the airport, eager to scoop him up and bring him back home. She waits, and waits. There are protests at Logan airport, and Hadi never shows up. What Sama doesn't yet know is that Hadi has been stopped at the border. That he's been taken away for questioning, detained in a windowless, timeless, nightmarish limbo. She does not know about the travel ban, that his legal status in the U.S., which yesterday seemed rock solid, is now in jeopardy - and with it, the chance that he'll ever step foot on U.S. soil again. Amid the protests, Sama goes into premature labor; their son, Naseem, is born, too soon, his father nowhere to be found, the future they could almost taste wrenched from their grasp in a matter of hours. Worlds apart, suspended between hope and disillusion as hours become days become weeks, Sama and Hadi yearn for a way back to each other, and to the life they'd dreamed up together. But does that life exist anymore? Was it only ever an illusion? Achingly intimate yet poignantly universal, No Land to Light On is the story of a family caught on either side of a border, fighting for freedom and home, finding both in each other, and in the tenacious faith of creatures who take flight"--

"Central Vietnam. 1975. A young peasant woman, happily married to a successful farmer, returns to her house in the countryside to find a thong of villagers assembled around her gate. She learns that her first husband - who reportedly died as a martyr and war hero many years earlier - is in fact alive and has returned to claim her. Faced with immense pressure from the community and the Party authorities, she agrees to leave her second husband and their son to live in a squalid shack with the veteran." "This tragic twist of fate sets the stage for Duong Thu Huong's tale of three individuals whose destinies are inextricably linked and irrevocably altered by the absurdity of war. As the riveting story unfolds, each of the parties in this fateful love triangle struggles to reconcile personal happiness with traditional values of duty and selflessness. Together, these characters offer a devastating portrait of a people sacrificed on the altar of war and to a cult of heroism."--BOOK JACKET.

Special Agent Meg Jennings and her search-and-rescue dog are on the trail of a killer hiding where others fear to tread . . . For Meg Jennings and her K-9 companion, Hawk, exploring the ruins of a deserted building is an exciting way to sharpen their skills without the life-or-death stakes they face as part of the FBI’s Human Scent Evidence Team. But deep in the echoing rooms of an abandoned asylum, Hawk finds the body of an elderly woman. The victim couldn’t have made her way into the derelict building on her own. Before forty-eight hours pass, Meg learns of three more cases of elders found dead in neglected urban structures. There’s not enough evidence to link the deaths—yet. But Meg scents a pattern, and when she gets word of another senior gone missing, she and Hawk don’t hesitate. Meg is sure a murderer is hunting the eldery, and she can prove it if she can just find a connection. It will take the expert coordination of her whole team, along with help from Clay McCord and Todd Webb, to uncover the means, let alone a motive. And to stop someone who has operated in the dark for so long, Meg will need to risk more than she has to give . . .

Fourteen-year-old Trisha Driscoll is a self-described loner whose family expects nothing from her. While her mother lies on the couch in a hypochondriac haze and her sister aspires to be on The Real World, Trisha struggles to find her own place among the neon signs, theme restaurants, and cookie-cutter chain stores of her hometown. After being hired and abruptly fired from the most popular shop at the absurd and kaleidoscopic Square One Mall, Trisha finds herself linked up with a chain-smoking, physically stunted mall rat named Rose, and her life shifts into manic overdrive. A whirlwind exploration of drugs, sex, poverty and tattoos, Rose of No Man’s Land is the world according to Trisha – a furious love story between two weirdo girls, brimming with snarky observations and soulful wonderings on the dazzle-flash emptiness of contemporary culture.

The Great War gave birth to some of the twentieth century's most celebrated writing; from D. H. Lawrence to Siegfried Sassoon, the literature generated by the war is etched into collective memory. But it is in fiction that we find some of the most profound insights into the war's individual and communal tragedies, the horror of life in the trenches, and the grand farce of the first industrial war.Featuring forty-seven writers from twenty different nations, representing all the main participants in the conflict, No Man's Land is a truly international anthology of World War I fiction.Work by Siegfried Sassoon, Erich Maria Remarque, Willa Cather, William Faulkner, and Rose Macaulay sits alongside forgotten masterpieces such as Stratis Myrivilis's Life in the Tomb, Raymond Escholier's Mahmadou Fofana, and Mary Borden's The Forbidden Zone. No Man's Land is a brilliant memorial to the twentieth century's most cataclysmic event.