Missionaries of the left, saviors are people of privilege who believe they have all the answers. They want to help, but don’t want to listen; they lead but never follow. From post-Katrina New Orleans, to anti-sex-traficking work, to do-gooder journalists, Flaherty’s book reveals saviors’ misdeeds but also shows how activists can build new, stronger movements.

No More Heroes is a beautifully written testimony to the art of living. It is a poetic and joyful reminder of those seemingly ordinary moments and interactions that are indeed so extraordinary. Biernacki shares with the reader an uncommon sense of wonder and a profound sense of humanity. It is a rare gem in the form of a 180 page novel. James M. Montoya Vice President The College Board/ Former Dean of Admission Stanford University "The Past should be the past unless you live it fully. If you live it fully it will be so vivid in your memory that it will not seem to leave." And so goes the bittersweet, thoughtful, and yearning wisdom that pours from the pages of Biernacki's book, No More Heroes. Victor Cass Author - Telenovela and Love, Death, and Other War Stories. No More Heroes is part travelogue, part human interest, part inspirational. I felt that I was with Biernacki every step of the way as his writing style beautifully describes the scenes and images that he encounters along this journey. As one who likes to travel but doesn't, this book is an inspiration to perhaps undergo such an adventure. Bravo Biernacki! Alan Mautner Music Conductor Biernacki's sensitivity and understanding only comes with the broadening effect of being a world traveler. Truly, the author presents heroes upon which the reader may model their own life. Kevin Brendan Arnold Cunniff World Traveler, College Lecturer

Critics often trace the prevailing mood of despair and purported nihilism in the works of Cormac McCarthy to the striking absence of interior thought in his seemingly amoral characters. In No More Heroes, however, Lydia Cooper reveals that though McCarthy limits inner revelations, he never eliminates them entirely. In certain crucial cases, he endows his characters with ethical decisions and attitudes, revealing a strain of heroism exists in his otherwise violent and apocalyptic world. Cooper evaluates all of McCarthy's work to date, carefully exploring the range of his narrative techniques. The writer's overwhelmingly distant, omniscient third-person narrative rarely shifts to a more limited voice. When it does deviate, however, revelations of his characters' consciousness unmistakably exhibit moral awareness and ethical behavior. The quiet, internal struggles of moral men such as John Grady Cole in the Border Trilogy and the father in The Road demonstrate an imperfect but very human heroism. Even when the writing moves into the minds of immoral characters, McCarthy draws attention to the characters' humanity, forcing the perceptive reader to identify with even the most despicable representatives of the human race. Cooper shows that this rare yet powerful recognition of commonality and the internal yearnings for community and a commitment to justice or compassion undeniably exist in McCarthy's work. No More Heroes directly addresses the essential question about McCarthy's brutal and morally ambiguous universe and reveals poignant new answers.

The peaceful nights are kept under the clandestine and watchful eye of young, gifted vigilantes the world over. But a sudden rash of vigilante deaths heralds the arrival of a new and unfamiliar enemy - one whose motive is as unclear as their identity. Someone or something seems determined to disturb the peace, and they're going straight for the watchmen to do it. In a city where those who are gifted make up their own rules, who will step forward when the threat of a swift end is real and there stands so little to gain? No More Heroes is an urban fantasy action/adventure novel about young, would-be heroes who get more than they bargained for when they delve deeper into a world they never knew they were a part of. Featuring a diverse cast of players, discord, a mystery to be solved, plenty of literary action and high-stakes battles, No More Heroes is a story about self-belief and camaraderie, persistence in the face of trials, and what it means to be the best version of yourself.

Leadership is most needed in times of change, uncertainty and crisis. We are living through those times. To support leaders in all spheres, this book provides a guide to the territory of leadership and its three domains: the strategic (head), the operational (hands) and the interpersonal (heart). It describes the tasks leaders have to achieve and explains the psychology of leadership based in personality. It argues strongly that complete leadership is the province of diverse teams of leaders made up of complementary differences. And now the best has just got better. The new edition shows how leadership has to change over time, describes how the most highly rated leaders achieve their goals and also elucidates the neuroscience of leadership to enhance understanding of leadership’s foundations. Pendleton, Furnham and Cowell’s work is a powerful combination of the best research on the psychology of leadership and years of iteration and practical implementation in the field – working with thousands of leaders from all walks of life and learning from their successes and challenges. There is no one secret recipe for success as a leader. What this book provides is a framework to enable you to achieve success in your own way.

No More Heroes is an in-depth exploration of madness and psychiatry in war from Richard A. Gabriel. The author, a former intelligence officer, traces the history of madness in war, reveals information about the behavior of men in combat, and uncovers its implications for the modern battlefield.

Featuring over 80 full-color portraits of the pioneering legends of American comic books, including publishers, editors and artists from the industry’s birth in the ’30s, through the brilliant artists and writers of behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Werthem… it’s a Hall of Fame of comic book history from the man BoingBoing.com call “America’s greatest living portrait artist!”